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Printed from https://writing.com/main/newsletters/action/archives/id/5855-Cultural-Diversity.html
Fantasy: August 28, 2013 Issue [#5855]

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Fantasy


 This week: Cultural Diversity
  Edited by: Robert Waltz Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

If we cannot now end our differences, at least we can help make the world safe for diversity.
         -John F. Kennedy

Ultimately, America's answer to the intolerant man is diversity, the very diversity which our heritage of religious freedom has inspired.
         -Robert Kennedy

Diversity in the world is a basic characteristic of human society, and also the key condition for a lively and dynamic world as we see today.
         -Jinato Hu


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ASIN: 0997970618
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Letter from the editor

Cultural Diversity


One trope that has long bugged me about science fiction such as Star Trek and Doctor Who is this: Often, Earth cultures are depicted as diverse and varied, with nuances of looks, dress, and habits; while other planets have (most of the time) one monolithic culture or (rarely) two peoples that are trying to destroy each other.

This makes sense, sort of, when you consider that one of the principal purposes of science fiction is to use alien races as a metaphor for human cultures and issues. But contrast this with worlds in the fantasy genre, which, taking a lead from Tolkien, often go even further in the diversity direction by including myriad sentient races on one planet - but then, they don't often travel through space visiting other planets.

It's also a product of necessity: you're producing a weekly TV show and it doesn't make a lot of sense to populate a world the way a fantasy author might. Still, to have a character say something like "The people of Krenn are peaceful and hard-working" implies that the one culture on Krenn values peace and hard work - whereas if you said that about Earth, you'd be neglecting all the cultures that have different values. Or, turn it around and imagine that an alien race made first contact with, I don't know, Canada, and then assumed everyone on Earth was just like Canadians? Boy, would they be in for a rude surprise.

What this mono-culture fiction does, though, is promote an ideal - useful, as I said, as metaphor, when you compare that world's one culture with another world's one culture, or any of the several on Earth.

Now, there are exceptions to this trope, of course. And all I'm getting at here is this: if you're writing science fiction, at least give a nod to the possibility that there's more than one nation, culture, race, etc. on a made-up world. Don't fall into the trap of "one world, one people."

Unless, of course, you're simply trying to shame Earthlings into being more accepting and tolerant of each other, in which case, go for it.


Editor's Picks

Just a few flights of the fantastic this week:

 A Metamorphosis of Mind and Men Open in new Window. [13+]
The psychological effect of society's evil on a kid born to change the world.
by D.G.B Author Icon


 Superior Open in new Window. [E]
I wish to be bigger than the world...
by Carla Author Icon


 Reality or Magic? Open in new Window. [E]
This is the finished preface to my current project. It expresses why magic is real for me.
by GranvilleS Author Icon


 Original Copy Open in new Window. [13+]
A 24 hour contest entry about an Indiana trip bringing someone to an unknown hometown.
by WritingTim Author Icon


 Sacrifice Open in new Window. [13+]
Man sacrifices himself for the greater good Daily Flash Fiction
by Hyperiongate Author Icon


 Invalid Item Open in new Window. []

by A Guest Visitor


 
Image Protector
The Waters of Europa Open in new Window. [E]
The mysteries of Europa's ocean.
by Jatog the Green Author Icon

 
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Word from Writing.Com

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Ask & Answer

Last time, in "Fantasy Newsletter (July 31, 2013)Open in new Window., I discussed the use of objects as characters in a story.

PuppyTales Author Icon: And of course each of these characters have different levels of sentience. For example, while the TARDIS is clearly sentient, the Enterprise is no more sentient than my car. But the Enterprise gains personality not just through its influence on the characters, but on how much personality the characters give her... which of course tells us about the characters and how they think. Kirk, for example, sees the Enterprise like a "demanding wife".

And my car is named Wind-Up and she's a bit moody, but otherwise lovely. *Bigsmile*


         The Enterprise is no more sentient than your car? Blasphemy! Majel Barrett* would SO kick your butt for that. But still, you bring up a good point about characterization in general, which is that one lens through which a reader sees *any* character in a story is that of the other characters in the story.

*For anyone who didn't know, she was the voice of the Enterprise computer through several different incarnations of the ship... among other Trek-related things.



And that's it for me for August! See you next month. Until then,

DREAM ON!!!

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