I wrote this poem based on my family's history as Armenian farmers in Peria, Iran. |
Lamentation: No Pen and No Paper at Hand If it is Suffering You are asking of me Have I suffered enough? Peering out of the polygonal renaissance bay window, the floor-length curtains paraded aside On this gloomy autumnal day Early in the day, so early it is still dark outside I impart: My suffering is a muted awakening Isolated like a bearded mountain hermit, with full-blown whiskers A loaner in the great old woods, among the congregation of trees and the cool of the shade Until I find my way back home, with the asphalt-shingled roof to cover our heads Discombobulated from within I only know to work hard and harder yet And keep my needle-sharp eyes and ears open, no matter the time of day Then the sudden realization: nearing sleep-deprivation Borderline: over-exhaustion Northbound and lethargic God-do-please-dear-God-forbid: a yet untreated form of the fatal familial insomnia, yes, fatal GoddopleasedearGodforbid: a yet misunderstood form of a pain syndrome, chronic and devastating Looking onward, hooded, watching, gazing with no breaches of attention Broadening the philosophical possibilities, distant, yet at once tangibly fingertip-friendly An intergenerational inheritance A quasi-judicial intellectual ownership via birthright A sweet blessing among sweet blessings Treasures enclosed within treasure boxes Opulent, ornamented with a mask of rustproof resilience Dressed in gems, awfully unbelievable Bronze, silver, gold Shimmering, shimmering, shimmering Clinging to the skin Thickening an already thickened epidermis My sun-flooded browned skin Keratinocytes that give keratin Melanocytes that give melanin Like a shield, protecting me Against suffering itself Against suffering itself ***** Once again you turn to me and ask: Have you suffered? Apparently my most earnest reply has been deemed unsatisfactory Sadly, sadly, somehow too poetic and passé for my very own good [Consider this effort as an appalling understatement among the myriad of voices you have heard on book pages] [Volumes] [As cited and referenced, that was that, history, just history] [With blood circulating in my veins, clockwise] [Clockwise, clockwise] [Freedom questing] [Freedom conquering] [The detection of the degree of finesse one requires to master to withdraw from those archaic fields of battle] [Lost and won with the rarest of rare blood] [Lost and won with the reddest of red blood] [Yet this ceremonial sacrificial lamb of a warrior within stages squabbles, brawls, wrangles, clashes, battles, combats, then heralds onto wars] [Heralds onto wars] [Heralds onto wars] ***** How much of this can one stomach? ***** With no pen and no paper at hand With no pen and no paper at hand I wonder if such demented demented questions merit merit any manic manic answers In a way you would most prefer to have it heard In a language you would most bear to pay heed to Then, yes I have suffered I have suffered enough Without fronting complaints, without self-sacrificial undertakings: Enough is very much enough With no pen and no paper at hand With no pen and no paper at hand If suffering is all that I know Then I know myself very well Tearless, too aged to cry Grounded without sorrow, without shame What is there to be hidden? What is there to be securely placed out of sight? Akin to an all-too-young-to-know-any-better veiled bride-to-be in black She, walking on the streets on a musty summer’s end day Hurriedly taking immature steps in vengeful silence at dusk No bouts and no bursts of anger So late in the day, much too weary to go mad Given these thoughts, in entirety: No pen No paper Yes I have suffered on and on I have not forgotten those times The years have gone by Have they not? And I have let time tell all of the tales These tales that bind me together Giving me my color Giving me my creed Giving me definition ***** Once again you ask: What suffering? What is your yearning heartbeat all about? The anxiety-ridden palpitations? The angst? Upon hearing your questions Disturbed and up-shaken from my water-hungry roots I take a roundabout turn To greet you, to say hello, to ask about your whereabouts And I see I see you are not ready to hear it all Dainty and delicate Flimsy and fragile [Woe to us all!] [What misery!] With just a sudden negligent slackening-sloppy-slip of the hands You may shatter into pieces, all dead on the marble tile floor Like an old-fashioned store-selected quality glassware An exceptional crystal bowl, most appropriate for the tender garden flowers, the dandelions and the daffodils The dandelions and the daffodils Then what? Who will be responsible for these shattered pieces? So difficult to reassemble One piece at a time Thereupon how will you move forward? How will your days be? In the sun and under the tree shade or amidst the drought with just a bucket full of muddied water? For I have too many tales to tell Too many tales A tutorial or two From each to take And the next time You feel The pain The pain The pain Ambushing Rush-rush Rushing you down With no end in sight The days go by and by The months go by and by The years go by and by This sort of a whipping This sort of a begotten cruelty A massacre or two Call it what you call it Guardianship This sort of a treasured ownership of the self This sort of an honorable reclamation of the self [Stemming from unknown sources] [Seamlessly mysterious or undisclosed or anonymous or nameless at birth] In a manner of speech heightened with lively gestures of the body In an acute mode of reasoning Motioning the tragedies of our yesteryears Narration after narration Nearing the darkest hours Of that staggering stage A mark of faithful observance A resilient survival mechanism A celebration of endurance Performances: Hey! Performances: Hoy! Performances: Hey! Performances: Hoy! Performances full of life, of love Then, certainly, in due time You will be well-versed In bygone suffering In suffering beyond Tales so thorny I have yet to tell Tales so thorny I have yet to tell Jacklin Gharibian April 6, 2011 |