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9 Public Reviews Given
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Public Reviews
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Review of Horizon  Open in new Window.
Review by GirlOnTheRun Author IconMail Icon
Rated: 18+ | (3.5)
Let me just start by saying, I really really like where you went with this. I think your portrayal of the lead protagonist was very realistic, and even though I absolutely couldn't relate to the scenario, I found myself anxious to find out what would happen to him. I think it is a great skill to be able to persuade the reader to feel for a character who is not necessarily virtuous or deserving.
I also really liked your portrayal of Paco. I had a pretty good visual of him from your description, and I think that you did a great job of developing my animosity towards him, which, in turn, further bound me as a reader to the lead. Though the character of Gina could use a little more fleshing out and possibly a slightly longer back story (e.g. who is she in relation to the lead? How did they get into this entanglement?)
Aside from this, I think your characters are possibly the strongest attribute.
That being said, your grammar, punctuation, sentence structure and spelling could do with some work. To start, you might want to run the piece through spell check, because you have made some rookie mistakes which imply you haven't proof read thoroughly enough. Just little things like capital letters, spacing after commas, and a couple of conjunctions.

There are also places I thought a semi-colon or full stop would be put to better use than a comma or space. Here are a few examples:

- "About five miles his cell rang and he anwsered,this I think I got the gist of it"
> This could be better revised perhaps as "After about five miles, his cell rang and he answered; I think I got the gist of it."

- "From the get go, Paco made me uneasy and it wasn't just the drugs screwing my mind either"

>"From the get go, Paco Made me uneasy; and it wasn't just the drugs screwing with my mind either."

- "Big fucker,three parralel scars on his left cheek,mean looking tattoes everywher,the kinda dude you don't wanna meet in a dark....anywhere."

> "Big fucker. Three parallel scars on his left cheek. Mean looking tattoos everywhere. You know, the kinda dude you don't wanna meet in the dark... anywhere."



Another thing I noticed, is that on a couple of occasions you used the same word twice in the one sentence. e.g.:

- "We had travelled about a hundred and ffifty miles when my travelling "companion" gestured for me to pull over."

Doing this is disrupts the flow a little, and will distract most readers from the plot. Maybe look at using some synonyms.


There are only two more things I wanted to comment on:

1). Tense.
> I found myself a little confused throughout as to which section of the story I was in. It needs to be really obvious to the reader, which parts of the story are past and being recounted, and which are actually happening in the present time when the story is being told. It was unclear to me whether the story begins when he is in the car with Paco before he shoots him, or whether he is recounting the entire series of events after they have all happened. As you are using first person, you can use the narrative voice as though you are speaking directly to the reader, which I think you have done in places anyway, it just seems a little jumbled at the moment.

2). Vocabulary.

> It seems to me (and I could very well be wrong), that you are intentionally altering the vocabulary for each person to better illustrate their nationality, and socioeconomic background. I think this is fantastic, because it really brings the story to life. The thing I found a little distracting, is that you are cutting in and out between your sophisticated writer's voice, and your character's uneducated, rough and colloquial voice. In a case when you were writing in second or third person, this would be fine, because you could change between the narrative of the surroundings and the character's voice. However, because you have written it in first person, it is really important that you stick to the voice you have given the character. e.g. if it is going to be rough and colloquial, it all has to be in keeping with this. It sounds a little out of place when one minute your character is narrating "(Shit I have trouble reading the headlines on the daily's let alone understanding Spanish)", and then the next minute despairing at the "wretchedness that had befallen [Gina]". By all means, use sophisticated vocab, but try to keep in context of the character you have created to make it more believable.

Sorry for lengthiness, I can get a little carried away with critiquing sometimes. I really love what you have so far, and with some fine tuning I think it has fantastic potential :)

Keep writing!!

~ GirlOnTheRun
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Review by GirlOnTheRun Author IconMail Icon
Rated: E | (3.5)
This is really cool, I love the way you have taken the concept of creation from Genesis and flipped it on its head. I think it's a really interesting way to begin a story. The only thing I would suggest, is that, although it seems like you are mimicking the narrative style of the original text, it could do with a more sophisticated vocab. I just think that it could benefit from a more intricate scene description. But altogether I love where it is going and would love to read more :)
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Review of the reason  Open in new Window.
Review by GirlOnTheRun Author IconMail Icon
Rated: E | (3.5)
I really like what you have so far, the emotion and sentiment is very moving. But I think the way you have expressed it could do with a little work. This may just be my admiration for the classics shining through, but some of my favorite romantic poetry is less straight forward. It has more flowery language, and uses riddle and metaphor to express similar sentiment but in a less obvious way. It has the power to make me really think about what the writer is trying to tell me, rather than it being something that I can read, understand and move on from. But as I said, I really like it, so keep up the good work :)
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