"A Walk through the Woods" is a tale of a girl who longs to go home--and the father who wants her gone. The author has written a charming little story that illustrates a stubborn man's reluctant acceptance that his daughter has come home to stay. Here's the breakdown.
OPENING: While this story is a good read overall, I did not feel the first few lines proved to be enough of a hook to keep the reader reading. It takes a few lines for you to really get this piece going. This line might have better served as the first line, rather than showing up three or four lines in: Maybe after today, the rumble of the wind would encourage fewer partings and more resolutions. This immediately raises questions, and I love that! Overall, you did a good job of painting the parts of the picture the reader needs to see befor proceeding.
CHARACTERS: I feel like Frannie is the backbone character of this piece. She is the one that feels the most human to me, and her desperation to make Parker reembrace their daughter really give the story a sense of urgency. Frannie's urgency also makes us wonder what will happen when Parker and Amber finally see each other again. Parker, on the other hand, feels a touch cliche. In homecoming stories, it is often the father that had a falling-out with the family member who left. That being said, the character change in the woods makes enough sense that I am willing to only take a little bit away from the score for this (I love the deer). Amber, however, has very few speaking lines. Is there any way to have a scene with Amber talking to her mom more, perhaps before bed the night she arrives? Just a thought.
DIALOGUE: My favorite bit of dialogue was actually Parker quoting another man. Frannie's dialogue feels the most realistic to me, but even she speaks in a manner that feels slightly melodramatic to me at times. For instance: “A path has two ends; one at the beginning, the other at the finish...Women, girls, grow up in pieces; yet, they hurry up. Because of all that hurrying, that the path has two ends does not occur to them. Then, the path, forking and coiling, unwinds so fast. I know what you are trying to say here, but it doesn't seem like anyone would ever actually say all that. What if you had this written from the author's point of view, or have it come to Frannie as a thought before bed, in the middle of the night? Again, these are all JUST my thoughts. Also, a grown man nearly never says, "Duh!" This line really pulled me out of the story. Also, I don't think Parker needs to say, "Aaawww!" The first time he says it, it might be better if he says nothing at all. When he says it upon seeing Amber, maybe he should say something else, becaus ethis word choice just feels a little awkward (to me).
PACING: The story has a definite beginning, middle and end. I never feel like the story is moving too slowly or too quickly, and the ending feels like it comes at a natural spot, so kudos on good pacing.
ORIGINALITY: This kind of storyline does not feel as original as it could be, as I think there are many "awkward homecoming" stories, but you still manage to keep it fresh by creating Parker's character change in a unique way I would never have dreamed up. Nice job there.
ENDING: The ending feels natural. On the other hand, it feels a little anticlimactic to me. After all that has happened, Parker just says, "Aaawww! There she is..." What if you had Parker say something to his wife, or something different to Amber, and then have him put his hands on Amber's shoulders to stop her? Then he could say something to her, and then they could hug to finish the story. It just feels like we need to see some display of affection here.
GRAMMAR / TECHNICAL NOTES: I have no grammatical notes for you, as I noticed little or no grammatical errors. On the technical side of things, I do have some things to point out. When Frannie and Amber meet that night, you write: [B]oth were talking in fragments as if a full year... I don't think you have to point out that they were talking in fragments. If you eliminate "in fragments," I think you could have a tighter sentence there. Also, near the end of the first section of your story, you write: Frolicking kids were not news to the world, but Parker could be a mule when crossed. You have already shown that Parker is stubborn, so I feel this line is unnecessary. The only other technical note I have has to do with sentence length at the start of your story. I am a big fan of sentence length variation. It seems like all of the sentences in the first portion of this tale are quite long and include commas in almost each statement. Again, all of these are strictly MY thoughts!
RANDOM THOUGHTS and SPECIAL GEMS: I loved the deer angle, and especially the part about the Mayans believing deer were angels. I also like the creative way in which you change Parker's mind and have him welcome Amber back into his and Frannie's lives. Below are some of my favorite lines from your story.
Special Gems:
His voice sounded hoarse, but tender."
This shows us how Parker is still deeply in love with Frannie. We need to see this.
She had read somewhere that Mayans considered deer to be angels who led people to water.
This is an amazing line. It suggests something supernatural takes place for Parker, while also reminding the reader of the phrase: You can lead a horse to water, but you can't make him drink." That's Parker!
You have done a good job of capturing the emotion of a homecoming story, but this piece could see improvement if you choose to revisit it. I encourage all readers on this site who enjoy a good dramatic, family piece of writing to check out "A Walk through the Woods". They will not be disappointed.
Sincerely Yours in Writing,
Travis
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