Chapter #10The Reshaping of Sarah Pak by: Unknown Your eyes shot open, but you can't see anything. The room is dark, save for the stray orange-yellowish streetlight which illuminates a small area near the window. You blink once and twice, until you can make out the shapes, objects around the room. Subconciously, your hand gropes for the bedside lamp that you know is within reach. There is a click and the soft light illuminates the surrounding area, much to your delight.
The entire house is covered in darkness, naturally. So you carefully tiptoe, luckily you have enough awareness and experience navigating yourself to avoid dangerous objects, such as the corner of a wild cabinet. You peer at the master bedroom and Sarah's room there are no sign of anyone stirring. With that, you silently make your way downstairs, past the living room and opens the door to someone you know is waiting for you outside.
''Didn't your parents ever tell you not to open the door to a stranger?'', you put out your cigarette when the door finally opens and Dana in her flannel nightgown greet you. Dana shrugs, and she smiles with understanding. You reach out your hand, where bluish goo about the size of an erect man's cock sit comfortably on your palm. Dana doesn't say anything, but she inches closer, rests her chin on your fingers, and opens her mouth. Your bluish goo brushes past her lips and onto her tongue.
The gooey slug, it's much bigger than a worm to be honest, slowly but surely fills the Dana's mouth and you have thoughts for her to do the same with your cock. She gags for a bit but clamps her mouth shut and with that you lost the sensation from the gooey slug. She scampers back inside happily after receiving her 'gift'.
Reminds you much of Candy Stripers.
You make your grand entry to the Pak's residence and proceed to enter their kitchen while Dana bounds back upstairs. The Pak's have a very cozy detached bungalow, but anything is much better than your trailer house. Looking at the selection of beverages stocked, you grab a carton of half-empty orange juice and proceed to make your body comfortable.
Instantly, you are in a different place, somewhere inside a very girlish room. A petite girl is deeply asleep under the covers. Sarah Pak and information about her flood into you.
*******
A pleasant grin fleet on your face. A week ago, Dana wouldn't even entertain your advances. She isn't the brightest of the bright, not like Christina Yves. You tenses, but not because of the thought. Chris is brilliant. Chris is sexy. Dana is very different, she just flatly refuses to have anything to do with you, something that David obviously overlooked, and to a certain degree, it is defeat for you. She remains courteous because it's best for her to be seen that way. And you know, of course at that fact and many more things she did behind your back, because there's a part of you deep inside her.
You are not one to hold petty revenge thoughts and resentment towards others. But there's something compelling about screwing with Dana. For all it's worth to see her squirms around losing the plot, there's also the thought of her being the subject of David's infatuation. Teach him trying to dick around with me, you chuckle. Your train of thought is interrupted when your balls suddenly tighten. Sarah Pak have been doing much work with her hands, while Dana prepares for her turn.
As you shot your load, there's a sudden feeling of elevation. As if you're flying through the air and it is a particularly disturbing sensation, but with a splat, the flight is cut short. Your amusement turns into a grin when you see Sarah Pak's face slathered with your sticky cum and you see that amidst the rather whitish stuff, there's a bluish strand across her face. Sarah picks it up and held it high above her head while her mouth opens, and drops the worm into her throat, where it soon melds inside. She sniggers and you have found the perfect person to enact your revenge.
You can use Sarah, to get closer to Summer. You've seen Chris Yves around Summer Nguyen and it is an amusing sight. But you can also screw with Dana using Sarah's body. Adam Karter as her boyfriend and maybe, just maybe get her knocked up.
Sarah's mind much to your surprise is filled to the brim with insecurities. Loads of it. Years and years of comparing herself against her elder sister, either consciously or unconsciously has inhibited her to be her own person and she is forever trapped under the shadow of her own sister that she looks up to. A bit ironic really. But soon everything will change. Oh yes, everything will change.
Her memories, 15 years of being Sarah Pak is divided up into small tasty morsels that they are,which you quickly gulps down, making them yours. You enjoy the activity as her whole life is laid bare before you, ready to become part of yours. Her emotions and insecurity, you tear away at those. She won't be needing them anytime soon and by the looks of them, she can do without. At this point, her mind is very much pliable, like a soft playdough being masterfully crafted by a surgeon. Applying pressures, you shape her mind into something much like yours.
There is just one thing to do. You forcefully exerts your control on her mind and grip on it tightly, bringing it parallel to your own. Messy business really. Her mind is scorched, bruised and bleeding. You let it rest, not because you worry that her mind might snap, but to allow you to take a closer look at the mind or a new person that you have created. An Adam Karter inside the body of Sarah Pak. It is hard work, but you have tried it beforehand with your own mother and it worked.
Like a mallet you shapes her unconcious thought and razes unnecessary bits of information from her mind. You finish off the hard work by putting on the finishing touches. A facade of Sarah Pak, from the memories you have extracted from her. You breathe a sigh and look at the petite girl in front of you.
''Better?'', you grin. Sarah Pak's reopens her eyes. She giggles for a bit, before her hands rubs over her body.
''Much better.'', the glint in her eyes tell you all you need to know   indicates the next chapter needs to be written. |
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