Action/Adventure
This week: Important Villainous Traits Edited by: Sara♥Jean More Newsletters By This Editor
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I'm so excited to be your Action/Adventure Newsletter Editor this week! Please let me know if you have any feedback, or if you have any topics you'd like covered in a newsletter. I will be glad to research it for you and do my best.
SaraJean |
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Important Villainous Triats
Last month, I asked the readers about the most important traits of a villain. The response was overwhelming! I am so excited to get to share the replies, and to get the opportunity to discuss each one. You guys obviously love your villains, and I have to admit that I do, too.
Without further ado, here we go!
Jay's debut novel is out now! said, "I think villains have more flexibility with what they can or can't do. The only trait I think is necessary is to make them as human as possible. Cartoonishly evil characters don't enhance the heroic qualities of your heroes. Villains who have nuances will give your readers a better, more complicated picture of your heroes as well. "
I think I can definitely agree with this. Unless it IS a cartoon, or is intended to resemble a cartoon (which can certainly happen), the cartoonish qualities should be left off.
A*Monaing*Faith said, "This may sound contradictory, but I like for a villain to possess both brutality and compassion. Brutality because that's what makes life hard for the hero; compassion, because it really messes with your head when someone's nice to you then mean as heck, then nice to you again; classic abusers syndrome. As for a third....they should have funny and entertaining minions, those are always good. "
Haha! I don't know about the funny and entertaining minions. It does work well in the movies or in television shows, but I'm not so certain about all books. I think it depends, greatly, on the overall atmosphere of the book. While every book does absolutely need some comic relief somewhere, can you imagine the villain in Silence of the Lambs, by Thomas Harris (the one who kidnaps his victims, starves them for four days, and then skins them) having a comical minion? Wow, that wouldn't work at all! Granted, this book is a mixture of Horror and Action/Adventure, but the Action/Adventure is certainly present in the story.
I can agree, however, that a comical minion is certainly amusing, and when placed appropriately (depending on the overall atmosphere of the literature), can add a lot to the story.
However, I think that your idea about possessing both brutality and compassion is a fascinating concept. I have read books where I both hate and feel sorry for the villain. (Dean Koontz's Mr. Murder, as odd as that sounds, is one example.) I've read books where the villain had no sense of compassion whatsoever, and it was so easy to hate them. I think, though, that YOUR way, the reader would be truly and honestly torn about what they feel about the villain, and that would make for an awesome battle of emotions in a story.
Mark Allen Mc Lemore said, "I am a fan and critic of independent film. Here we have a group of people who have to take little and make a lot. They are usually unknown directors and/or actors with a very little budget. One thing that is usually a must is the character driven story.
With this in mind, I recently watched a film where the villain was an element. It inhabited one of the characters and turned them evil. So, here are two traits, the villain must affect the hero of the story, perhaps even drive them and it has to be ultimately disliked. Sure, sometimes we can sympathize with the villain, but ultimately...
Anyways, the third trait is their defeat or, perhaps as the appearance of defeat. The hero must inevitably confront and destroy, or be destroyed by, the villain."
I think this is spot on. The villain must definitely affect the hero, otherwise why bother having a villain, and a hero, at all? And the comment about sometimes sympathizing with the villain, but ultimately they need to be disliked - this is similar to what I was saying above. I think that a mixture of sympathy and dislike is awesome when reading about a villain, it pulls the reader in both directions.
Silverwindrose Dragon Minstrel said, "Humm... A villain need to be well hum... a challenge for the hero to find a way to deal with.
What do I mean?
Well I have found villains can be things or beings. All they need is to be a challenge that is hard to deal with. The villain also needs to be able to shift their way of doing things as so that they can make it challenging for the hero.The villain also has to be able to catch your attention and hold it."
I think one of the best ways to accomplish what is mentioned by Silverwindrose Dragon Minstrel is by having a very intelligent villain. I think that villains should actually be very intelligent, sometimes even more intelligent than the hero, to make them very challenging to defeat. They should also, however, have a weakness! It is bad to make them so intelligent as to be impossible to beat, but at some point in the story, I think it is beneficial to give the appearance of being impossible to beat - it can get the reader's heart beating more quickly, and really make the reader wonder how the story will ever end well.
Second of Nine said, "I am greatly looking forwards to the next newsletter, and hearing other opinions about villains! Myself, I think one of the most important things about a good villain is that the reader is able to be sympathetic with them. The best villains that I've read about are the ones that I find myself trying to come up with situations where they can be the hero, and yet are completely believable as the villain in this situation. I like to use villains that are villains because they operate on a logic, moral, and cultural code that is simply at odds with the logic, moral, and cultural code of the story's hero/heroine."
I obviously agree with being sympathetic to the villain, as it has been mentioned a few times in this newsletter already. I really like your definition of a villain, too. A villain is a villain because they operate on a logic, moral, and cultural code that is simply at odds with the logic, moral, and cultural code of the story's hero/heroine. I think this is both fascinating, and dangerous. When creating such a villain, the writer needs to be very careful. There are some that read the story who will reverse the hero and the villain, because their own moral code is closer to that of the villains, and so in their mind, that character is the hero, even if the writer disagrees.
blue jellybaby said, "For me a villain is someone who is the epitome of evil. He (or she) wants to do harm, especially to the hero or his romantic interest. He has no morals and is only out for his own gain."
When I read this, I actually think of Superman, and poor Lois Lane, who always seems to be put in danger. Just because.
I can agree that, in some cases, this is appropriate. However, a villain that is only evil and has no variance in his character has the danger of becoming one-dimensional and predictable. It doesn't always happen, and careful writers can prevent the one-dimensional nature of pure evil characters and give them depth elsewhere, but it is always something to be cautious of. |
My picks this newsletter feature stories that have multiple genres. Action and Adventure are things that can be found in so many different genres, these stories do a great job of melding A/A with other interests.
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Here are some of the other responses from "Action/Adventure Newsletter (February 19, 2013)"
Quick-Quill said, "I love this newsletter. I don't have an ACTION/ADVENTURE story, however, I find my hero a little flat. I am going to take some of the things you listed here and see if I can make him the hero; the one who finds the truth and stands up for what he believes. I did discover his love interest is more of the heroine type. She made me proud, now I have to see what I can do to give my man not just a dogged determination to find his roots, but do something a little Hero-ish....what to do?"
Well, I'd say don't give up! But also don't over-edit. Sometimes, when we edit too much, we edit out the best features of our characters, or the best parts of our story.
When you succeed at making your hero heroic, let me know! I'd love to read it.
BIG BAD WOLF is Howling said, "If you want Heroes, and Villains, look to the Redwall series. You will find those who are utterly despicable, and will stop at nothing to accomplish their goal, namely the conquest of Redwall or its allies, and you'll find those who are truly courageous, and often times willing to pay the ultimate price to protect their home, and friends, and family."
I have not read the series myself, but I have heard good things from my students, who have read this series. It sounds like something I may just have to pick up and take a look at.
bobneH .. aka.. just bob said, "In my story, Blinder, Dan Davis is a 'reluctant' hero..(anti war Navy Chief, forced to lead his team into harm's way)(although one of his team loves to kill).. a side note.. After 9/11 I added an Arab, just to kill him, but I liked him so much I made him a hero... go figure."
Well, it sounds like your story is taking on a life of its own. I often find myself a victim of that, as well. It's fun to see where my characters will take me.
This week's question:
Let's help out some of those authors wishing to start in Action/Adventure! Tell me who your favorite A/A published authors are, and what it is you love about their work. What better way is there to get into the genre than reading the books?
Remember to put your answer in the Write into this Newsletter section. I hope to hear from you!
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