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Review of Insomnia  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (4.0)
I think this is a very strong stream of consciousness piece and it does lend itself to being a spring board for a longer more elaborate one. A point of view piece where the world is observed and evaluated from a cocooned distance. I quite enjoyed this. You show vision and expression in this piece that could be woven into a larger one that would really capture the interest of readers. Very nice.


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Review by Kassimel Author IconMail Icon
Rated: 13+ | (2.0)
This could be a very powerful vignette, but it needs work. Even if it's going to stay abbreviated and blunt, you should pay attention to the technical details of punctuation, paragraphing, etc. In a shorter work, vocabulary becomes one of your most important tools, especially if you are dealing with a subject such as this. Instead of choosing passive words and voice, be more aggressive but make sure that when you do that, the words you choose actually enhance the tone and flow of your work. In the beginning, you use the word 'infuse'. For me, it didn't fit, so this stuttered from the beginning. Time blurs... yes. Time infuse? Taking the time to edit and fix this is worth it, if only to preserve your idea. I still have stories like this from decades ago that I revisit, edit, and keep. Some of them turn into far larger works. Have a good day.


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Review of Undecided  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 13+ | (2.5)
exspesialy - especially?

I don't think this is ready for people to actually read. It seems like a fun concept, one that you could turn into a serial or a longer piece. I'm not sure what the point of it is supposed to be. The description wasn't representative of the work, at least not in it current form. If you decide to expand this, pay close attention to the details and to the construction.


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Review by Kassimel Author IconMail Icon
Rated: E | (2.0)
You need to be careful when you write to be correct about what you say. Parental lobe, although funny is incorrect. The brain has four lobes: Frontal lobe, Temporal lobe, Occipital lobe and PARIETAL lobe. Word processors can't help you with that. If you are going to reference neurology, do your homework. The cerebellum is located a lobe away from the parietal lobe. The swelling in the cerebellum, although it would significantly impact the body, would not have a direct link to the parietal lobe. Technicalities are important when you are constructing a story like this. If you don't want to read lengthy tomes on neuroscience, you can gloss over them as 'understood'. Referring to limited brain damage that is believed to depressed the nerve center rendering the subject mute. Then refer to the implant as a way to circumvent this disability. That's a big buildup and a disappointing ending. This reads like an attempt to spin off Robocop and Demolition Man. This has potential to be a much better story. Edit, proofread, rewrite. To share a personal thing, I free write, I put the piece to the side, I go back to it when it's not as fresh in my mind. Then I do my best to read it like I wasn't the person who wrote it.


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Review of Dark Amaryllis  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 13+ | (2.0)
This needs work. The idea is okay. If you want to tell it like a fourteen year old whispering it to his friends, it would work well. But as is, the narrative needs polish. It reads like a laundry list. It's also confused. The Prince of Darkness... is Kayn. Elizabeth is renamed Taryn? It is just a thought, but most people never forget the name of their king, and the more evil, the more they remember.


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Review by Kassimel Author IconMail Icon
Rated: E | (3.0)
I walked into the class, talked to my teacher Mrs.Wood, and she said she had heard of a new kid.
**I think a teacher would refer to the ‘new kid’ as a student.
"I heard of him, but it doesn't seem like the little guy is here today." She said, with a confident voice.
**Think about the way a teacher would speak and address another student.
Mrs.Wood was to assign seats today, and just my luck, she sat the new kid, "Xavier Fox" right next to me, she must have thought i was related to him, or probably even dating him, even though i didn't know the guy.
**This seems a little outrageous for a teacher to think this.
Just moments after we all had our seats assigned, a faint knock at the door of my class was heart, quiet, but we could hear it clearly.
**HEARD, not heart
"Have a seat over there, and welcome to Titan County high school."
**High School needs to be capitalized
This is a good concept for a story. Keep in mind that paragraphing is important, as is word choice and dialogue. You need to spin a story, to grab interest and pull the reader in. This idea has a lot of promise.


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Review of Questions  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (4.0)
This is dark and in so few words draws a vivid picture of deprivation and insanity. It is written in an austere style that suits the story perfectly. I'm quite interested for there to be more. As a first person narrative this has a lot of power. I really liked this. Good Writing.


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Review of The Rifle  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (4.5)
This is very entertaining. I could almost imagine it. As one point of clarity, the Heathen, is his mother right? With the exception of you taking a look at your paragraphing, this is very, very good. I think it's well told and engaging. I'm disappointed there isn't more of it!


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Review of Xavier's Curse  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 13+ | (4.0)
This is very interesting. Well done. The only thing that sort of confused me is that I can't identify who the speaker is. Someone is telling the story. It's not Xavier, who has the potential to be very interesting, it's not the reader, so who is it? I will read the other installments of this in an attempt to figure it out because I want to know. I was hoping that whoever was talking about it would be identified at the end. The only other thing is that you might want to try reworking some of it to eliminate the repetition of the word 'you',




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Review of The Split Truck  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (3.0)
Be careful not to write the narrative the way you talk. That can be done when the story is in the first person, but its problematic in the third person.

THE SPLIT TRUCK

It had been the first time in many months since John had seen his ex-wife, Alice. They had "split" only six or so months ago, and he still had not gotten over how the whole situation went about.

*Try using a stronger voice in your opening. This is where you can hook or lose people quite easily. … maybe something more emotional. – Alice. This was the first time John encountered his ex-wife in six months or longer. He still couldn’t forget or get over the whole situation.

It wasn't a mutual divorce, he had tried to make it work; the time and effort were both put in, the only problem was that she did not want it to work.

*The term mutual divorce is odd. It might be better to express it differently that would also infuse some emotion into it. –He never wanted a divorce. He had put in the time and effort to make it work, but she never wanted it, not like he did.


SHE didn't want it to continue; he still remembered the last words that he had heard from her the day that she left "their" house and left the keys for good," It was good while it lasted", these words stuck with John.

*Consider allowing him to ‘think’ this. -- She never wanted this to work. If she had, how could she end it that way? She left her house keys, to their house, saying, “It was good while it lasted”. Who does that?” John would never forget those words.

To him it didn't seem like any way to end a relationship let alone a marriage, but now she was back in his life for this brief moment, for this one life stopping and heart racing moment.
*

"Hello John" said Alice. “It's been awhile".

She was right, it had been a while and he knew it. "Hello Alice, how have you been?"

Alice shrugged; she wasn't here for the basic fundamentals of a normal day conversation. She was here for one reason, one selfish reason.

"So, where do we begin?" said John. – asked, not said.

"Maybe with the finale papers, unless you would like to reconsider?”

- finale papers is kind of funny, but I believe you meant FINAL

"John we've gone over this, it's over and there's no going back". They both knew that it had been over and was going to remain over. John had always joked to himself about what he would say or do if they actually had gotten back together.
"I know it's just a joke," said John. Slowly Alice pulled out a large stack of paper from her purse and handed them over the coffee table separating them. John read over the papers and signed the dotted line next to the small little "x" that lay before it.

"There it's done and how painful was that" said Alice. It hadn't been painfully, not for her at least, but John, showed no sign of emotional torment but deep inside he felt the pain of the worst creation.

*It had not been PAINFUL, not for her, at least. John showed no signs of his emotional torment, but deep inside he felt the worst pain in creation.


"Not at all" said John still hiding the pain that he felt inside. He knew now that this meet would not last that much longer, she was here for the papers and the papers only and she had gotten what she wanted, like always. Alice stood leaned her head forward and whispered something to John.

*You might want to include the whisper either here, or later when he has a moment to reflect on what she actually said to him.

What she whispered was not what had hooked his attention, it was the idea that she was this close to him and wasn't trying to hug and or kiss him, which no longer occurred with their so called relationship, and wasn't stealing his car keys making fun of him. She had always been the thief but she was his thief and he knew that she would always return what she had stolen. When Alice pulled back and stood straight up she smiled at John.

*It might serve your story better to give him time to reminisce about who Alice is, what she is, her attitudes, personality, etc, before the meeting.

"It was good seeing you John" which was followed by the click clack of her heels exiting the diner.

*This is the first time you mentioned the actual setting of the meeting. You might want to establish that earlier with a description so it doesn’t seemed rushed and pushed in.


John didn't move until he saw Alice's car peel out of the parking lot and fly down the street, always the thriller seeker he thought to himself. This thought made him chuckle as he stared down at the half empty mug of coffee that had been brought to him only minutes before Alice had arrived.

He was tired when he received the coffee and gulped down the first half to seem, to Alice, alive and well since their last meet. He always seemed tired, always was tired. It was his main problem and most noticeable feature. His friends teased him about it, his co-workers gossiped about it always wondering what exactly he was doing to have looked so tired, and his family members worried about him because of it. All these thoughts zoomed in; out, around, and through whatever process they had been assigned. This was his basic routine. This was John.

*Now that you want to describe John and his feelings, do with thought and less matter-of-fact. You’re trying to create a character that the reader responds to, not listing his traits and issues.

If a random person of the street were to describe to you who they thought John Kailing was, they would give it a quick look over and, not unusually, decide that he must be some office worker, living of small wages. The truth had actually been that he was a writer for a large well endorsed newspaper; also that he was a free-range writer himself. A quick description of John would reveal an out of place tie and tucked in white long sleeve shirt connected to a pair of flat black jeans worn from the long days and nights of writing. A half shaved beard, and a tall somewhat large build would complete the quick description. The only thing that most quick look and guesses did not get correct was the fact of his age. Besides the fact that John had already been married and divorced, he was only barely entering his late twenties. He had been in and out of college within four years. Graduated with a degree in creative writing, and at the ripe age of twenty-two he had a bright future ahead of him. Often reflection on his previously bright future, John was always looking back and never let he look onward as to not disappoint himself and anyone else. John continued to gulp down his coffee trying to quickly finish and leave the coffee shop and continue with his life of writing, alone, like many other saps just like him. He was no different then ( than) anybody else.

*Again, tell the story, describe your character and remember to weave your words so they flow and catch the reader’s attention. Another point that you hit on but don’t actually clarify is that you say the onlookers wouldn’t be able to guess his age. Does he look younger? Or older? Or does have an ageless quality?

The coffee shops (coffee shop’s) bell rang as another costumer walked in ready to give their order and enjoy the rest of their day. Fortunately, unfortunately in his mind, John's best friend, Chris, was that new customer that walked in ready to make an order.

*This is awkward. Try rearranging your words. The bell of the coffee shop rang as a new customer came in. Fortunately or unfortunately, depending on the point of view, it was Chris.

Chris was an athletic, good-looking blob of jock. Slightly smaller and thinner then John he was everything John wanted to be, the life of the party and the bachelor that every girl in town wanted to be with.

*This is a badly constructed sentence. Chris was an athletic, good-looking blob (not a word I would use) of a jock; slightly smaller and thinner than John. Chris was everything that John always wanted to be. The life of the party and the bachelor that every girl in town wanted.

Chris walked up to the counter, unaware at the time of John, and gave his trade mark flash of a grin at the coffee shop employee, who of course just happen to be a good looking blonde that lived around the corner from Chris. Like a rat in a trap, she was instantly under his charm. They exchanged words and a couple of smiles and laughs.

*Again, think about rearranging your words and sentences.


Who knew that that conversation would end with Chris asking the employee about John and if she had seen him, and of course after being under his spell for an appropriate amount of time, she pointed in my direction in the corner of the room. Chris turned nodded a hello, and went back to the employee to say goodbye, and to get her number.

*You tell this story in a familiar tone and then choose words that create distance like ‘employee’. I’m sure he would know her name if he frequented the coffee shop and she lived just around the corner.

John chuckled at the thought that another girl has fallen into the Venus Fly-trap that Chris had set. After receiving a paper with some indecipherable scribbles on them Chris left the counter and started towards John. While pushing the last thoughts of Alice to the back of his mind John pushed the opposing chair once occupied by his ladylove out for Chris to sit as an invitation. He did not accept. Chris walked over to John's side of the table, "Can't stay got places to go," said Chris. He flinched his head backwards towards the coffee shop employee, who had begun to take off her workers apron and pack her stuff, no doubt eagerly awaiting the time at which she would leave with Chris and head back to either one of their places. "I just came over to ask if you were intending on joining the group today at Mikes' place." It was clear now why he was here, it group knight ( it was group night) (end the sentence here and continue with a new one) and he and Chris were to meet their other friends for activities. (activities seems to be an unnatural word choice) "Yeah, man I don't know," said John, "I'll have to see if the boss has got any new pieces he wants me to write for this weeks ( week’s ) issue." This was bull, and Chris knew it. "Well if you want to come, you know where we are meeting," said Chris as he began to slide backwards. He turned on his heel and took the arm of the employee and as fast as he had come in left in the same pace.

Later that day when John arrived at home, or what he called home, he slumped down in his desk chair and leaned back staring at his computer screen. A photo montage played of his "past" life with Alice.



In general, if you have a really good path for this story, you’ve begun it. Making sure you use words appropriate to your tone is important. Making sure you use correct punctuation and the correct words (Microsoft word will not correct inappropriate use, only spelling errors, so when you had knight instead of night, that was not going to be flagged). Remember to proofread like the piece isn’t yours and to critique it like it was written by your ex-girlfriend who took your dog.




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Review by Kassimel Author IconMail Icon
Rated: 13+ | (4.0)
This is very good. It conveys a lot of emotion without being over wordy. And as much as it is rant, it ends on an upbeat note that really pulls it all together. I enjoyed this.


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Review of Entwined  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 18+ | (3.5)
This is a very interesting story. Visually, it's a little hard to read. I'm usually telling people to combine paragraphs, but in this case, I think you need a more separated approach. In the beginning, the inhale/exhale is very effective. It catches the attention. If you separated the lines, you could add even more tension and angst to it. Double spacing it, would also help. The story itself is good. A little raw and violent, but good. You could easily expand this with explanation of the world. You could also switch view points between the two characters, evaluating one another's worlds.


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Review by Kassimel Author IconMail Icon
Rated: 13+ | (3.5)
This is a good start. The dialogue is a little stilted and it would benefit from a good hard look at sentencing and paragraphing. It's a story that even with those issues draws you in. It's a nice little romance and the menace is done well. I liked this. If you make it into a serial or chapters, I would be interested to read it.


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Review of Shatterd legends  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 18+ | (3.0)
This works well as a narrative introduction to a larger work. However, just some technical details... You need to give this a hard look with an eye for paragraphing, sentence structure, and fragments. The only other thing is that the 'cities' need a little more clarification. The explanation of the cities was a bit muddled and fractured. I look forward to reading more.


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Review of The Briefcase  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (4.0)
His fist and only instinct was to turn in the opposite direction. - I think you meant FIRST

This is really well written and a good story. One of those they used to make short black and white movies of for the twilight zone. I really enjoyed reading this. I look forward to more.


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Review of daddy  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (2.0)
She had be (been) gone to (too) long to (too) far and out of his reach - This sentence is awkward. Remove the 'and' or add 'was' and instead of 'out of his reach' use the word beyond. So it would read... She had been gone too long, too far, and was beyond his reach... or She had been gone far too long and was now beyond his reach.

He never understood that she never would yell back no matter how bad she wanted to. - This is awkward. Try to avoid reusing words that make the sentence stumble. He would never understand that she wouldn't yell back at him, no matter how much she wanted to. Or, She would never yell back at him and that was something he couldn't or wouldn't understand.

All these broken conversations they thought they’d never have. -This is a fragment. Try something like. She never thought they would have all these broken conversations. Or, Neither had considered the impact of all these broken conversations.

She zoned out his cussing, and wondered into a dream, when I was little I’d never thought this would be my life I never thought this would be him. - She wondered into a dream? Try restructuring this. As she let her mind wander, zoning out his cussing, she got caught up in a dream of her childhood. When I was little, I never thought this would be my life, never thought this would be him. (italicize that)

He just loved to yell at her now, and she just loved to her those words sometimes to carry on her sorrow on days where she had nothing to be down about she would just give him a reason to be mad at her, she loved it as much as he did too. -This is a difficult sentence. It doesn't make sense. Try splitting it up. Now, he loved to yell at her. She even found herself giving him reasons to be mad at her. She loved it as much as he did. I still haven't figured out what 'and she just loved to her those words sometimes to carry on her sorrow' actually means.

“Was it wrong?” she asked choking on every syllable, dwelling on the hidden waterfall in her eyes.- I take this to mean that she was concentrating on her unshed tears?

He yelled in her face less then 5 centimeters away she’d never thought it would be this bad. -The way you phrase this contradicts the idea that she actually enjoyed his anger. Try qualifying it... this was worse than it had ever been or something.

Her face flowed with the glow of a candy apple red flashing car speeding down the highway catching a cops eye, except she never caught anyone’s eye, but her dads and that’s only when she made him do so. -This sentence is a run on and unnecessarily complicated. Try something like, Her face glowed the color of a candy apple red sports car. If that car was speeding down the highway, it would catch a cops eye. Unfortunately, she never caught anyone's eye, except her father's and that only happened when she forced it.

She thought to her self was it my fault? - Herself is one word

Why is my life so bad like this? - Try.. Why is my life like this? Why is every so bad?

I have lost my mind; it’s been gone awhile. I've lost my mind. I lost it a while ago.

Then she realized and shouted, “ I have lost my mind dad! I have! Its been gone a while, I don’t have any memory of it, I don’t even know if I ever had one.” Try- With this realization, she shouted, 'I lost my mind, Dad! I have. A long time ago. I can't remember a time that I had one.

And slowly he sits down head in his hand he just says - Eliminate the word And. Slowly he sits down, putting his head in his hands and says,

“ I know I don’t where I lost you, I don’t know what to do but yell at you and try to drill it in your head- End the sentence here.

I should have done better when you where younger and now I’m just a horrible father - End the sentence here.

I’ve failed you, I’m sorry.” This needs to be fixed. I've failed you. I'm sorry

So they just sit there trying not to make I (eye) contact as she just says Pay attention to structure. Sitting there, in silence, neither willing to make eye contact, she says


“ I’ll go now - End of Sentence

I’m sorry - End of sentence

I’ve failed you as a daughter.” I've failed you as a daughter.

So she goes and she washes the dishes. - She looks at him, turns, and goes to wash the dishes.

This would be a nice journal entry. In your effort to sound real, don't sacrifice form, clarity, and function.





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Review of Luthor's letter  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 18+ | (4.0)
This was very interesting. It would make the jump to a bigger work very easily. The only thing I noticed is that when you're striking your conversational tone, you add unnecessary words that detracts a little from the upscale style. I like the way its blended and how it flows like a stream of consciousness. It's very good.


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Review of Mind  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 13+ | (3.0)
This is an interesting vignette. Even as just a paragraph, though, it needs to be polished. You should also pay close attention to word choice when you're writing a piece of so few words. To end it all with 'bang' is a little on the infantile side, there are other words that would emphasize the ending more. Any time you write very compact stories like this, you should keep in mind the strength of the word you choose. Get the biggest 'bang' for your buck so to speak.


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Review of Expensive Secrets  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: ASR | (4.5)
I admit that as I started reading this, I wasn't expecting the ending. It's a fine bit of political humor. In fact, it's the sort of idea that would work well in a longer story. Putting rare coins in a certain slot machine as payment. Very clever. Well Done!


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Review of Introduction  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (3.0)
I started reading the actual piece that you wrote from this. It wasn't an easy read for me, but I'm not everybody. I will caution you though, when you twist a story around an existing event or in this case an existing myth and use the names of gods and goddesses, you have to adhere to certain truths. You can't just borrow the name unless you actually introduce that as a borrowed name. It's a tightrope you walk. You will always have purists out there who will take issue with every point that strays from the original myth or belief.


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Review by Kassimel Author IconMail Icon
Rated: 13+ | (3.5)
This is very nice. The meter stutters in places, almost tripping over the words to force it into conformity. Sometimes, its better not to count feet and to adhere to traditional definitions especially when flow is sacrificed. Pieces like this have a natural rhythm.


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Review of Pain  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 13+ | (3.5)
This is interesting. You need to capitalize the first word. This reads like modern prose. It also feels like it needs a bit more body. It needs to feel more personal. Something that you create to illustrate your point. The sentiment that wraps it up, is strong but it is a jump from what you've written before. You want to offer something that will make the reader see the validity of the conclusion.


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Review of The Cavern  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: E | (1.5)
This reads like a synopsis of a Goosebumps book I'm not sure what you intend this to be. If this is supposed to be a short story it falls far short of the mark. It's not prose either, the language is too basic. I think this would make a good cautionary tale if you bothered to write it.


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Review of My Dad  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: ASR | (1.5)
Did you forget the rest or is your description off? It seems to me that she hasn't interacted with her father at all, just someone who winds up driving her, a brother perhaps? If you are trying for an emotional vignette, you need to make it a little longer. Have the bulk of the dialogue between the father and daughter.


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Review of Its Just Us  Open in new Window.
Review by Kassimel Author IconMail Icon
Rated: 13+ | (1.0)
I'm not exactly sure why you posted this. Is this an intro to a deeper soliloquy? If this is a personal message to a specific person, it should be private. If you're attempting a rant, you need to expand on the idea. You could also make this into a letter. That would make more sense. As it is, it reads like a text.


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