Existential, wah-wah, journey of self-descovery... so everyone dust off your third brain. |
My cell phone rang. When I see who it is I feel that ephemeral moment of joy I always get when she calls. âHuh. I didnât think Iâd get service down hereâ I say, answering. âDown where?â she asks. âAt the bottom of this well.â Talking to her always made me ecstatically happy and immeasurably miserable at the same time. Just the same, I never could bring myself to ignore her calls; so I was hoping that being here would save me the trouble. It seems the laws of physics are out to spite me, yet again. âWhat the hell are you doing at the bottom of a well?â Hmm. A fair question I suppose. Should I tell her that Iâm questing for meaning in the existential sense? That Iâm emulating the inane narrator of an off-kilter Japanese novelistâs book? Either she wouldnât get it or I wouldnât have the energy to explain, I decide. âUmâŠI fell?â âAre you D-F-S? Why havenât you called for help?â âNo, itâs alright. I like it down here.â âWhatever.â And then its business as usual, she tells me about her day, about what new and odious bill she has been saddled with. Inwardly I wish I didnât care, that I could just be callous and tell her I know she only calls because she has nothing else to do, and the people sheâd rather be talking to arenât available. But I donât. I listen attentively and give her all the reactions she wants, and hope that I never get out of this well. ââŠAnd then my cell-phone bill is due the 21st, what am I going to do?â She says. âGod, I wish I could help youâ I reply. Thatâs true actually, though I wish it werenât. Itâs not because Iâm a selfless giver or anything like that. I want to help her for my own selfish reasons, which I suppose are glaringly obvious. Talking to her is like reading a Murakami novel. Maybe thatâs why I do it, to hear the trivial ins and outs of her existence like Iâm being narrated to by the man himself. She rarely sounds as sad as I picture him sounding. I wonder if sheâd ever climb to the bottom of a well. ââŠanyway Iâm going inside now so Iâm gonna lose service. Iâll call you back in a sec.â âAlright, talk to you later.â âOkay, byeâ She says this in her cute voice, which makes me shiver and bang my head against the moldy stone wall. I wonder why she does that to me. What would Murakami do? I wonder, not for the first time. The first book of his that I read was called âSputnik Sweetheart.â Itâs about a guy whose only true friend is a bizarre, self-absorbed bohemian. When she disappears he travels the world looking for her. He never does find her, at least not in the capacity he had wanted, and he never tells her how deeply, tragically in love with her he is. Instead he comes to the conclusion that physical distance doesnât compare to the emotional distance between us all. Weâre all just satellites slowly floating through the void, searching for signs of life. You know, or some existential crap like that. Iâm not sure if the book should have more meaning to me now. Murakamiâs narrators are always the same guy, it seems. Sometimes they are named, but often they are not. They never flinch in the face of tragedy, or the unexplained weirdness that pervades his work. They are nonchalantly miserable. It isnât a stoic denial of pain or loneliness or sadness. Itâs more like a âwhateverâ shrug. The closest thing there is to a word for it is sound you make when you sob and sigh at the same time. I suppose your also wondering why Iâm in this damn well. I just finished another book by the man, called âthe Wind-up Bird Chronicle.â In it the narrator is told a story by a salty old veteran, about a secret mission in war-time Mongolia. The veteran and his companions are captured by Russians. One is flayed alive, one escapes and the veteran himself is flung down a well and left for dead. There at the bottom his terror and loneliness overwhelm him until one day, for a brief, fleeting second he finds himself bathed in golden light and feels a sense of deep calm fill him. I suppose Iâm waiting for my own golden epiphany. Golden epiphany. I must have dozed off thinking about this. I donât immediately open my eyes when I awaken; not until I notice thereâs something sitting on my lap. It was a cat, blacker than a moonless night; its giant golden eyes caught the last rays of the sinking sun. They were truly dazzling to me at that moment and I sat still, too mesmerized to break the cats gaze. âGood eveningâ it says in a low, pleasant voice. Iâd never considered what my reaction should be when confronted with talking animals, so I start laughing, perhaps a bit hysterically. I laugh until Iâm gasping for breath; stop it I tell myself Murakamiâs narrators never laugh at strangeness. I clear my throat to regain my composure, and try to put on my best expression of total apathy. âI donât know what you think is so funny. If I am here something must be seriously wrongâ the cat said chidingly. âI always wondered what its like to go crazyâ I said âI somehow figured it would be more subtle than this.â âDonât be immature. Iâm not here because youâre crazy. I am your third brain given form, and we have a lot of ground to cover before the night is through. Leave your phone up here, you wonât be needing itâ Saying this, the cat leapt off my lap and crossed the muddy floor to spiral staircase I hadnât noticed before. A talking cat⊠oh, Fritz Leiber I can taste your jealousy. âThird brain huh? You know thereâs some debate to whether I have a brain.â I say. âYes, thatâs very funnyâ The cat says, possibly with a hint of sarcasm, as he starts to descend the stairs. âYou are familiar with the concept of the lower and higher brains?â The cat asks. âUhâŠsure, lower brain is primal, survival-instinct kinda stuff and higher brain is like reasoning and creativity, right?â I reply, following him, and being sure not to step on his tail. âPrecisely. Just as the higher brains reasoning power is exponentially more than that of the lower, so is your third brain exponentially more powerful than the other two combinedâ The cat says with no hint of pride in his voice. âIf youâre a manifestation of my own thoughts, why are you a cat? I hate cats, you should be a monkey, or a penguin or somethingâ I say, though itâs rather beside the point considering the circumstances. âYou know exactly why Iâm a cat; you just want me to spell it out for you and Iâm not going to do that.â The cat says. âI guess asking where we are going would be a dumb question too.â The cat says nothing in reply and we descend the rest of the way in silence. It is pitch dark at the bottom of the stairs. I couldnât tell the dimensions of the room there, I could only make out pair of double doors by the light leaking from their edges. âCould you get those please?â the cat asks me, I can see his golden eyes looking up at me in the dark. I step forward and fling the doors open. At first the light hurts my I eyes and I turn away. Gradually the stinging recedes and I try to act uninterested by what lies beyond. Itâs a sunny place, my old backyard somewhere. I feel like Iâve never been here before, though I know I have. Jamais vu I believe itâs called. The cat and I cross the yard, shoulder our way through some bushes and are walking through an old friends kitchen. âThis is the chapel of your memories,â the cat says âyou can come here whenever you want, you knowâ I wonder to myself why Iâd want to do that. Iâm in high school now and I see all the people that should seem more familiar than they do. Then Iâm somewhere else and that girl and I are locked in an embrace. When did that ever happen? I wonder to myself. âThis isnât actually where we are going, this is just the fastest way to get there. I have got to warn you that past here it gets a bitâŠstrangeâ says the cat. I stifle a laugh in response to this. Stranger than this? We are suddenly somewhere else, and I know itâs not a memory. Itâs a crowded room; in here men are packed shoulder to shoulder. The impatient tension here is tangible. I look at one of the menâs faces. Itâs me. Theyâre all me. Hundreds, maybe thousands. And they all look pissed off. âThere he is! Get him!â one shouts. They all turn on me, indescribable hatred and fury twist their faces, and itâs all I can do not to smile guiltily. âRunâ the cat says, and I comply. Briefly I ponder the symbolic ramifications of an army of meâs trying to kill me, but mostly I just run. My eyes are shut tightly and I donât notice that we have lost them until I find myself splashing through water. I open my eyes and find myself on a desolate beach. Thereâs not a single star in the night sky, and the cold open space across the water makes me feel like Iâm on the surface of the moon. âHere it isâ the cat says. He is sitting next to a doorway thatâs standing there incongruously on the beach. âThis is the door to ultimate truth, my friend. Beyond this door lie all the answers you seek, the cure to your misery. A golden epiphany.â He continues on, but I donât listen. For once in this odyssey I know what Iâm looking at. I wade right into the inky waters; its icy cold but I feel like a red hot poker. âGet away from there!â The cat shrieks frantically, âdonât you know what that is?â âYou canât tell me what to do, stupid cat.â I say drunkenly, splashing happily in the numbing coldness. âThat ocean is nepenthe. You wonât find answers thereâ he says. âEnough with the lectures, Cat. Your golden epiphany is a lie.â I reply, the waters up to my neck now. I canât feel the rest of my body anymore. âYour denial is a lie! Your inability to accept and move forward is a lie! Youâre too scared to face the truth. Forgetting your pain wonât erase it, and it certainly wonât prepare you for the world of it to come!â the cat desperately entreats. I think about how wrong he is as I sink like a stone into the cold, dark. I open my eyes and donât know where I am. Is this the bottom of a well? I donât know what Iâm doing here, but I feel happier than I have sinceâŠI donât remember. My cell phone rings, I answer. âHello?â âHey. So where was I?â Itâs a girls voice. âIâm sorryâ I reply âWho is this?â |