the false fronts we all wear (our personae) |
OUTBACK disregard the front of my building, the high western corners, with their implications of hidden gunmen, the fresh paint and misleading signage, walk down the side alley and get a look at the low shed that hides there, leaning, threatening to slide down the bank into the unfrozen april stream we all keep our faux front facing main street, in madcap denial of the dilapidation outback; the years of frost working in and out of the ground have pushed the foundation posts nearly over, they are leaning, drunk and arrogant in the dark underneath and out back, the cow stalls of childhood are empty but polished, red by years of abrasion and slaughter; the storage closets, overflowing with memory and paperwork, 2nd place trophies and county fair ribbons; the leather strap still hanging from a rusty nail Main Street, the front row, your best face, the downtown suit, we save for church and the guy at the bank. well, I don’t mind admitting that my marquee is drooping a little, there is leprous paint, pealing; but I have taken down those false western corners, and I leave the side door open now, yes, for the sweet breeze to blow through this is my house, now, open to the western wind, my kitchen window, now peering out over the bank of the stream to where dawn arrives, each morning, with thick mist and roses on it’s breath yes, see me here, now, it’s about the space, inside, the place where you are, i am, behind that downtown face, beyond the hand of rouge and eye make-up; here, I am. |