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I try to find the WOW-factor in your writing. No in-depth analysis, just my thoughts.
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I try to imagine I've just taken a seat in the waiting room at a doctor's office and picked up a magazine to pass the time. Suddenly - what's this? - I stumble upon your little work of art. As a result of reading your story, either I will 1) I like it so much I MUST have it, so I stuff the magazine down the front of my shirt and hope the doctor isn't checking my heartbeat today, or 2) Become so nauseated at the ineptitude displayed by your chicken scratches that I will beg the doctor to consider me for an emergency euthanasia. Chances are it will be somewhere in the middle.
I am thorough. The technical aspects are important to me as much as if the story makes sense. The word "cruel" has been used before when responding to a review I've given, but in an appreciative and kind way.
I dissect stories like a surgeon with a poet’s hands—probing the emotional marrow, not just the bones. My reviews prioritize thematic resonance, psychological authenticity, and prose that feels before it explains. I’ll ask why the rain in your story smells like regret, or how the silence between lovers becomes its own character. Technical critiques (pacing, grammar) come only if requested—I’m here to unravel why your story haunts, not just how it functions.
Unsentimental. I focus on the kinds of craft issues that will keep a writer from being taken seriously and prevent them from fully expressing their vision.
For more information, see "Writing Hurts: Review Forum"
I tend to be pretty detailed in my reviews. I look at word choice, flow, grammar, and punctuation. I look for holes, concept jumps, imagery, and consistency. If I think there are specific wording problems, I'll point them out line-by-line. I also try to give big over-all impressions as well.
As a reviewer of your work, I will first look for identification in what you are presenting. When a reader can truly identify with the writer, emotion sets in and the story becomes a part of the reader as well as the writer.
Disclaimer: I am not good at remembering to do requested reviews. Often I have busy things going on with work and my own novels, so sorry if I decline or don't remember to do a review in the short time given. Just a warning.
When I review: Long. Depending on the type of story and reason for review I tend to get anywhere from 4,000 characters to on the rare occasion over 10,000.
I will make overall comments, technical points and even offer sources when necessary but a lot is dependent on what I'm reviewing. I can even do a full edit but that's take a lot of niceness and time.
I will give the kind of review that I wish people gave me: rather detailed with emphasis on areas that need growth and areas that are pretty good already. And I'll review pretty much anything, whether a poem or an entire novel or anything in between. Admittedly, though, I do tend to be absent-minded, so it does happen that you might have to resend me the review request, but I promise I'll get around to it eventually.
Minimalist. Focus on technical. I also look at how a work would fit into the traditional publishing landscape. I don't use a template.
Warning: I am Australian, and so cultural differences may apply.
Casual, friendly. I'll point out typos when I see them and make suggestions about quality, characters and logic, besides telling you how I feel about the piece.
While I consider myself apt enough to provide decent, kind feedback, I'm not the sort of person to laud a man's writings. Instead, I seek to find smaller, more intricate points of interest within their writings so that I might offer suggestions and feedback so that they might better aid the flow of their work.
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