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About how self-harm, survival, and the violence of being perceived for doing so. |
"It burns." That’s all I can think of as I stand under the scorching sun— a smile on my face, an ache in my chest. My full-sleeved sweater makes it impossible to turn heads from the curious stares. "Why are you wearing that? Isn’t it hot?" A question heard multiple times. "I’m fine," I answer, like a broken vinyl record where the needle is stuck on a scratch— a smile small, a voice smaller. My full-sleeved sweater hides the scratched skin dying to breathe. The summer air suffocates, but not as much as their eyes— judgment sharp as the whispers: "Attention seeker." A fake smile on my lips as I brush their comments about my novelty. Pick on it. Hurt it. Scar it. Let it bleed. The thoughts weep out of my skin in crimson whispers. Why did I do it? I hate myself. It hurts. I’m tired. The thoughts that cloud my brain like a dull ache, where the red runs thin. How do I make one understand that I need to do this? To pick at my skin when it gets suffocating to breathe without the smell of blood. The immediate contentment— I am hurting myself. But disgrace flows like blood, cages my heart. "Perhaps a skin condition?" Pointed out by everyone who sees the dirty canvas of my body. But my heart jumps out of its cage, beating wildly against my lungs. The world blurs into their paused silence, and my pupils miosis like my voice as I wait for their hoax reply. "You need to take care of yourself," they say ingenuously, but my heart— oh, my heart— shatters into a laugh at how neatly they dress their disgust in paper-thin concern. Maybe this dirty canvas was always supposed to be covered. Because she knew if the world saw her, they would never appreciate her— only scrutinize, and make her bleed again with their words and impeccable stares. Maybe this dirty canvas felt safe under the covers of her full-sleeved sweater. Because survival is seen as a flaw that needs to be corrected and polished. The skin that bled needs to be smoother, because it refused to die politely for the world. So she hides herself in full-sleeved sweaters, to escape their patronizing sympathy. Because the dirty canvas was never meant for daylight— only for the quiet dark, where the dirty canvas may one day, outlive the artist’s regret. |