I like the title. I like the assymetry. I like the increasing line lengths. I like the metaphors that characterise person as instrument. pencil, boat, clock, notebook, etc.
I think you chose a layout/format/scheme and stuck to it. That makes this simple and direct, but, and this is just a suggestion, including surprises would make this more powerful
Don't get me wrong. Good poem. You could try my suggestions on this or on another poem you haven't yet.
surprises 1. layout 2. punctuation
Layout first:
You have 16 consecutive line that begin with capital "A". You have a 20 line poem, 18 of which start with "A".
Rather than starting consecutinve lines with an "A", infer the "A", group consecutive lines into sentences one or two breaths long.
Punctuation second:
You use some commas and two periods. Just as in the layout, use periods and commas and elipsis to load the one or two breath sentences.
It will be easier to show you what I mean, so I'll do that in a sec.
I bet more people would like your poem in it's original form. That's cool. You will be giving them what they think poetry is. I am not demeaning them or you. This is poetry.
The reader and the writer get to decide what poetry is.
However, what make for good poetry is requiring the reader to engage their imagination and intellect to fill in the spaces you leave for them, a hint of ambiguity that makes for than meaning.
I see you are in Jr High. As a writer you are at a jumping off place. I see this is free verse, perhaps that is your preference.
The turning point is this - to find and write with your voice things from your personal vantage point. Though your subject will most often be themes universal to humanity, you are the only person who can bring your certain light to bear on a subject, illuminating, pointing the way to look at things in a different way than others, perhaps alleviating others loneliness, pain, grief, doubt, shame. Perhaps helping people to people to see the beauty of little things, to feel their connection to the world and each other, to hear the little sounds that are not noise.
OK I'm running on here.
The other choice is to write like a person playing hangman, sudoku, pictionary, filling in crossword puzzles, or writing limericks. You know filling in the blanks. The arbitrary blanks someone else has devised or the ones you devise for yourself. Here I am talking about the myriad poetic forms and devices full of rules and a center line and no fast lane to take off and pass everybody else. Keep all of the words out of the ditch or there goes your "A".
I see my bias in my description of the choices. There is no right or wrong. It's not engineer bad, architect good, ceo bad, hippie good, poet good, car salesman bad,
limmerick bad, free verse good, a**hole bad, saint good. I'm not making value judgements.
My point is don't write how you think you should, or they think you should. Rather write with your voice, write who you are. This means journey of discovery. That is Good News.
Let me take a shot at it. Think of me as an editor. This is your poem with some suggested changes.
Here is a girl…
She is…
A
friend ,
responsible child.
An
artist of words.
A
dreamer that won’t awake,
girl with hopes and spirit,
beginner that will not stop trying.
An
explorer who has yet to find treasure.
A
boat, sailing on an undiscovered sea,
daughter of divorced parents, she loves them the same,
clock, which will tick away until the end of time…
notebook, which anyone can write his or her secret thoughts in.
A
sister who has to set the right example for her siblings.
A
road, many have and will travel on, changing their lives and history.
A
pencil, which will write her own history, and share it with the entire world.
A
shoulder, which will always be there for friends or strangers’ tears to fall on.
A
bird, which flies over all, tweeting her little song, for all to hear,
book, yearning to be read, remaining on the shelf, and covered in dust, forgotten.
light pole, leaned on, shield broken, rusting, seen all things, yet still stands.
Here is a girl…
peace - peach |
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