Reality and Other Impossibilities |
In fairy tales it's all so very ordered. One starts, and always at the beginning, the events, (which then unfold in admirable linear conformity), though clearly unique in strictly temporal terms, are often repeated, reliably or perhaps embellished, (on licence of course), leading past trial, temptation and, terminally, to inevitable triumph. The happiness of the ending being a certainty and in no way negotiable. Characters are fixed, their motives, actions and mishaps are comforting and predictable, their interactions untroubled by chance or season. Contrast this then, with our own lot narratives that meander, commencing in no clear manner and sometimes supplying no clear conclusion at all Capricious companions, playing their own fields, may trip, tackle or taunt, or else aid, advance or admire us as whim dictates. Bit players, who refuse to slot into the carefully prepared plot devised for them prefer to play the lead in some wholly other production of their own direction. Our own actions are just as frequently governed by obscure impulses and bursts of inexplicable irrationality. Plots unravel tangling with the loose lines of flesh, familiar, friendly or fought. Flap, wave, merge and interweave, sorrow, celebrate, lie, treasure, chase and dance. Each earnestly , nay intensely, intent on their own words. Hero or heroine, always center stage, all else is shadows and scenery. Time worn, time ravaged, timeless. The familiar needs, desires, divine and destructive, mundane and marvellous, straddle centuries unchanging, unrelenting, unforgiving. Who yearns, burns, cannot live without. Something, someone, some times it scarcely matters. Crave, covert, conspiring capable of any crime in their all consuming pursuit. Who cannot live with themselves, assuaging their self loathing cruelly on those who's proximity and kinship are unquestioned and unconsidered never once looking in the dark mirror. Who strives, struggles, diligent and indefatigable pursuing some pure dream some perfect vision, grail goal. Painfully accruing many hours of practice till praise falls, laurel upon them and the ease of their accomplishment is plain for all to see. Behind these eyes a composition can change enacted a thousandfold dialogue, dissected, tested, tasted I shall say this... ... and then they shall respond ... Wishfully. Visualised, varied encumbered with expectations, hashed and rehashed exaggerated and extravagant every fear realised and revelled in each pleasure fulfilled and despaired of and then I should have said... ... if only she had told me this ... Placing words in her mouth. Teller of tales yet partakes personally of the pageant the masked ball painted faces personify so many roles to fulfil. Thalia laughing at life's absurdities, head thrown back in some great guffaw mirth not misery. Melpomene, garbed in grey anguish, witness to the pain the universal indifference to those who suffer but don't deserve to. Punch gaudy, casually ultraviolent and crass breaking his rod on every back self centered, selfish and seemingly incapable of any empathy. Steals, strikes and stumbles ignorant and indifferent from sofa, to squat, to cell. Else jaunty, jolly Judy generous with her time and attention lavishing love and largesse on those she loves caring more for companions than cash cherish each child believing in the blood ties that defy the tides of fickle friendship. Play to type play to archetype and ape the actress as she places words in your mouth stolen strands of storyline, stray through to some semblance of reality each seeking: acceptance, (You're one of us now dear heart); belonging, (Conformity is comfort!); esteem, (Speech! Speech!); solace, (A peace from the action); forgiveness, (Your pardon please); freedom, (Freedom!, Freedom!), A far from simple concept. Speak slowly less you lose them to lend gravitas, an illusion of learning, panache. Each sentence condemns them to life. Your life. Subtly augmented, bold embellishment, (show your story skills sir), to display your best side. Brag a little, swagger maybe, impress surely. Battles fought bravely ... really, it was nothing at all. Princes rescued ... well I could hardly leave him there, poor thing. Kingdoms, halved and won ... Would you like to come up and see my etchings? Speak softly less they hear you confess the little sins hushed tones of parsimonious penance skip lightly over the bits best forgotten, the petty nastiness some slight intentional or accidental, it's of no matter. How pleasant to sneer at one's inferiors don't you think! Everybody does it, and you wouldn't want to stand out would you? Makes folks uncomfortable, that sort of thing. Speak and this last is perhaps the most important speak, in kind echo your actress take each word from her lips betray no learning, no superior knowledge unless, of course, to impress and undress. Belong in tongue to the tribe. |