Excellent draft. A lot of emotional resonance, especially for being so short. Characters are likable. Poignant. I'm offering a review with the hope that you will expand this a little more. 750 words is too constraining.
I think the dialogue needs to be clarified: he said, she said, etc. try mixing in the action with the dialogue a little more, so we get a stronger sense of time advancing. Blocks of dialogue followed by a short action sequence gets a little boring.
This piece needs more details and setting. Setting isn't just a static thing you can brush over, it's a character as much as these kids. And fleeing in the night to their old home? Oh, the possibilities. Concrete, specific details amid a larger, sweeping description will make the setting pop, create ambience, ramp up tension. It was somewhat difficult to figure out where everything was as they were leaving their house. I'd like to see the neighborhood, the condition of the their house, what floor are they on? An 8 year old jumping from a second story window seems really dangerous. But using a rope made of his father's shirts (nice touch, btw) seems a little overkill for a first floor escape for a twelve year old.
I like the beginning dialogue, but I'm not sure where it belongs. I assume it's between the absent (or dead) father and Erin, but it's not clear, and I'm not sure you necessarily need it there. As it's written, we think Joey is dreaming about the father and girl dialogue.
Instead of dreaming about the beating and thus only alluding to it, why don't you show us? Maybe he wakes up and he still has a bruise on the side of his head, or a black eye or something.
We don't need the explanation that he loves his sister or that it grew like bamboo. Show us in their dialogue, their rhythm and timing together. They don't have to be gushy, but showing us how they interact goes a lot farther than telling us. Show, don't tell.
There is a lot being worked out here between the characters, which is why I suggest forgetting the word count and just writing this. It's a wonderful story and premise.
I'd like to see solid scene building with setting, action, ambience, mood, exposition properly inserted. There's a lot of history here, and while we don't need it all, it has to feel like they've been through it.
Here's a big suggestion, and disregard it if you want. But Joey's 12. As a coming of age piece, as a step from innocence to adult(and man)hood, I think he needs to be more skeptical. Maybe they bicker about their beliefs as older brothers will. Maybe he's even a little mean. But the fact that he comes along with her shows us that he's not ready to be the cynic just yet. What you have is marvelous and beautiful, but I think it needs to be more grounded and a little darker. I realize that he's being physically abused, but I mean darker in the sense of what a physically abused 12 year old feels.
I love Erin. She's a fabulous character, and she works so well as a foil for Joey. I'd like to see that explored more--their dynamic, how he affects her, she affects him. But keep us with Joey... he's our protagonist and he's a good one.
I'm really against the kind of ending you have right now, with the newspaper article. I think they're contrived and forgettable, and this piece shouldn't be either.
So how to end it? By the time they reach the house, the tension and the dynamic of their escape should be reaching a fevered pitch. And who cares if the train comes, if they disappear? Does it matter? What's getting worked out here is their desire for freedom and escape from a crappy situation. Maybe by then they've argued and Joey sees his childhood falling away as he has to face a world without magic and fantasy that Erin still has. Maybe she tells him to listen for the train. And maybe he does, and whether or not he hears it is beside the point entirely. It's a big moment. But that realization that he's grown and has to face these things is the climax.
If I'm describing a story you don't recognize, I apologize. But I think that the story is, at its heart, a story about a boy who's growing up, who loves his sister so much that he'll put aside the realities of his life just to take a chance with her, and FOR her. And isnt' that what being a grown up is about? You've got an amazing setup here, and I envy it so so much. No, I won't steal it, if that crossed your mind. But I think you can go so much deeper and farther with this than a 750 word flash fiction piece. |
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