AUCH, RELAYING THE PAIN OF EVENTS IN SUCH A GENTLE DESCRIBING WAY DOES TOUCH HOME COMPLETELY, STRONG AND RESPECTFULL WRITING THAT TAKES A FRESH AN DEEP ANGLE AT THE IMPACT OF THE DRAMA WITHOUT FOCUSING ON THE TERRIBLE ACTION BUT RATHER ON THE BEAUTY AND THE PROMISE THAT IS SWEPT AWAY, YOUR NARRATIVE STANDS OUT
QUITE A STRONG WAY OF DEALING WITH THE PERILS OF LOVE BY NURTURING ITS ESCENSE, QUITE WELL PUT, YET IF YOU ALLOW ME A SUGGESTION, HOW ABOUT " THANK YOU FOR HELPING ME SHINE BRIGHTER, AND MAKING ME A FIGHTER", SORT OF ROUNDENS THE FEEL MORE
apart from the christ reference in the epilogue I truly and utterly must comiserate with you, though in fair truth must be said 't is always been so that the masses were uncultured, they now merely speak so loud their rantings all but overpower the ear that seeks a finer tune
Pas mal monsieur, première pièce en français que je retrouves sur ce site, quand-même quelques petites erreures, "Vous continuez à acheter", " Et nous vous avons, avec ce pub, harcelés","Vous réalisez-vous que...", "Vous n' auriez rien changé", le thème est simple mais bien construit, choix de mots est bien aussi, à votre bonheure si vous gardez l'espoir de changer la bête humaine en écrivant
rumbling tumbling feeling due to the quick one on one rhyme, works like a charm, real neat treat, doesn't feel dark or death related to me though, rather the opposite even, even if some lullabies can make you feel like eternally relaxed, this reads full action
man what a blues tune, grab a guitar and give it some twelvebar yeah, good rolling rhythm, rhymes without rhyming, classic buildup in verse and chorus, always an achievement to write on those things that lots o' people feel in such a way that it leaves the reader feeling understood and with little to add, great
perfect yes, written like a snapshot or a tender wee charcoal drawing, describes that everturning moment of human ressurection in due respect, hail to the phoenix
look through the window, step through the door, don't try it the other way round though, I definitly like the way you bothered to put the intonation and cadance into your editing, works well to lighten up the words while the story goes dark, hope your writing gives you a better window and a door to the world, though changing is like dying, you don't have to die to expand your world
ok, bit of a strange read in the way it's put on paper, rhymescheme works though four lines on the same sound is a lot and tends to cramp the style a bit, message is as bent and curled as the corridors of the mind themselves, quite open and moving, neat writing
absolutely gorgeous story, reads like a bowl of cream, fluent in storyline, wording and phrasing, without much description the characters and circumstances really come to life with due attention to the full wheel of emotions,ending of course in love, brilliant
good to see someone still likes a purity of heart and mind, quite enjoyable lyrics, as the holiday madness turns to its halt, this is exactly the contemplation on many minds, as for the writing itself, technically classic, good choice of words, no overdone rhyming or exaulted emotional appeals, it reads like a flow of consciousness that strikes a true chord, please don't excuse yourself for singing, the birds don't either
good fckng laugh of a peeping story, no hickups anywhere along the line, brief setup, obvious layout, works like a charm, neat capture of the moment of loosing your "emotional virginity" without going of the rails or loosing the line in overexposure; hearty, physical and fun
in the cadance of the poem, have you tried in the last line " always lies within the name"? excuse if it sounds impertinent to suggest any alteration, it's just to my mind the line rolls better that way. all in all good poem both in content and in phrasing, breaking each line in halves, sometimes adding, some juxtaposing, it's got character and wit
mind over body, body over mind, gorgeous the way you alter the position of character and emotion in every stanza, good fluent lines, not a word missing to wholy capture the scene from all angles, good balance in physical and emotional, action and reflection, only to end with the darker truth that in general it's the female that holds the dominant sex soulbound
hai, the way your bringing this forward sure sounds like fun, I feel like writing straight away, nice run through of the setup, just why does it say closed in the title? also you state an entry date of januari first and further down august the first, which is correct? sure like the wording and the pictures mixed in, guess I'll steam something up
hai, as I see this post goes back three years, which leaves me wondering how you feel about things now an whether you lived up to that commitment. as far as the poem goes, the raw description is best in scenes like this, your writing this down this way does however reflect more on your feeling about this than it actually says about the man in the picture, which touches on the fact that there's actually two problems bout sleeping rough, one in the experience of surviving out there, the other, quite different, in the eye of the beholder
hai, ain't nothing icaruslike in wanting more out of life, it's a pure survivalist trait I feel, indeed it's mainly the well off that claim poverty don't hurt as in you can't miss what you ain't got but hey, if I feel like painting but can't afford a fresh canvas till the next paycheck comes in, I feel like it's waisting precious quality time, ain't no sense in claiming only money makes you happy but a lack thereoff is hardly gonna help. you wanna get some discussionforum goin or just want some response? as far as your writingstyle goes, can't really put a review on this
wow, great fun. quick and decisive layout of storyboard and characters, straight description of characters and interaction, differing between the good and the adversaries, gives off the smell of adventure from the first line. in your starting alineas however it wouldn't hurt to swap some commas for full stops. further down a few hickups; in the introduction of moon, his arms were cover...ed , three sets ...of... vocal chords instead of 'if'; in the description of pilth, last line of the alinea, he would...have... added a few words. great the way you bring your characters to life with short bits of background info combined with bits of realtime action, the annotation" it is possible to fly angry" however would more correctly be "angrily". in the ghoul scene, " to pull it...'s... arms", "pilth caught up...with ... them" rather than 'to them', necessary rather than nessasary, and last, in the zombie part the words drawback and overcome can be written in one word, got the rest of the story written down already? quite enjoyable, hope this review is helpfull to you
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