Hi, J.C. Shaner. Nixie, here.
Overall Impression
Your opening paragraphs painted a vivid image so real it brought tears to my eyes. (I lost my dad recently.)
When the son leaves his watch with his father, the action and words sounded like foreshadowing. I can't wait to find out.
Select words sounded alien and futuristic, adding to the realism of the plot. Chrome Command was the most expressive, considering what the words stood for.
Plot/Setting/Characters
Let me begin by highlighting the beginning of Josiah's speech.
"Into the dark of space, light is sent--
The plot is fairly straightforward. Human expansion, Intelligence societies, pirates, all coming together to force the protagonist into action. Add in the profit-driven people who care nothing for indigenous life.
These conflicts will be Josiah's proving ground. Toss him into the worst situations you can think of. Plague him with morally-ambiguous decisions. Don't forget the girl. She can be a source of comfort and/or antagonism. Maybe she'll be Josiah's buddy. Or perhaps Hammond?
The oh-no moment. Enter the conflict.
Uulian free of intelligent life forms 'accessible' that everything had gone wrong.
Later, while the mom prattles on about Josiah choosing his own destiny, the reader already knows his intent. I suggest you tighten up this dialogue. It goes on far too long.
Generally, dialogue should be no more than three or four sentences per character. Otherwise the reader might lose interest.
Josiah's mom's words are a necessary element for the plot, but maybe she could speak a little less, move a little more.
Here's an excellent example of short, clever dialogue.
"You're putting me to sleep, Arn.
Showing vs. Telling
not releasing his tense grip on the railing--"
The entire paragraph is a fantastic example of showing vs. telling.
Choose different actions for characters, unless you're demonstrating a personality quirk. The only problem in the highlighted phrase above is the repetition of this action in other parts of the story.
Something to keep in mind. The plot requires a lot of explaining. I would try to work more of it into the dialogue or action, rather than lengthy paragraphs of information.
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"It's yours now, dad," he whispered.
Dad should be capitalized, as it's being used as a proper noun in this sentence.
"You wouldn't want me wasting time counting the time
Repetition of time in this sentence.
He noticed an elegant, perfumed scent nearby and turned to see his mother
A few questions about this sentence. How can a perfume smell elegant? And since Josiah has interacted with his mom a few times before this, the placement seemed odd. As if they were interacting for the first time.
though she wore it well tied into a bun.
well-tied should be hyphenated because it modifies a noun. Well-tied is a bit awkward. What about tidy or tight bun?
Josiah returned.
Just stick with he said/she said. Check for other instances of this.
he repeated with angered emphasis.
Show emotion through action, not dialogue tags. I highlighted a sentence where you did exactly this. One example might be: He clenched his fists.
"I should go," Hammond said to Josiah
Much of this paragraph is repetition. The wording is too similar and it loses meaning. In fiction, less is more.
Parting thoughts
Overall, a story I could dive into. After the roller coaster of emotions, I was fired up and enthused at the conclusion. I felt like fist-punching the air. "You go get 'em, Josiah!"
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