A woman surveys the empty jars. |
After The Gleaning All the empty jars that line these rough unpainted shelves were once full. They made a show: contentment in a row of yellow peaches, applesauce brown as cinnamon stick, tomato juice bright and plum butter dark amber of molasses. Spicy salsa everybody raved about is all gone. There was never enough. Now spiders and dust weave their pervasive veil over all these empty jars. Cellar air is damp its musty scent clean enough; but glass rims don’t gleam. Nothing about them invites touch. I remember them full. I remember gathering fruit, peach bloom itchy on my skin. I remember how you always loved to eat my home-canned fruit; and the one you wouldn’t let me pick. We dropped anchor in a deserted bay; paddled the dinghy to a little cove. You took off my clothes. Ocean rocked us to sleep. It seemed so simple. How could I know you would turn away? Your suitcase stuck up like a rock in the hall by the door. I held myself tight, watched you leave, said nothing, but when you were gone, I sat a long time talking to myself. Shy women in white robes lined up along the wall outside the door where the machine was kept. I remember how nobody was there, how they all left without a word when the machine was turned on. Later, we drank juice and averted our eyes. This house has a root cellar. Heavy wooden door on a rusty metal ring, like the loop in an oxen’s nose. Stone stairs lead down beneath the porch below the kitchen; cellar walls carved from solid stone, rough and lumpy, like the inside of a cave. This house is built on rock. It is not my house, but it has a plum tree. And when the plums ripen I will pick them. It’s quiet below ground. Spiders own this part, of an old country house in an old country town, with windows that stick and walls that run at odd angles to eachother: an easy house to live in. A piece of broken cardboard box makes a dry mat on the dirt floor where, when all the jars are empty it’s good to have a quiet place to sit. |