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Printed from https://writing.com/main/profile/reviews/rayyna
Review Requests: OFF
67 Public Reviews Given
67 Total Reviews Given
Review Style
I tend to be pretty detailed in my reviews. I look at word choice, flow, grammar, and punctuation. I look for holes, concept jumps, imagery, and consistency. If I think there are specific wording problems, I'll point them out line-by-line. I also try to give big over-all impressions as well.
I'm good at...
Grammar and punctuation, mainly, but also consistency and flow.
Favorite Genres
Fantasy, Sci-fi, Historical Fiction, Paranoraml
Favorite Item Types
Novels, Short stories
Least Favorite Item Types
nonfiction
Public Reviews
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1
1
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (5.0)
*Fire* Hello DRSmith Author Icon }! I'm reviewing "THE BANE OF CHIEF TWO-TENTSOpen in new Window. today as part of your Nuclear package from "Invalid ItemOpen in new Window.!

This poem is hilarious! The concept is cute - an "Injun" Chief seeing a shrink, but really it is the word choices and fun rhymes that really make the piece. Your meter and rhyming scheme was superbly done, as each line rhymes exactly as it is supposed to using this rhyme-scheme. My favorite line is likely the "My tribe is bemused that I'm crazed and confused" -- that line was just so smooth, rolled right off the tongue.

The whole poem just flows really super well, keeping the reader moving quickly to the punny end, and laughing the whole time. Thank you so much for providing this piece for us to enjoy reading! You definitely have a talent with words, and I do hope that you continue on your quest to write and write often.




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2
2
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.5)
*Fire* Hello 🌕 HuntersMoon Author Icon! I'm reviewing "The Council of SevenOpen in new Window. today as part of your Hydro package from "Invalid ItemOpen in new Window.!

*ButterflyR* Overall Impression: Your story is very cute. I thoroughly enjoyed reading it. Using the Auras as a way to connect to the original story and provide description for the multitude of characters was a smart and interesting idea. Overally, I loved it!


*ButterflyB* Plot: The plot of this story is more hidden, focused on the recognition of the similarity with the Disney story. It makes for a fun read, however.


*ButterflyG* Style and Voice: Very fun and well done. I love that Snow sticks with the modern-day thoughts throughout, freaked out by mind-speaking animals, and laughing at the end at the obvious comparison to Walt Disney's story. The animals are all so formal and she is very much not. Super fun.


*ButterflyO* Scene/Setting: I'm confused by the appearance of the wood. It makes sense for the Snow-White comparison, but in the Nevada desert, it would stick out like a sore thumb, enough that she might comment on it and wonder what happened to her.


*ButterflyR* Characters: These are great. You do a pretty good job of distinguishing the dialogs between the characters.


*ButterflyV* Dialog: Well done, I didn't see any issue with this, and it did a lot for your story in keeping it moving and the reader enthralled.


*ButterflyB* Grammar and Mechanics: I didn't see any issues with this. Nicely done.



Thank you for sharing your story. Write On!



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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
3
3
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
*Fire* Hello Just an Ordinary Boo! Author Icon! I'm reviewing "A Gathering of GryphonsOpen in new Window. today as part of your Lightning package from "Invalid ItemOpen in new Window.!


*ButterflyR* Overall Impression:
Your writing is very well done. The story is well thought out. I know you are proud of the history/world you have created for your grypons. However, I do not believe that much of your history is necessary for this short story. I believe you should focus on the current story, and bring up elements of the history in additional stories you might write about your gryphons, perhaps a story that deals with interactions with humans could provide reason to bring up the human-history elements. In this story, the only parts that are really applicable are those in relation to the gender divide. You definitely have a GREAT history thought up, and it's worth writing stories for, but no need to throw it all in at once.

*ButterflyB* Plot:
It takes a bit to get to the 'plot' of the story, the gender divide. I like the plot, it is a good one to focus on. Although I believe you can heighten it by making Sir Alce a bit more reluctant and letting us see Norwegius' viewpoint earlier on.

*ButterflyG* Style and Voice:
You start off focusing on Norwegius and then you switch to Sir Alce, so it appears you have chosen to write this in third-person-omniscient point of view. For short stories, this POV is often harder to pull off, because it doesn't easily allow the reader to connect with your character(s) very closely. Your description then leaves both of them, and heads off into a history lesson for the reader. I know that you are creating a fantasy setting that does require a little bit of explanation, but you've got a lot of info-dump that I don't think necessary for the reader. We can understand that you are telling a story about a fantastical creature, and let us decipher the history as it is important to the events of the current time, without laying out the entire backstory of the world.

In that vein, perhaps try telling this story in Third-person-Close from Norwegius' perspective only. Let us feel his elation when he is commended. Give us an idea of his which type of job he wants, and maybe an idol he wishes to be like. You can still give little bits of history this way as he is imagining himself in the ways of others, but you probably don't need as much as you have currently.


*ButterflyO* Scene/Setting:
I'd like a little bit more of a description of the location they are meeting within, but your description of the characters is Outstanding. I can picture each of them extremely well, especially since you gave distinguishing characteristics for several of them. Nicely done.

*ButterflyR* Characters:
You do well to give the reader a look into Alce. He's old and proud, and wants to do well by the history he represents. I would like more from Norewegius though. I want to see into his head more. I think if you give us more of his desires and wants earlier on, and contrast that more with Alce's sense of historic duty, you might have a stronger conflict between the two.

Your character names are very well chosen, I loved all of them.

*ButterflyV* Dialog:
Very well done dialog. You keep with the formality of the situation very well.

*ButterflyB* Grammar and Mechanics:
I didn't see very many grammar or mechanic issues at all.


*ButterflyG* Suggestions:
Here's a few line-by-line suggestions that I found as I was reading that you might take into consideration:

*Flag* For aeons, gryphons had been found on Earth; powerful winged beasts, half eagle and half lion with a serpent’s tail.

*Flagb* “Elders,” he began in gravelly voice, "today we are here gathered to hear, contemplate and decide the fate


Thank you for sharing your story, I definitely enjoyed the read and your imagination. Write On!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
4
4
for entry "RedmanOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.5)
Hi there! Okay, here's my last of three reviews for the auction you purchased. Thank you so much for being patient with me. Your writing has been a blast to read, and I know you have a great talent for it. Definitely look me up for any additional works you'd like reviewed (or future auctions!).

*NoteB* General Comments & Reader Reaction:
Super well written, as always.


*NoteG* Plot & Pace:
Your portrayal of the plane getting hit and crashing was VERY well done. This whole chapter has excellent pacing. At first I wasn't certain that you needed the initial few paragraphs from Santos' point of view, but as I kept reading I feel like it worked nonetheless. You definitely have less going on in this chapter than the other two I read, but by now we have a pretty good idea about the plane and the mission, so it is more about the men than the plane/mission, and you did that well here.


*NoteO* Characters:
I know stereotypes are sometimes meant to be stretched, but my initial impressions of Sonny are pretty far fetched. A Native American is helping the US government buy drugs to support cartels to help encourage taxpayers to continue to bolster the military. And his 'go-to' song to relax is "God Bless America", and not in a tongue-in-cheek way by my reading. That seems.. a bit too odd to me. He's sort of a walking pile of contradictions. If you intend for some of this to be tongue-in-cheek, or his attempt at humoring himself, then you might make that more clear to the reader in the first part of this chapter.

You mention that he's reaching burn out, but he seems jaded and accepting that he's helping run drugs to begin with. You later talk about how much he hates drugs and the CIA. Give the reader an idea as to WHY he is doing this, then, if he hates it so much. Is it just the money? Does he follow orders blindly without concern for his own thoughts? Was he ordered to hang out in this job by someone he trusts, just to bide his time, or for another purpose?


*NoteR* Setting & Imagery:
Sonny's parachute.. does not open? And he lives? Without massive damage? You should probably explain this a bit more clearly, as it sounds like it doesn't open and the only thing that saved him was freshly plowed soil, which seems unrealistic.


*NoteW* Emotion, Mood & Atmosphere:
You definitely have the burned-out mood that Sonny is feeling strongly pronounced throughout this entire chapter. He's obviously skilled and experienced, but he's working for a group he considers evil doing evil things. I still don't quite understand why he's doing it, but the feeling of despair at what he does is there. It might be interesting to heighten this towards the latter half by making him think that things couldn't get much worse, rather than focusing on survival. Like instead of, "I'm so fucked," use something more along the lines of, "Of course they spotted me, this is already fucked five ways from Saturday, it's only natural that this finishes it too." Then make it more of a surprise when Vit shows up.

I know you have it currently that he's somewhat nonchalant, believing he's okay because of military duplicity - but I think it might be more interesting to play up his burned-out hatred, just to give it a bit more oomph when he's found by an old friend.

Just a thought, though, because I can tell you've set this up to give it a certain feel, and if what I'm suggesting doesn't jive with what you have here, then by all means ignore it :D


*Note* Structure & Consistency:
I didn't see any holes in this, so well done.


*NoteB* Writing Style & Grammar:
"Being an American Indian" -- Use Native American. You are telling this from Sonny's perspective, after all.


*NoteG* Overall Impression & Conclusion:
All three of these chapters have gone really well together.

*Cut**Paste*Specific Line-by-Line Suggestions


*NoteO* ~ Rayyna




*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
5
5
for entry "VitOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.5)
Hi there! This is the second of three reviews which you purchased through the Power Reviewers Steampunked Auction from 2014. I will endeavor to continue to provide you with a quality review which you sought out my auction item for. Please know that my review is only my own opinion, and you may take from it what you will and discard what does not work for you. But - Hope all this helps out!!


*NoteB* General Comments & Reader Reaction:
Again, extremely well written. Your word choice is outstanding, and it is often hard for me to find much wrong with you writing. See below for those things I did find.


*NoteG* Plot & Pace
I know that the super-special machinery that Sam had been developing over the past years is a big part of the project that Kohl wanted Sam to lead. BUT, I don't think I understand what the point of using that highly-secretive new vehicles to go and Pick Up the team with is. I assume that the first part of the mission - gathering the team - doesn't require the super-secret equipment. I would think the American military would want to keep their secrets secret for as long as possible. So unless that super-machinery is necessary to pick up Vitaly and the other members, I'd suggest you change that up.


*NoteO* Characters:
Why would Vit, an American Marine with intensive linguistics training, end up in an isolated Russian naval base for so many years? You may have a reason, but it isn't clear and may not need to be. It did stand out to me, however, when you discussed his linguistics skills.


*NoteR* Setting & Imagery:
When Pavel's eyes grow to the size of "an Amazonian tree frog", I sort of lose the image you are trying to portray. I think you're reaching too far for a off-standard comparison here. I'd suggest picking something your average reader might readily know the size of (because tree frogs in the Amazon are 1. incredibly varied, and 2. I immediately pictured a poison dart frog which are tiny!). I shouldn't have to do a google search to guestimate how big his eyes got. I also suggest picking something that is in line with your current story - i.e., something Russian.

The opening description is really nicely done. And you described the plane really well as well.

*NoteV* Themes:
You use words that are distinctly American, although they are in Russia. "mph", "95k dollars", "minus twenty-five", which I'm betting is Fahrenheit. I know you are likely playing to your most probable audience, but I think it would really heighten the scene's Russian feel if you use terms that are appropriate to Russia. Use metric, which Americans really should learn anyway, and use Russian currency if he's getting paid in Russian currency. All the equipment would use that terminology anyway. I think it will make the scene more real with these small details.


*Note* Structure & Consistency:
"He wouldn't be looking back either. He turned to Pavel." -- These two sentences right next to one another are contradictory, as well as the following dialogue. It's more likely he wouldn't be back, rather than not looking back.


*NoteB* Writing Style & Grammar:
In the very first section you have a small break and you switch over to Pavel's POV. You don't do that throughout the whole rest of the chapter. I feel like this one three-paragraph switch is probably unnecessary, and could probably be told from Vit's point of view, which would let you build up his grumpiness over the digital-age-group as well.

The paragraph telling about Pavel's history has a few words that I'm not certain are valid choices, at least not without more explanation as to why they are used. First, you say that the "environment" "devours" young men, and this right on the back of the radiation and pollution effects in the area. Because you say "environment", it somewhat suggests that the pollution and radiation literally devours the young. Alternatively, ignoring that, if it is the dangerous city population that devours young men -- well what about it devours them? It's a powerful word choice, and yet you don't do much to suggest why that is. The existence of pre-war scars or 'mean streets' is a little weak of a reason for it. Second, you explain the mean streets as "cold, hard, and sudden." Why sudden? I don't generally think of dangerous gangs as "sudden". It is an odd word choice.
         I get the impression that Pavel had a wonderful mother that kept him out of trouble, and then he didn't end up on the streets with no job because of the military recruiters. If that was what you were suggesting, then your word choice probably works :)

In some of your dialogue, you use periods before the quotation marks that open up the dialogue. E.g., "Jesus," Vit mumbled. "Where do they find these idiots." and Vit shook his head, mumbling to himself. "Imbred Chechen moron." On both of these occasions, and others later on, you should change the period to a comma. Both are instances where the dialogue should be a part of the descriptive sentence. I'd check for other examples of this throughout this piece, because I saw it several times.

         *Bullet* Favorite Lines: I think my favorite paragraph was your opening one, honestly. Very well written.

*NoteG* Overall Impression & Conclusion:
I had to go back and remind myself about the first chapter to remember who the hell Vit was. At first I was incredibly confused because I couldn't tell if this guy was Russian or American, and which army he was part of. You had lots of clues going both ways. Eventually I looked back at the last chapter and remembered and was able to make sense of it all. You have a LOT of lead-up to this chapter before you get to the pick-up portion. I almost wonder if it is necessary, or if it is just filler words. I'd say you could strip it if your publisher ends up telling you to reduce your word count. I also don't know off hand how many chapters of other events you have between these two - and thus how likely it is for your reader to forget as I did what had been talked about before. If you have a Lot of jumping around, or long time in between, it might be worth taking some consideration into not losing your reader into totally unrelated story for too long.

*Cut**Paste*Specific Line-by-Line Suggestions


*NoteO* ~ Rayyna


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
6
6
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Hi there :) You had requested that I review your query letter, which I am happy to help you with. Please remember that I am just another writer like yourself, and my opinions here are my own, and not to take away from your writing but to help you make it better. Take them with a grain of salt, and use what you want to and discard the rest!


Okay, the opening paragraph is supposed to be a quick synopsis of your story that entices your target to read the manuscript. Unfortunately, your synopsis is fairly confusing to me. I think most of that confusion stems from your second sentence when you are talking about Anne.

Let me see if I understand what you are saying in this opening paragraph: Anne has been sent away from service to the family of a Duke, but the story's focus is between her and Lord Greville, and she's the daughter of Greville's gardener. So, Anne used to work for a Duke, but now without employment is living with her father the gardener, and during her stay on Greville's land, begins an affair with him. (As a note, it took me SEVERAL readings to come to this conclusion, as I'd first thought something completely different, furthering my statement that this paragraph was confusing.)

I think, unless the 'sent away from service to the family of a Duke' is drastically important to your story, you could probably remove that entire clause, and rewrite sentence 2 and 3 into one. E.g.:
Only a few months before, seventeen year old Anne Blake, came to live with her father, Lord Greville's elderly head gardener, while she awaits a letter of character and a new position.



Second paragraph:
I think you can probably shorten sentences two and three by generalizing that they are warned away from the relationship by those closest to them. I suggest shortening them, because I have questions that may encourage you to expand later sentences.

You might add a sentence that reiterates the gardening importance to your story, how it plays into the affair? I don't know the story, but I know it's *got* to be important in some way other than just her being the gardener's daughter.

Is Anne's artwork an important thing to her? Is she a budding/wannabe artist? Or is that just happenstance? If it is, you might mention 'budding artist' somewhere in the first paragraph, because the first paragraph suggests she's a maid of some sort (service?).

Is the dance put on by Greville? Is it inappropriate for her to be invited to the dance due to her station? If this plays a role, you might add some mention of such in this sentence.

Why does Greville escape to Wales? He's a nobleman, and this is his land. Your sentence suggests that Anne's father's health decline causes the nobleman to escape, when I'm certain it's because of the household turmoil. You might move Greville's escape to Wales as a final clause to the sentence before. E.g.:
... leaving the household in turmoil and causing Lord Greville to escape to Wales for a time.


or

... leaving the household in turmoil. This leads Lord Greville to escape to Wales, abandoning Anne just as her aging father's health declines,...



The last two paragraphs look really good though. I like you explanation of the historical references, story style, and your own knowledge and connection with plants.

I hope this all helps. Please feel free to ask me further questions as this is probably a bit convoluted.

Good luck!!



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
7
7
Review of The Visitors  Open in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with The Newbies Academy Group  Open in new Window.
Rated: E | (4.0)
Hi there! I found your piece listed on the Newbie Review Request page. Please know that I am just another newbie like you, and my words below are purely an effort to assist you in your writing, and you can take them or leave them as you wish!

Cute piece :) It's short, but in the generally three paragraphs of the piece, you go from romantic serious to incredibly silly. That's a large change, but it works to make the ending unexpected and funny. I'd say the only problem with the comedic ending is that because you have the words "The alien said "You're an idiot." separated out in it's own paragraph, following three dense paragraphs, it is extremely easy for the eyes to skip forward and take in the comedic ending while reading above, which gives away the punch line. If it were possible to add additional dialogue, making the single sentence paragraph the alien provides visually not so pronounced, it would let the reader discover the punchline in proper order with the rest of the story. Just a thought!

You have one line that is a definite run-on. The sentence that starts with "He opened his eyes..." just goes on and on, and you can definitely split that sentence into two different ones.

You say the UFO is 'strangely small sized' but I really have no frame of reference for how small it is. Obviously, it has to be large enough for a "tall black armored creature" to step out of it. Honestly, when I read "strangely small sized" my first impression was maybe 4- or 6-ft wide.. like in the old cartoons. I suggest giving a bit better frame of reference for size of the UFO.

Otherwise, funny story, and thank's for the laugh!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
8
8
Review by Rayyna Author IconMail Icon
In affiliation with The Newbies Academy Group  Open in new Window.
Rated: ASR | (4.5)
I found your story on Newbie Review Request. I enjoyed reading it and hope you find this feedback useful. Please know that I am just another newbie, and the below review is just my opinion that you can take or leave as works for you.

*ButterflyR* Overall Impression:
The ideas in the story are good, and you present it well. We can tell something has messed with or controlled his mind, but we have to learn it in the time that he has to learn it. It definitely dragged me to complete the story, interested to learn more.

*ButterflyB* Plot:
A couple items that stood out as inconsistent to me. It is possible that the inconsistent timeline is on purpose, seeing as his mind is being tweaked, but I'd make sure you are doing it purposefully, and not simply by mistake.
         1) He types all day.. to achieve a graph and a few paragraphs? Give him a 20 page report at least!
         2) It's nighttime..midnight.. then it's 2 hours till closing time. That's a big jump in time.

*ButterflyG* Style and Voice:
Being in this man's brain as he is messed with by the drug is well represented in his disjointed internal dialogue. Well done.

*ButterflyO* Scene/Setting:
When you are describing the office building, you repeat yourself somewhat in mentioning the buildings in the immediate vicinity are all about five stories tall (normal size for buildings in this section...all about 5 stories). In truth, the sentence "As for the structures.." can mostly be cut, as it seems unnecessary detail.

In the second part, when the man opens his eyes to the small, smooth room, you might give an idea as to where the man is in relation to the room. Is he lying down? Is he on a bed? Is he just standing in the middle of the room, which would be surprising considering he was under the influence of the drug. Something to think about.

*ButterflyR* Characters:
I really feel for the guy as he has to go through this testing. I feel sorry for him, and even more so the second time around. I don't, however, like the line "So I gave in." He seems like he is stronger than that, struggling against the drug so much in his dream-state, and just 'giving in' seems counter to his fight he'd just had, no matter how much drug was in his system.

*ButterflyV* Dialog:
The dialogue in the first part seems very fake, which is probably the point.
Good use of dialogue in the second portion.

*ButterflyB* Grammar and Mechanics:
When the man comes into the room, he 'calmly' walks, then 'violently' swings his arms behind his back. These are very contradictory, and I think the doctor should probably either be violent, or calm.

*ButterflyG* Suggestions:

"Whatever I had slipped my mind,..." --> remove the second word "I" from this sentence.

Thank you for sharing your story. Write On!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
9
9
Review of Trail of Darkness  Open in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with The Newbies Academy Group  Open in new Window.
Rated: E | (4.5)
I found your poem on the Newbie Review Request page. I enjoyed reading it and hope you find this feedback useful. Please know that I am just another newbie here like you, and my opinions are just that - take what you will from my review and leave what you don't agree with! I do write some poetry, but my talents aren't very well versed in it, but I will try to offer some advice as I can.

*Leaf2br* Overall Impression/Emotional Impact:
I really liked the format and rhythm you used for this piece. It is interesting and easy to follow, leading me on a spiraling trip downward to the dark pit at the bottom.


*Leaf2g* Form, Format, Rhyme and Meter (as applicable):
I think the lines work best when your couplets follow the exact same rhythm and word choice. E.g., using the same connecting word (of, the, and, etc.) in both couplet lines. I realize this is probably not easy or even possible in all couplets, but it definitely messes a little bit with the flow when the couplet has two different connecting words used (Tears of anger/Tears now hidden).

*Leaf2o* Artistic Voice and Imagery:
I really like the image you are creating through the entirety of the piece. Because you use the 3 word format for every line, it provides a visual representation of the narrow path you describe. I could also see this spread across the page in a diagonal or spiraling pattern to also help represent a path, or spiral, into darkness, although those would represent a more winding path, while this suggests a straight drop, different connotations!

The first portion of the poem focuses on what is being left... leaving the light, love, hope, dreams.. to travel the path through the storms, temptations, sin... seeing the death of good...and finally ending in evil and darkness. It's a very haunting image you have given, and taking us through that path from beginning to end was very well done. I can see how each additional couplet takes us a little bit further, that next step along the path towards the end.

*Leaf2r* Grammar, Spelling and Mechanics:
Very good job with general grammar, spelling and mechanics of your form here.

*Leaf2y* Suggestions:
I think the only thing that I'm uncertain about is ending with the focus on Danger. I kind of like it ending with Evil and Darkness and Fear. By the time the traveler has reached the very bottom, I would imagine they would have little left to consider dangerous, as they have already reached the bottom. Evil, fear, darkness - yes, as that may be just a general state they feel at all times. Okay - I can't really explain what I'm picturing here, not well enough, but I think the poem could end at Darkness and Fear..and be appropriate. Just my thoughts, but I'm not married to it either. Hehe.


Thank you for sharing your poem. Write On!


** Images For Use By Upgraded+ Only **


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
10
10
for entry "Dead SoldiersOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.5)
Hi there! I am reviewing this chapter as one of three as a part of your purchase of an auction item from the Power Reviewer Steampunk auction. Thank you so much for purchasing this package! Please take my review as constructive criticism, as I will be honest and direct in a great deal of my review. If you disagree with any of my opinion laid out below, then accept that it is only my opinion and you can take it or leave it as you see fit. I am just another writer, like you, and one person's opinion is not the end all to anything. Best wishes and now on to the review!

*NoteB* General Comments & Reader Reaction:
This chapter starts out pretty confusing, uncertain about Sam and what he's about. It takes getting pretty deep into the chapter before you understand who he is and what's going on. That isn't a bad thing, but since this isn't chapter 1 of your novel it might be difficult for the reader. But by the end, I'd gotten it.

*NoteG* Plot & Pace:
Okay, obviously it's a point that Kohl is brief, and followed no matter the explanation, and that's partially appropriate for military, and black ops. But.. Kohl basically just told Sam "you're in charge.. gather your team.. and do this" without telling him what 'this' was. You mention once that Sam is hoping for more information that probably wasn't coming, but then you focus more on Sam thinking 'we're too old' more than not knowing what the hell he was doing. I'm reading through Kohl's instruction meeting and can't help but think.. I have no idea what Kohl is planning. All he's giving at this point is 'get your team together'. It might be enough for Sam to ask "what's the mission?" and Kohl answering "you'll get that once the team is together" and that might be enough. But.. it just seems too unreal that Sam wouldn't ask that.

*NoteO* Characters:
Your method of introducing the details about Sam is disjointed. I feel like I need a straightforward explanation of what Sam does and where he is at this point in his life. I think he's an assassin.. but then apparently that was some time ago (though I've no idea how long ago). He's military, and he's 'dead', so he's black ops? It's somewhat confusing, and I feel like it might be better to be a little more clear at least about something. Okay, this becomes clear eventually. I'm going to just say that there's a lot of confusion at the start, and it takes a while to get into this chapter and understand the guy you've been introducing. It might be beneficial to be a little more clear earlier on, then go into more detail later on (when Sam gets the phone call from Kohl).

*NoteR* Setting & Imagery:
When Sam enters the Bosnia fortress, you open with Sam 'going about his work'. But the reader has no idea what type of work he does, and while you hint at it earlier and again later on - that he's an assassin - it is a little difficult to imagine what exactly he is doing upon entering the fortress. An assassin kills.. but what does that mean upon entering? I just think it's a little vague and could use more description.

Sam moves through the ancient bastille like a silent Nosferatu.. and then is suddenly in the room adjacent to his target. This paragraph is two short sentences, and he's progressed through the entirety of the fortress. Although the details of the rooms he moves through may not be important, I think it is probably advisable to give a better impression of how large the fortress is and how many rooms he has to go through, if for no other reason than to heighten the impression of Sam's skills.

*NoteW* Emotion, Mood & Atmosphere:
You do a good job of putting the reader into the room with Sam, feeling his degradation from age, booze, and neglect. I really felt I was with him as the chapter progressed, felt his confusion and uncertainty. Very well done.

*Note* Structure & Consistency:
Engineering team reassignment -- you first mention that his black phone went silent about 2 weeks ago when his team stopped calling him; then next paragraph say one week ago his team had been reassigned. You may have meant for that one-week discrepancy, but on first reading it seems odd.

The fifth paragraph after the third *****, that starts with "After the team was disbanded in 2004", discusses one too many ideas in it. You start with the disbandment, and the lack of effects of that. But then you switch over to what the team was and what they relied on. It's two disjointed ideas. I think you should move the second part of the paragraph up a bit, describe the team and what made it awesome, and then do a different paragraph talking about the disbandment and the results of that.

*NoteB* Writing Style & Grammar:
In paragraph 2 after the first *****, you end with "Okay. Move on." I think this is Sam talking to himself, but it doesn't really match the style of the paragraph, which is generally descriptive. I think you could probably drop these two simple sentences, as they don't add much and seem to break up your flow.

"ghostly ominous" in the second section - looks like this is missing a noun that these two words are describing; "ominous" isn't usually used as a noun and it feels awkward to me.


*Bullet* Favorite Lines:
         *Bullet* He reached for the bottle, drained it, then tossed it into a dark corner, receiving a hollow clank as it landed in a trash can already sprouting an amber forest of empties.
         *Bullet* Elongated rods of darkness, cast by an iron barred window, flowed across the floor and up the wall, bathing the sleeping man's torso in striations of light and dark.


*NoteG* Overall Impression & Conclusion:
Your writing is superb!! I felt like I was in the scene through a great deal of it, and didn't really have much to offer for a review. I did have some confusion early on which I've noted, but by the end I got it and was entranced. You have a real knack for word choice and setting description. Well done.

I feel like this review is a little short for my normal, but your writing was really very good. I may come back and give it a second once-over once I've done all three reviews, in case I can see more having read them all.


*Cut**Paste*Specific Line-by-Line Suggestions


*NoteO* ~ Rayyna




*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
11
11
Review by Rayyna Author IconMail Icon
In affiliation with P.E.N.C.I.L.  Open in new Window.
Rated: 18+ | (4.0)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Final review :) I hope I have been of help with your novel. Have a wonderful new year!

*NoteB* General Comments & Reader Reaction:
This is a fun little addition to your novel. I like how it ends, especially. Very nice.

*NoteO* Characters:
How old is Richard? I understand the ghost is really old by this point, but you open that Richard is an accountant from a sales company, which suggests at least 20+ years on him, and then the ghost calls him "kid". It is something of a counterpoint, and it might be worth having Richard balk at being referred to in that way if just to make light of how the ghost views himself and others.

*NoteR* Setting & Imagery:
I'm not sure I understand the logistics of the people living in the Old West town. You state that the town is both home and job for the people there, but then the next sentence states that they live and work in a nearby city for most of the year, then for three-four months live in the Old West town. That is a logistical nightmare for anyone, and I doubt a whole town of people would move for 3-4 months. That requires a lot of money to hold two homes. It's possible but.. unlikely. It is more likely they consider this town as a summertime job sort of thing, and that would bring in only those that could handle seasonal summer work, which means they don't have solid work that pays a great deal the rest of the year (as that would generally suggest full-year work). Okay, so that was a lot of conjecture to basically say you should probably change your wording in the paragraph because your people probably DON'T *live* in the Old West town.

*Note* Structure & Consistency:
When Jack starts telling his story to Richard, I think it might behoove the flow to re-order his storytelling just a bit. Move the sentence regarding never using his wolf form to follow the sentence where his wife and kids left him, and maybe add a why he refused to use his wolf form. Also, I'm not sure that Lahorn and Lefleet necessarily need to be named and described in his storytelling to Richard.

*NoteB* Writing Style & Grammar:
Opening paragraph - you should start this with the bustling of the town, then juxtapose that with the "graveyard was quiet, too quiet" as the opening of the second paragraph.

Second paragraph - we don't need to know his name, nor that he is an accountant from a sales company. And you should likely show, rather than tell, that he is running for his life. You can refer to him in the third paragraph as Richard when he asks himself the first question (Richard asked himself), and the reader will assume you are referring to the man running, because that is the only character you've introduced in the scene so far.

When the elderly werewolf historian says that he sees Jack Clawtooth's face every morning, does he mean literally, or on the picture he is now showing Richard? I can't tell if the historian saw Jack that morning, at the same time Richard did, or if he just noticed the picture was different. Because of your word usage, it's confusing.


         *Bullet* Favorite Lines:
"The picture never had him giving a smile like this, and he never had a journal," the werewolf said, walking away.

At this, Richard looked at the picture, and saw that the journal was really his notebook. As for the smile, it was the one he'd seen on the strange cowboy after he'd saved his life.


*Cut**Paste*Specific Line-by-Line Suggestions


*NoteO* ~ Rayyna

*StarO* WRITE ON! *StarO*
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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
12
12
for entry "Chapter SixOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with P.E.N.C.I.L.  Open in new Window.
Rated: 18+ | (4.0)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Hi there! This is my review of your story finale for Monsters Cowboys, purchased through PENCIL. Obviously, this entry is much different than the rest of your story. I am going to an overall review of your writing throughout, as by now you probably have a pretty good handle of the suggestions I make. Then I'll give a final review at the end with my suggestion on which ending works best for the story overall. Please take my reviews as you have all along, with a grain of salt, if my suggestions are too harsh or do not mesh with how you view your writing or your story.

Good job on having it all written out here! I will also tackle the Ghost Story next, as well.

*NoteO* Characters:
In parts A and B, Jack gives in to someone telling me "he's going to die" or "he shouldn't play the harmonica" pretty easily. It seems as if he isn't even trying to live or do the thing he wants to do. I suggest giving Jack at least a semblance of trying to do the thing he wants to do, then possibly failing miserably, before finally giving over to someone else to do it for him. Don't make him a wimp now at the end.

In part B, when little Jack sees his father, you might consider mentioning at least somewhat directly that Jack is a ghost, especially given your seventh chapter. You hint at it, but you might give some sort of description as to his somewhat translucent visage?

*NoteR* Setting & Imagery:
In part C, you start off really well, with an excellent reason to why Jack my consider leaving. His internal thoughts are great. But when Jane starts talking, he gets all confused and goes off on a tangent for a whole couple paragraphs. Focus on the issues in his head. They are really good ones, and worth focusing on. Jane's been with him for a few weeks now, it's likely the issues he tangented to have already come up, unless you have a reason to remind the reader about them. Stick with the big issue, and get Jane to really argue with him. (How you wrote it in Part D is much better.)

*NoteB* Writing Style & Grammar:
I've given you notes on how to improve your writing style to make this more appropriate for a book in every chapter previously, so just continue doing that. Any line that gives a generic description or explanation of who a character is by this stage of your book, you'll want to delete that. E.g., you can shorten "the kitsune, who's the hotel owner" to "the kitsune hotel owner", or just reference Lahorn by name, without any further explanation as to what or who he is.

You have often used this wording throughout your chapters: "who's the hotel owner" or "whose name was Jacob", etc. In general, I think I have suggested the removal of almost every single one of those lines I've found. I do not consider them proper grammar, and represent a sentence participle that just feels awkward and incorrect. There is almost always a better way to say whatever you are trying to say when you use that participle, or you probably don't even need to relate the information you are adding in with it at all.

Part C started off so promising!! I really liked your writing style and digging into Jack's mind. But then when Jane showed back up, she fell into the same trap that Lahorn and Lefleet did early on in your novel - her lines were purely there to bolster Jack's and keep him talking. Give more lines and oomph to Jane and make her have an opinion that Jack actually has to weigh against his own.

         *Bullet* Favorite Lines:
"However, the thing that was on his mind was whether or not he should stay in town with Jane, or leave the town, and see about cleaning up the country of other groups like the one that Jessie ran. He knew that after the war many former soldiers on both sides had gone home to find themselves without a home or a job. As a result, many had gone west, looking for a job, in one way or another. While many had found one, there were those who turned outlaw. He knew how they terrorized many innocent towns, rustled cattle, robbed stagecoaches, and more. He also knew that regular lawmen couldn't handle these sorts of army-trained men, especially those with nothing to lose." -- This is really fine writing. I really really liked this paragraph.

*NoteG* Overall Impression & Conclusion:
Of the four parts, Part D is the most well written, and Part C is a close second. Part A and B feel almost like throw-away options. You'd need to add a lot more to Parts A and B to make them of equal quality and viable endings in C or D's place. My personal favorite of the batch is Part D as a closer. I think it is a good closer for your story. It lets the family that has been trying to get back together since the start show that they are healing and becoming one. While Parts A and B aren't bad, I think this story needs a happy ending after all the things Jane and her kids have been through. Imagining that family without Jack as their savior alongside them is difficult after what they went through. They need the healing hand to continue. Part C could be a really really good option, but I think Jane needs to be a stronger character in that one and actually put up a fight for her husband to stay, making his choice that much more difficult.


*NoteO* ~ Rayyna

*StarO* WRITE ON! *StarO*
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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
13
13
for entry "Chapter FiveOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with P.E.N.C.I.L.  Open in new Window.
Rated: 18+ | (3.5)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Hi there! I'm reviewing Chapter 5 of your novel, as paid to PENCIL. Please take my suggestions for what they are - an honest review of your work with the intentions of helping to make it better. If you disagree with anything i have suggested below, feel free to ignore it. I am just another writer like yourself, and my opinions are just that - opinions.


*NoteB* General Comments & Reader Reaction: This was the climax scene that the entire novel has been building up to. While you described the fight with the driddler, you mostly skipped over the battles with the other two main bad guys, and I think that is a disservice to your novel.


*NoteG* Plot & Pace: This is generally well timed throughout this chapter. It's been building up, and there's a TON going on here. You flipped between scenes decently well, and I didn't really feel like I lost track of the action at any point.


*NoteO* Characters:
I'm not sure I understand the reasoning behind making both Jack and the driddler know magic and/or be part-witch-doctor. It seems an unnecessary addition. Jack doens't need Everything in himself to be able to succeed. Some of his power is going to come from sheer adrenaline and determination. He also has met an awful lot of people, and they can help him. Maybe the witch-doctor kid is around and can help stave-off the venom or heal Jack before he fights Jessie. But to have Jack use magic.. and Jessie use magic.. it just seems extra stuff that doesn't quite make sense for the world you've built.

Use your other characters that Jack has met. Let them help him. There is really not a good reason why they can't be involved in this fight as he is - I mean, the townspeople are helping to fight!


*NoteR* Setting & Imagery:
Your very first sentence is a classic example of telling about something happening, rather than showing. I think it would add a lot to your story to describe that attack as it happens.

You do it again when the scene shifts to the burning Sheriff's office. Why is the Sheriff's office burning? It's fine to skip the fight-scene between Jack and the dragon, if you really must, but to have the building suddenly be burning without explanation is somewhat jarring, and waiting till a few paragraphs later is confusing. It also would be a good idea to describe how the layout of the sheriff's office is, and if his children can see him fighting the dragon or if they just hear him - and what effect that might play on the children in regards to him.

"With that, he touched a spot on the back of each of his children's necks, causing them to fall asleep." --- What? Where is this coming from?


*NoteW* Emotion, Mood & Atmosphere:
The kitsune's long-winded explanation of where he got the boxes of ammunition is unnecessary and unlikely to occur in the heat of the battle they are fighting in. I'd strip it down to something much more simple like "Yeah, here, got 'em off a dead guy."


*Note* Structure & Consistency:
In the sentence at the end of the 2nd long paragraph that you start off with "After all, as Jack had told the chieftains, there were people who had the same desire..." -- This is a new concept in your story. In all the planning explanations prior to this, you have not mentioned the armbands. I suggest either adding references to it earlier in the novel in prior chapters, or treating it here as a new concept that you are now explaining to the reader, and not bury it at the end of a paragraph as if the reader knew about it from before.

*NoteB* Writing Style & Grammar:
You had shorter sentences throughout most of this section, which is good. Much less run-ons as compared to prior chapters. There were still a few here and there, some of which I pointed out below.


*NoteG* Overall Impression & Conclusion:
Well done climax chapter.

*Cut**Paste*Specific Line-by-Line Suggestions


*NoteO* ~ Rayyna

*StarO* WRITE ON! *StarO*
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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
14
14
for entry "Chapter FourOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with P.E.N.C.I.L.  Open in new Window.
Rated: 18+ | (3.5)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Hi there! Here is my review of the third chapter of the book you requested PENCIL to review for you. Please remember my review is honest and meant to be a worthwhile critique of your work in an effort to help you edit this piece to be something valuable and hopefully eventually publishable. If my review seems overly harsh, please take it with a grain of salt, and accept those edits you wish and throw out whatever you despise!

*NoteB* General Comments & Reader Reaction: I think you're definitely getting into your groove the more you wrote of this piece.

*NoteG* Plot & Pace: Your plot has slowed down a great deal. This chapter is catching up Jacob, repeating to him a lot of things that the reader already knows. You can actually sum that up a bit with something as simple as "Jack and Jacob did some scouting, Jack taking the opportunity to fill Jacob in on the plan." Of course you'll want to take the chance to let the reader see any new information, but I saw a lot of re-iteration in this chapter.

*NoteO* Characters: Jack seems to be afraid that Lefleet would "rape the boy by accident." That seems like a mighty high charge to think of a friend. It's basically saying, "my friend is a pedophile serial rapist that can't keep his dick in his pants," all based on one scarring session. I think that the story that Lefleet has does not really lend itself to being worried that Lefleet might rape the boy. If anything, I'd guess that Lefleet might be seriously screwed up after having to eat his long lost love; but to then turn that into rape.. I'm not seeing the connection.

There's another jump in your story/dialogue after Jack admits that he conned the situation to force Jacob to help him. Jack's confession that he set a trap for the Harpy and for Jacob is an important one. It should get some attention, especially from Jacob, and you should give Jack the chance to really bare his soul to his cousin. Unfortunately, as written currently, Jacob totally ignores it, and just goes on to focusing on the job, rather than considering what Jacob just confessed, that he'd not saved his fur, but rather that he'd set up the whole thing to force Jacob to help him.

*NoteR* Setting & Imagery: Again, not much of this. The little bit that was there is good, but could definitely use more.

*NoteW* Emotion, Mood & Atmosphere: When Jacob asks "Any particular way you going to kill them?", I feel like your writing is falling back into the habit of one guy asks Jack every step of his plan and Jack obliges with telling him. It might be worthwhile to have some of this exposition done more in Jack's head, as he imagines what he'll be doing, rather than having yet another character asking constant questions just to get Jack to tell all. Additionally, Jack does not have to share everything, even with the reader, about his plans, some of that can be left to unfold as it happens.

*Note* Structure & Consistency: After Jack explains his concerns about Lefleet to Jacob, Jacob responds with "well I know you're going to have to go wolf-form." It seems like a jump in the conversation, like Jacob didn't know how to respond to Jack's concerns about Lefleet, so he just went another direction entirely. If that's the case, that's fine, but you should maybe mention some descriptive words about jacob being uncomfortable with Jack's story, or if Jacob isn't discomfited, then have him actually acknowledge Jack's story about Lefleet.

When Jack is telling Jacob about killing soldiers during the war when they were stealing, he explains that he would kill them and leave their body as a warning to others that they are soldiers, not thieves and murderers, but if someone complained about his shooting his own soldiers, he'd tell them the man was a deserter or a traitor, because it would look better if people believed the relative died in battle against the enemy, not because they'd deserted. This whole paragraph simply doesn't follow. If Jack leaves the body as a warning not to turn thief, then he needs to tell people when they ask not to turn thief, or Jack would kill them like that guy. Telling them something else leaves the wrong message. On the other hand, telling people he killed them because they turned traitor, then wouldn't make the families feel better, because they'd undoubtably hear that they'd been killed because they turned traitor, which is nothing like being killed in battle. The logic of this paragraph just doesn't quite work, so I suggest trying to re-work it.


*NoteB* Writing Style & Grammar: One of the stylistic sentence structures you use regularly throughout your novel is your method of telling the reader about someone's history. Take, for example, this phrase from the first sentence of this chapter:

as he'd been a former officer in the Confederate Army

In this line, you are telling the reader (or really reminding) directly that he was an officer, and that's where he got the telescope. If you change just slightly how you word that phrase, you can remind without being quite so obvious about it, and make it flow a little better. For example:

As Jack looked through a collapsible telescope that Jacob had brought with him, leftover from his days as an officer in the Confederate Army,

That simple change of word choice just seems to make the sentence less like you are directly telling the reader, and more simply descriptive.

         *Bullet* Favorite Lines: Your paragraph detailing Jack's memory/history when he burned down half of Georgia was well written. You split it into sentences well, and covered the history well.

*NoteG* Overall Impression & Conclusion: I'm excited to get to the next chapter and find out how it all goes!

*Cut**Paste*Specific Line-by-Line Suggestions


*NoteO* ~ Rayyna

*StarO* WRITE ON! *StarO*
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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
15
15
for entry "Chapter ThreeOpen in new Window.
Review by Rayyna Author IconMail Icon
Rated: 18+ | (3.5)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Hi there! Here is my review of the third chapter of the book you requested PENCIL to review for you. Please remember my review is honest and meant to be a worthwhile critique of your work in an effort to help you edit this piece to be something valuable and hopefully eventually publishable. If my review seems overly harsh, please take it with a grain of salt, and accept those edits you wish and throw out whatever you despise!

*NoteB* General Comments & Reader Reaction: I think your writing and story are getting better the more chapters I read. I'm glad for the opportunity to review all of it!

*NoteG* Plot & Pace: I'm a little confused as to what has happened to Lefleet. By the end of this chapter, Lefleet has apparently done the thing that Jack told him to do. But while Jack to Lahorn to stay with the Sioux Chief, I don't believe he told Lefleet to stay at the Double D, and so since his news has apparently been given by this chapter, I'm curious as to where that character is. If Jacob is coming into town from Double D at Lefleet's word, and if Lefleet wanted to be involved with the big to-do that Jack's been planning, I'd think Lefleet might have been with Jacob. It might behoove you to mention instructions in the last chapter about what Lefleet is to do after informing Jacob of his message, or have Jack and Jacob discuss it briefly in this scene.

*NoteO* Characters: While Jack is talking with the kitsune, I notice you fall into your habit of having one character ask Jack to elaborate a lot. You use "What do you mean?" a LOT all sort of in a row. It also makes the hotel owner/kitsune character feel a lot like Lahorn, as Lahorn would do the same thing. Try and give the kitsune character a different feel. Maybe have him ask questions for clarification by giving possible suggestions for what he might think Jack means?

*NoteR* Setting & Imagery: Early on in this chapter, when Jack is talking to the hotel owner, it isn't clear exactly where Jack is sitting and watching. At first I thought he was outside, and the hotel owner came out to see him. It made sense that maybe Jack was playing his harmonica outside of the Mayor's Villa, trying to serenade his wife. But eventually I realize he's in a hotel room. I suggest making this a bit more clear right at the start.

*Note* Structure & Consistency: When Jack and Jacob are in the scene together, you mention Jack's revolver, and him pulling out his pistol a few times. Jack already has his rifle out and in his hands from the first of this scene. I suggest either mentioning him strapping the rifle to his back, thus giving him a reason to use the revolver instead, or just keep with the rifle.

*NoteB* Writing Style & Grammar: I think your sentences may in general be getting shorter :) I actually liked a lot of how this chapter went, in comparison with the previous chapters. Less that stuck out to me.

         *Bullet* Favorite Lines:

"At the time, he hadn't known how to play one, let alone anything resembling music, but he had managed to play an off-key, very off-key, version of "My Darling Clementine." However, Jane had loved it, and after that, on her birthday and anniversary, he'd play it, in that same off-key way, despite the fact that he could play it properly nowadays."


"Jack Clawtooth," Jacob said, with a growl in his voice, as he looked to see the man walking towards him, with that peculiar smile of his, holding his rifle in a manner that spoke both confidence, as well as skill, with his revolver in his holster, without it lashed down, meaning he could pull it out in a second, without it getting caught up in the leather loop that was put over the hammer to prevent people from just pulling it out unless they were going to use it.
This line starts out Wonderfully. Excellent imagery, good sentence structure.. but then the sentence just keeps going on and on. I was really excited to read the sentence, but as it continued I was saddened that it didn't stop right when it needed to. Please see my notes below for my suggestions on how to fix this sentence, but I wanted to highlight it here as well because I really did enjoy the sentence as I was reading it!!


*NoteG* Overall Impression & Conclusion: You are getting more comfortable in your writing, and I applaud you for that. I look forward to reading your next chapters!

*Cut**Paste*Specific Line-by-Line Suggestions

*NoteO* ~ Rayyna

*StarO* WRITE ON! *StarO*
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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
16
16
for entry "Chapter TwoOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with P.E.N.C.I.L.  Open in new Window.
Rated: 18+ | (3.0)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Hi there! Here is my review of the second chapter of the book you requested PENCIL to review for you. Please remember my review is honest and meant to be a worthwhile critique of your work in an effort to help you edit this piece to be something valuable and hopefully eventually publishable. If my review seems overly harsh, please take it with a grain of salt, and accept those edits you wish and throw out whatever you despise!

*NoteB* General Comments & Reader Reaction: The story itself is still going well and interesting to read. I am excited to see what happens next!

*NoteG* Plot & Pace: Again, Jack is telling a lot of what's going on, rather than letting things be shown as they occur, but in this section it makes a bit more sense as Jack has to tell his companions the plan and their parts to it. The Pace of this section is really well done, though, and I felt like it worked just right.

*NoteO* Characters: Your characters have lost just about all sense of an accent throughout this chapter. Decide if you really want it used or not, and continue one way or the other throughout the entire book.

I'm getting the impression the more I read that Lahorn and Lefleet are pretty young. I did not get that impression when I was first introduced to them in Chapter 1, but as that first chapter and now this chapter have progressed, I can only really imagine them as very young sidekick types, like.. 17 years old or less. If this is not correct, you should probably give them a bit more oomph. Their habits of not really having much thoughts themselves lends themselves to seeming incredibly young.

*NoteR* Setting & Imagery: There wasn't much of any of this in this chapter.

*NoteV* Structure & Consistency: I didn't notice anything not matching up correctly in this chapter, so well done there!

*NoteW* Writing Style & Grammar: "Would of", "Should of", or "Could of" are not proper grammer. They should be "Would have" or "Could have". In the instances that your characters are saying those things, it's probable they have bad grammar and you are showing their accents, although it might just be generally better even for accented english to contract the words to "Would've" and "Could've". However, in this chapter, a great deal of the dialogue is mostly lacking in accents, so should either up the accent language or fix the grammar.

You also have a lot of run-on sentences in this chapter. A ton of them. Jack just rambles on and on and on. Try and catch all of these and split them up into more manageable chunks.

*NoteB* Favorite Lines:
         "Kid, if you think that killing me will fix your brother's arm, go right ahead," Jack said, as he turned around to see a fourteen year old rakshasa boy aiming a Spencer rifle at his head. "However, once you pull that trigger, there is no going back. You will have to live with the fact that you killed a man who could of killed your brother, but didn't. Also, you'd be marked wherever you go."

*NoteG* Overall Impression & Conclusion: The story is heating up and I'm excited to continue with it. I'm starting to wonder why this world has monsters, however, as the characters seem to be just like normal humans, but with extra parts/looks. Since one of your big themes is "Monster vs. Man", you might put in extra examples of what makes a monster a monster, and a man a man. Can a monster really overcome his internal nature and Be a man? I get that that is what Jack is trying to do .. but can Lahorn and Lefleet ALSO achieve that goal?


*Cut**Paste* Specific Line-by-Line Suggestions


*NoteO* Feel free to contact me if you have any questions about my review ~ Rayyna

*StarO* WRITE ON! *StarO*
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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
17
17
Review of To Save a Patient  Open in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with The Newbies Academy Group  Open in new Window.
Rated: E | (4.5)
Very nice story :) I thought at first that it was going to be a story showcasing modern medicine against the old outdated medical thoughts, believing in humors and bleeding techniques. Switching it to actually being about a Vampire was tricky and well done!!

Your dialogue was good, the flow was excellent, and punctuation and grammar right on. Very well done story!!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
18
18
for entry "Chapter OneOpen in new Window.
Review by Rayyna Author IconMail Icon
In affiliation with P.E.N.C.I.L.  Open in new Window.
Rated: 18+ | (2.0)
*Pencil* A "P.E.N.C.I.L.Open in new Window. Review *Pencil*


Hi there! I'm a member of the PENCIL reviewing team, and I will be reviewing this story for you, per your purchase of a review by us. I will do my best to try and get to a chapter a week. Feel free to respond to my reviews with any additional questions you may have, and I will endeavor to clear up my points. Please remember that my review is honest and meant to be a worthwhile critique of your work in an effort to help you edit this piece to be something valuable and hopefully eventually publishable.


*NoteB* General Comments & Reader Reaction:
This story is Not Rated E. You should change the rating to quite a bit higher.

I enjoyed the ideas and premise of the story. You have a lot of different creature types, which is interesting. Figuring out how all those work out together is a challenge, and I like where you are going with it. I also like that you are using so much dialogue, as it really brings you into the story.

*NoteG* Plot & Pace:
The pacing you have for the actual driving plot is good. You have some story setting and background laying at first, and then you get on with the plot..which is about right in timing, as I was wondering where things were going about the time you got there. However, I am concerned with how much info-dumping it feels like you are giving. Jack is VERY talkative, and VERY open to sharing everything about himself, his history, and his purpose openly to his two friends. I wonder if it might be more interesting for him to keep some of those details more to himself. It is even possible for you to share that information with the reader, if you'd like, by having Jack think about the details he's keeping quiet, but doesn't necessarily have to tell Lahorn about them, or later on the Mayor and buddies. By making Jack so very very talkative and sharing, you're doing a lot of 'info-dump' all very early in the book. It would be more intriguing if the reader (and the other characters) had to find out about some of that as your book progresses.

*NoteO* Characters:
         *Bullet* Lahorn: Minotaur, Western accent -- Lahorn has a pretty steady accent at first. Once his nose is hit, however, his accent changes completely, and his grammar gets better. It is pretty steady for a while in the non-western accent for quite some time. You should probably figure out exactly how bad his accent should be and stick with that. Additionally, Lahorn seems to be there almost primarily to goad Jack into talking more. The majority of his dialogue is of "and then what happened?" quality. You should consider giving him a bit more life.
         *Bullet* Lefleet: Centaur, Southern accent -- Lefleet too seems to lose his accent later in this chapter.
         *Bullet* Jack: Werewolf, Northern accent -- You start off with Jack's dialogue being mostly proper English. As it progresses, however, his wording seems to slip a bit more towards the broken Southern/Western. Is it your intention that he speak more gentile all the way through, or does he have the habit of slipping into accents when they are spoken around him?

*NoteR* Setting & Imagery:
This is almost nonexistent in your story. You have a great deal of dialogue, and almost no description of the setting at all. Additionally, when you are describing your characters, your description tends to be one word, which explains what type of creature they are, but doesn't give any essence as to what they look like, or why it is so obvious that person is that type of monster. I can't tell if the Dragon Saloonkeeper actually looks like a dragon (or even what type of dragon), or if he's in human form. You also assume that the reader knows what each supernatural type looks like. You can add a lot by adding descriptions of your characters instead of telling us what they are.

*Note* Structure & Consistency: "No," Jack said. "She doesn't know my human form.." Why does Jack's wife know his human form? Jack had been going on and on about how she made him stay out of his wolf form for all those reasons, and now suddenly she won't recognize him in human form? Along those same lines, when the man says "She's mine Dog", does he know he's a werewolf? How can he tell, when the harpy couldn't tell?

*NoteB* Writing Style & Grammar: I see a habit to 'tell' the reader a fact about what they see, rather than 'showing' the reader what they see and letting them understand what it is they are seeing and what it means. Try taking a look at "Show Don't TellOpen in new Window. to get an idea of how to show the reader what you want them to see, rather than telling them.

*NoteG* Overall Impression & Conclusion:
You have a lot of potential in this piece. The story is good. You just need to do some work to bring the story to a more visually entertaining piece. A good deal more description and showing of the story can go a long way.



*Cut**Paste*Specific Line-by-Line Suggestions

*NoteO* Feel free to contact me if you have any questions about my review. ~ Rayyna

*StarO* WRITE ON! *StarO*
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Review of Visions  Open in new Window.
Review by Rayyna Author IconMail Icon
Rated: E | (3.0)
Hi there! I came across your poem through the random reviewer. Please don't let my review discourage you at all, and please always keep writing.

I like the concept and the ideas of this poem. And I liked the second stanza of the poem and it's flow. However, the other stanza's are confusing, in my opinion. The flow is awkward. It feels like you purposefully end some of the lines in odd places. "Drenched in pleasure flowing" and "and pointed toward the darkness, grinning" specifically. I don't quite get what pattern you're going for, if any, but the pattern (or lack thereof) just makes the piece feel odd to me.

I will admit I'm not super skilled at poetry myself, so these are just the impressions of a fellow writer.
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Review of Words are wind  Open in new Window.
Review by Rayyna Author IconMail Icon
Rated: 13+ | (4.5)
Hi there! I came across your piece through the random reviewer. Please take my words as just another reader, my suggestions can be heard and kept, or discarded at your leisure.

Your piece is powerful. The wording you use leads the mind to seriously think about what you are portraying. For example, the line "Almost calming the violence of satin against skin." Satin isn't usually violent, so it is an image that really requires the reader to focus and imagine. "Her tears would drown fish before they reached it." is also another powerful, as usually fish can't drown. I really really like that aspect of your piece.

I wonder if it might have an effect if you change up the line structure just a bit. Bring a few phrases that might gain more meaning if they had a line all their own.

For example, move "just do not leave me." to it's own line, giving a small focus to the power of that request.
Or, splitting up the line "It's music, shrieking and relentless, telling an endless tale as terrible as sin." into two lines.

Beautiful piece, for someone who isn't normally a poet :) Well done!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review of Dystopiapolis  Open in new Window.
Review by Rayyna Author IconMail Icon
Rated: 13+ | (5.0)
I love this piece! Such focus on the cockroach, it's many parts, it's questioning existence. I really enjoyed the aspect of beginning with killing and hate, turning to missing the nemesis when they were gone, turning to thinking about them constantly, and then finally an odd love and embrace. A great way to move through the piece.

Absolutely stunning piece. Well done.
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Review by Rayyna Author IconMail Icon
Rated: E | (4.0)
Hi there. I came across your poem through the random reviewer. I'm offering a few opinions from just another writer. Take them as you will, or ignore them at your leisure.

Beautiful poem. Imagery is great, and portrays the essence of the rain very well.

Couple items. In the last stanza, decent should be spelled descent. You've used the wrong word. In the second stanza, I think it might make more sense if you took out the word "if" in the last line. As it is, i feel like there should be more to the thought.


Thanks so much for this piece, and keep writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review by Rayyna Author IconMail Icon
Rated: E | (4.0)
I really enjoyed reading your piece. I like the separations you chose to break up the sentences into lines, putting focus on certain parts by giving them a line all their own. Specifically the "with extra toes" and "to train." I think those two lines particularly gain value by getting their own lines to themselves. You might add some commas or periods at the ends of some of the lines, just to reiterate natural pauses. But I liked the piece, and the subject matter, a lot.
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Review by Rayyna Author IconMail Icon
Rated: 13+ | (3.0)
Interesting story, I like the concept and ideas in it. I especially like the confusion caused by the mage.. he's there, he's not, he's there, he's not, illusion was well described.

A couple suggestions.

'"He started walking towards Spencer, who was lying in bed. Once he reached his mark, Orion took his dagger and jabbed it into Spencer, or he thought he did.
“I knew you were coming.” Spencer said, his voice a voice said, coming from the shadows behind Orion. He spun around, heart racing at being caught out. "Spencer!"

“I received a tip that one of my slaves decided to get you to kill me. I quickly ended her life.” He Spencer pointed to his bed. “Look under the sheets.”'


If you make these few small changes, you can increase the confusion and suspense in that one moment when Orion thinks he's killed Spencer, and yet then hears his voice behind him.


This is just one simple suggestion that I think will heighten the story. Hope it helps.


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Review of End of Time  Open in new Window.
Review by Rayyna Author IconMail Icon
Rated: E | (5.0)
Hi there! I found your story through the random review. The title and genre sparked my interest and so I sat in to read. And I just kept going. The story was incredibly interesting and drew me in the whole way through. I kept wanting to know more, find out what happened, learn more! I really liked the layout, how you told the story from the monitoring alien point of view, keeping any specific details about the planet/system, and the individual that knew anything about the world mostly vague. Of course, now I want to know the story of Franseur, and what connection he'd had with Earth! I know I kept wanting to know what "E10" meant all the way through the story, and I'm glad it was left unexplained until the end, as it really did keep me in the feel of the actual event without the story breaking down to address me as a novice reader.

I could almost imagine this as a whole novel, with this portion acting something like a narrative introduction to separate chapters as the book/timeline progresses, with the focus of the story being the rogue monitor and Earth. I can definitely see that as being interesting!!

I'm curious as to where you got your names for the races. I'll admit, Denarian and Valerian ring of other books i've read, but specifically make me think of Game of Thrones (as well as a little Dresden Files). I like that you were mentioning species throughout. I think one character that likely could have used a species descriptor/name would be Franseur. He had some fair amount of description, but did not have a species put to him to give us an idea of how alien he might look. Might be something to consider adding.

Very wonderful piece, and I really enjoyed the read. Thank you, and keep writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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