The good ol' life is a song metaphor. |
Life has the rhythm to sway to: the scattered clanging of a tambourine and the fluttery trills of the piano. It falls on one suddenly: the swell of a schoolhouse orchestra. In all technicality, life is incredibly untalented. It is the pimply-faced child who hovers after class to run fingers across gleaming brass, across horse-hair bows. Life lingers here aomewhere between elation and depression, where the mind hungers for an unoccupied moment to occupy with peace, to trade a productivity for absolutely nothing, that is where the metaphor is cut short in its tracks. When the record squeeches, atops and white fuzz forms a background music. You see: when the players filter out the instruments will sleep, and wait, indifferent to the thought of waiting or the memory of playing pretty music. An instrument is no more our body than our mind is the player. The culmination of the human being is a collage with fraying edges, a rumpled patchwork quilt. It favors an imbalance of its composition, thrives in the poor workmanship that makes it unprofessional. Our emotions seem to bubble out unceremonious, unable to resist the flow, the rise and fall of song. |