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Printed from https://writing.com/main/newsletters/action/archives/id/1193-.html
Fantasy: August 09, 2006 Issue [#1193]

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Fantasy


 This week:
  Edited by: Feywriter Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

"We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out."
--Ray Bradbury


Word from our sponsor



Letter from the editor

Hello,
I’m Feywriter Author Icon, your new Fantasy Editor. To introduce myself a bit, I grew up the middle of nine children. I learned to read early, but it was likely the chance to escape the chaos around me and enter a fantastic world that really got me into reading. I’ve always been a fan of fantasy. One of my early favorites was Madeleine L'Engle. Now it’s Melanie Rawn at the top of my list. If you’d like to know more about me, a good place to start would be "Invalid ItemOpen in new Window..

Now to the whole reason you’re reading this. I’d like to address a phrase that I’m sure everyone here has heard at least once in their writing career: “Write what you know.” Some authors criticize this advice, or do not believe it applies to Fantasy. I believe it does.

To reference Ray Bradbury, we are cups, constantly being filled with knowledge. We can use that material in whatever genre we pursue. Some of our knowledge is unique to us, some is universal. Writing “what you know” is a matter of taking all of that and working it into your story. Put real life situations in your story, real emotion, real dialogue, real world issues, and your story will come to life for your readers.

There are three major aspects to “what we know”.

1. I know because I’ve experienced it. Our personal situations and emotions can be worked into our story. No one has seen a real live dragon. So how do we properly describe someone’s reaction to one? I’ve almost been hit by a car. I’m sure the terror I felt was quite similar to how someone might feel with a dragon swooping toward them.

2. I know because I’ve observed it. I am not an aggressive, outgoing person. That doesn’t disqualify me from writing about one. I have a sister who is extremely outgoing, has a temper, and has to have her way. I’ve spent enough time with her to know how she thinks and how she’ll react in a situation. One of the characters in my novel is not based on my sister, but does have the same stubbornness and temper.

3. I know because I’ve researched it. When you come across something you haven’t experience yourself, or personally observed, you have to research. Fantasy writers are not exempt here. I’ve never had to ride a horse for a full day and then care for it. To make my story realistic, I had to look up a lot of information on horses and equipment. If you create your own world, you need to be familiar with different climates, travel time, lighting methods, etc. You can’t use magic to explain every little detail.

I don’t expect you to only write what you know. But between these three methods, you have a lot of content to flesh out your story and bring it to life. It’s the details that count. My challenge to you is take a situation or emotion that you’ve experienced and put a character in your place. For example, have you had a fight with someone you love? How did you feel after? Transfer that to a character in the same situation. Has an item of importance been lost or stolen from you? What if that happened to your character? Are you afraid of snakes? Use those same emotions and reactions to realistically show a character afraid of anything magical. I’d love to read what you come up with.


Editor's Picks

 Invalid Item Open in new Window.
This item number is not valid.
#1136544 by Not Available.

A short story contest that will run twice a month. First half of the month is free-for-all, second half will be prompted. Deadline for current round is August 15.

 Invalid Item Open in new Window.
This item number is not valid.
#944860 by Not Available.

An enjoyable tale with an unexpected twist. A knight seeks the love of a woman from another kingdom.

 The Lost Tale of Shaharazad Open in new Window. (13+)
A story "roughly" in the tradition of the Arabian Nights.
#918728 by Norksquad Author IconMail Icon

This tale would fit in perfectly with the tales of Shaharazad. It reads well aloud and has a good moral to it.

Awakening Open in new Window. (13+)
The world can be scary after 1000 years of sleep.
#952450 by M Hague Bailey Author IconMail Icon

This is a great story with a unique spin on vampires and great use of the senses.

The Luck of the Irish Open in new Window. (ASR)
Fantasy tale about a boy in Celtic Ireland who finds some mysterious runes.
#1087468 by Pen Name Author IconMail Icon

This story tied for first Place in Aile's Fantasy Mythology Contest for March, with the theme Luck of the Irish.

 
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Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter!
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Ask & Answer

hutch1957
Hi, I really have enjoyed the newsletters and have learned a lot. The item number is actually for a poll that questions, in a world of dwarfs, humans, elves, orcs and dragons, all intelligent races, should they be capitalized? I have gotten only so many responses, at the moment it’s tied. Thank you – Hutch

[Linked Poll's access is restricted.]

I’m going to do some additional research on this myself and address it in my next newsletter. Hutch and I would really appreciate it if you take a moment to vote. *Wink*

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