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Printed from https://writing.com/main/newsletters/action/archives/id/2909-.html
Action/Adventure: February 25, 2009 Issue [#2909]

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Action/Adventure


 This week:
  Edited by: Kate - Writing & Reading Author IconMail Icon
                             More Newsletters By This Editor  Open in new Window.

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Greetings! I'm honored to be your guest host for this week's Action & Adventure Newsletter.

Each day is a blank page, an adventure to be written, action and re-action ~ be pro-active when you write and allow your readers to react as they move about the adventure you've created for them*Smile*


Word from our sponsor

ASIN: B085272J6B
Product Type: Kindle Store
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Letter from the editor

Greetings, action scenes are tactile, vivid, engaging the senses to make your reader a part of the story or poem; ratcheting up the pace, making him/her need ot turn the page or continue to the next stanza. While writing an action scene, do you sometimes find yourself squeezing the words from your pen, or pounding them out of the keyboard? Does your body sometimes tense up, breath speed up, along with that of your characters?

Then, do you sometimes get lost along the way? One vivid scene in your adventure comes to a close and another waits to begin (or continue), How to connect them so that your reader stays absorbed in the story, needing to turn the page to continue the adventure. How to keep the chain of events and interactions going for your characters and readers.

Transitions provide such links between chapters, scenes, stanzas, even paragraphs. In action/adventure stories and verse, when effectively used, they provide a link between settings, direct the reader's (and sometimes the character's) attention to the action about to take place or a foreshadowed reason for an action.

Transitions can direct the reader's attention with just a few words ~
*Bullet* Move your reader from one locale to another.
*Bullet* Move your reader through time - recalling the past or foreshadowing future action.
*Bullet* Change point of view or perspective.
*Bullet* Shift the tone or mood, picking up the pace or probing with a bit more depth.
*Bullet* Conclude one action.
*Bullet* Create associations in the reader's mind.

*Star**Star**Star*


Now, how do we apply transitions to move the action from one place to another, or pass the ball from one character to another, while keeping the images tight and vivid, making our readers need to turn the page and continue the adventure.

*Bullet* Time ~ via adverbs such as then, now, meanwhile, later, once again or adverb sentences such as Five years passed with the goal no nearer.

*Bullet* Place - either with single words or phrases, or sentences, such as here, there, beyond, Inside the cabin.{/ii} Also, movement from one place to another - action - I closed the door, leaving the plane and such things familiar, for the vast open green of the forest. Here also in a longer piece, using a space or chapter break prepares your reader for another locale or perspective.

*Bullet* Point of view or perspective. Changing from first person to third-person, for example, to introduce a change of venue or perception for the adventurer by introducing a battle or vivid interaction with new surroundings. Changing perspective, while holding the same point of view, from the adventurer to perhaps the antagonists's eye and hand.

*Bullet* Focus - either on a comparison of what's different or what's the same in a different locale. For example, Sam was sweating profusely despite the sudden drop in temperature as the plane nosedived into the snow bank. Here we focused on Sam's tension/attitude while moving him to another locale - action.

*Bullet* Emphasis - comparing or contrasting one thing to another - i.e., further, but, yet, not only, in fact This would emphasize what is to follow immediately afterwards.

I think these are the most effective transitions in adventure writing, drawing the reader deeper into the action, keeping him/her turning the page to see what will happen next.

Meanwhile, we can scroll down and embark on some adventures with fellow writers in our Community. See, a transition inviting further action*Wink*




Editor's Picks

See how pro-active are the following adventures prosaic and poetic and share your reaction via a review perhaps

 The Somali Pirates Open in new Window. (E)
Heidi, a photographer goes to photograph and get information on the Somali pirates.
#1531659 by Hannah Louise May Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#1531466 by Not Available.


Strength Unfolds Open in new Window. (18+)
Chance encounter with unexpected results. Angel Buddy Story, written by me and Giselle
#1532349 by Dawn Embers Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#1520428 by Not Available.


 Invalid Item Open in new Window.
This item number is not valid.
#1531590 by Not Available.


 The Man From Castle Rock Open in new Window. (E)
Fictional Western
#1531146 by lil texas Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#1531430 by Not Available.


Maybe now you'd like to step into an active adventure with fellow writers?

 Invalid Item Open in new Window.
This item number is not valid.
#1531326 by Not Available.


How about this challenge to pen a 'Dynamic Short Story'

 Invalid Item Open in new Window.
This item number is not valid.
#1520260 by Not Available.

 
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Word from Writing.Com

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Ask & Answer

Until we next meet, I wish for you active adventures (in writing, of course)*Wink*

Keep Writing!
Kate
Kate - Writing & Reading Author IconMail Icon

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