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Printed from https://writing.com/main/newsletters/action/archives/id/12983-Vignettes.html
Short Stories: February 12, 2025 Issue [#12983]




 This week: Vignettes
  Edited by: Jeff Author IconMail Icon
                             More Newsletters By This Editor  Open in new Window.

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter


"Short fiction seems more targeted — hand grenades of ideas, if you will.
When they work, they hit, they explode, and you never forget them.
Long fiction feels more like atmosphere: it's a lot smokier and less defined."

— Paolo Bacigalupi


About The Editor: Greetings! My name is Jeff Author IconMail Icon and I'm your guest editor for this issue of the official Short Stories Newsletter! I've been a member of Writing.com since 2003, and have edited more than 400 newsletters across the site in that time. If you have any questions or concerns, please feel free to email me directly or submit feedback in the comment box at the bottom of this newsletter.


Word from our sponsor



Letter from the editor


Vignettes


Earlier this year, I launched "The BradburyOpen in new Window. and "The Bradbury ContestOpen in new Window. as a way of encouraging more short story writing on the site (and for myself as well!). I've had a great time running the activity so far, but one of the things that it's reminded me of is the difference between a short story and a vignette. As I spent a little time looking into the formal definitions of each, I came to the realization that there's really only one thing that separates the two: plot.


Short stories can take on any number of forms: anecdotes, drabbles and dribbles, fables, feghoots, parables, etc. The common denominator in each of those types of writing, though, is that they center on a plot being presented to the reader. It doesn't have to be a structured or overly-detailed narrative, but there should be some element of a plot. For example: a three-act structure with a beginning, middle, and end. Or any of the more ambitious story structures if you're so inclined.


Vignettes, on the other hand, are defined by their lack of a plot, instead opting to focus more on things like vivid imagery, capturing a specific moment in time, etc. There isn't as much of a focus on a setup and resolution as there is in a traditional short story. FUN FACT: Vignettes can be contained within a larger work (even a short story!), but a short story with a plot cannot be contained inside a vignette.


In a lot of cases, many consider this to be a pedantic issue and perhaps even a distinction without a difference. Then again, there are some people who consider them distinctly different forms of writing, and if one of them happens to run a contest you're entering, you might find yourself on the receiving end of judging and/or reviewing that sees the lack of a plot or narrative structure as a shortcoming of your entry.

How do you know which audience you're writing for?

The easiest way to be certain would be to either know your audience's tastes and preferences, or to ask about them if you aren't already certain. If you're submitting your work to a contest, you might want to check the judging criteria to see what you'll be evaluated on. If the criteria mentions anything about story, structure, narrative, etc., you should probably consider a traditional vignette to be a risky entry. On the other hand, if the criteria encourages a focus on things like descriptive writing, that might be a situation where the lack of a narrative isn't as big a deal.

For me personally, I'm a "there's a difference" type of guy. If I run a contest or am otherwise looking to ready a short story, I want to see some narrative play out. I want a beginning, middle, and end. Maybe some subtle exposition and engaging character development, and compelling rising action, if it's not too much trouble. *Wink* In my "Rating & Reviewing PhilosophyOpen in new Window. (which I attach to the bottom of almost all my reviews), I even note in the review criteria that prose fiction is evaluated in terms of: premise, story, characterization, dialogue, structure, and technical elements.

Writing vignettes can be a really useful tool for a writer to develop their descriptive writing abilities. And there are some stunning vignettes here on the site and elsewhere. If you're only writing for yourself or for an outlet with no predispositions or expectations, you can amaze people with the eloquence and elegance of a refined vignette. But when people are primed to read a short story, a vignette might leave that audience feeling like something was missing (that something being a plot *Laugh*).

As you're crafting your short fiction, it's worth taking some time to consider your audience before you start writing. And part of that consideration should be whether a vignette is a viable form of expression based on your goals, or if you'll need to add in a little plot or narrative to meet your audience's expectations.


Until next time,

Jeff Author IconMail Icon
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If you're interested in checking out my work:
"New & Noteworthy ThingsOpen in new Window. | "Blogocentric FormulationsOpen in new Window.


Editor's Picks


This month's official Writing.com writing contest is:


 
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Quotation Inspiration: Official Contest Open in new Window. (ASR)
Use the quote provided to write a story and win big prizes!
#1207944 by Writing.Com Support Author IconMail Icon



You are also invited to check out these items from members of the community:


 Aurora Borealis Open in new Window. (13+)
An unexpected message from someone stuck in between, in a world we do not even know exists
#2334905 by Josh T. Alto Author IconMail Icon



 
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Flowers of the Field Open in new Window. (13+)
A hunt for gold turns into an experiment in botany.
#2334903 by Raven Author IconMail Icon



 Football and Consequences Open in new Window. (E)
James made a bet that he may regret. - Writer's Cramp -Winner!
#2334885 by Lonewolf Author IconMail Icon



 A Hunt Without Flight Open in new Window. (E)
The story of Victoria Matta in her 30s looking for the sense of love and attraction.
#2334879 by Victoria Matta Author IconMail Icon



 Troll meets gnome - 290 WC Open in new Window. (13+)
Daily Flash Fiction - Feb 9, 2025
#2334803 by Jon Little (they/them) Author IconMail Icon



 The Weakest Ending Open in new Window. (ASR)
A young boy's faith is tested by an enormous obstacle. Will his faith overcome?
#2334795 by brom21 Author IconMail Icon



 Under McCollum Avenue  Open in new Window. (E)
An unlikely parent and child make a life together under the ruins of the moden world.
#2334779 by Andrew P. Author IconMail Icon



 Guardians of the Magical Oak Open in new Window. (E)
Guardians of the Magical Oak
#2334705 by Suzie's Children's Stories Author IconMail Icon


 
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Ask & Answer


Feedback from "Short Stories Newsletter (July 6, 2022)Open in new Window. about experimentation:


I am naturally a fantasy patron but recently I was challenged to write sci-fi for a magazine I entered. All sci-fi is based on science fact to some degree. It requires foreknowledge and succinct research. With fantasy, your furthest imagination is the prime template with which to write. I would never do erotica, but I should think of writing suspense/action or perhaps even mystery. Thanks for the NL Jeff!
         — brom21 Author Icon



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