Hello Ohmy,
I came across your story in the Review Request page and want to offer what I can to you.
I am not a professional writer, editor, or publisher, but I like to think I know a few things about what I like to read. Please take my suggestions in the spirit they are given: to help you improve in the craft. That being said, feel free to ignore any and all of them .
Here goes some technical stuff:
half full ---half-full
The gentle rocking of the half full ferry moved her body but she felt nothing. ---Comma after body would be correct. My feeling is that you don't need the conjunction. Just make it two sentences. This would heighten the importance of her not reacting to the movement.
“This is wrong” screamed her inner voice. ---I want to use this to point out two things. First, the common error in dialogue tagging.
This is wrong, her mind screamed.
Notice the comma placement and the non-capitalization of the following 'her'. I don't like the 'screamed her inner voice'. It's less poignant than my suggested change.The other point I want to make is the use of italics to indicate inner thoughts. This way the reader is aware that is what they are and doesn't confuse it with actual dialogue. You can tag it the first time (don't italicize the tag) and then from then on, when the reader sees italics, they will know it is the thoughts of the character.
The dour business men heading home heard nothing, lost in the study of their newspapers. The rowdy school kids teasing each other remained engrossed in their banter. ---If they heard nothing and had no reaction to anything in the story, there's no point to this paragraph. When writing short stories, you can't afford all the extraneous words that don't drive the plot.
And no one had paid attention as the slightly drunk man in a dishevelled suit had staggered along the row of seats and sat right next to the girl. ---And is a conjunction that shouldn't start a sentence or paragraph except in rare circumstances. This isn't one of those. Beware the 'had' word. It so often makes a sentence 'passive'. It puts the reader outside looking in instead of making them part of the action. I also don't like the No one noticed. Surely, the girl noticed. If not, then you've taken the reader out of the current POV.
thigh to thigh ---thigh-to-thigh
...when we get to the terminal”---Period after terminal, but before the closing quotaion mark.
The girl was torn in two. ---Passive sentence. Can make it active by phrasing it "The words tore the girl in two."
...muttered, “No ---Comma inserted.
“Go away!”. ---The exclamation point (shudder) closes the sentence. It's best to avoid exclamation marks as the action of the character should indicate the excitement level.
There was nothing. There was everything. ---This is fine as is, but I think would read better seperated by a semi-colon instead of a period. Provides a stronger connection.
Pale, she walked out cautiously. ---I believe this is called a nominative absolute. Pale has no connection to the rest of the sentence.
Her heart sank. ---This should start a new paragraph. It's also a bit cliche.
On edge, she glanced back to see the ferryman from the wharf hurrying towards her. ---'On edge' is a telling line. No need for that if you show us that she's on edge by an action.
Your specific requests:
Tension: I think you did a good job with this. The reader must continue reading if he wants to learn her fate. Some extraneous words should be cut to help drive this more, though.
Dialogue: I think the character can be developed with more dialogue. Particularly, dialogue that tells us more about who and what she is. Her thoughts help this, but her reaction to the stranger's touch is generic.
Pacing: The story moves along well enough, but again, I think extraneous words could improve it.
Characters: I think you did a good job on the protagonist, but she could be fleshed out more. The antagonist is too stereotypical. What seperates him from every other drunk pervert?
I know you said you wanted (gentle) feedback. I hope I was able to give you that despite my honesty. Starting out, that request is fine, but if you want to go anywhere with your writing, you need to look for critical reviews as this is what a writer must deal with always. I encourage you to keep writing as this is how we improve (that and reviewing others).
Best regards and good luck with your future writing endeavors,
G
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