Love and Death Sestina for Writers Cramp |
An old man still in love Despite having grueling work, Still managed to find time to play Loved to spend his nights eating. A delicious dinner with his wife before sleeping. Hoping that would not be the day he dies. But he thought if he were to die, Perhaps he would soon see his love Thinking of his love as he fell asleep, For lately he had been consumed with working Barely having time to eat Not remember the last time he played. Remembering that he loved to play There were many games to play before he died. Many more meals left to eat as well. Perhaps more women left to love, If only he could quit working And finally, get some much-needed sleep. went As he fell asleep The recalled the games he had played Before he ends up almost working To an early death Recalling all he had loved, And all the great meals that he had eaten, He woke up hungry ready to eat Afterward, he fell back asleep Filled with memories of his lost love And all the games he had played So more to do before he died Thinking again he had to quit working. He woke up dreading going back to work But first, he stopped off to eat A final meal before he died In the afternoon he took a long sleep Thinking of all the great poker games he had played Filled with memories of his lost love. Filled with thoughts of love he went to work Thinking of playing a game of poker while he ate He went home, fell asleep, and woke up dead. My prompt words Loving Working Playing Eating Sleeping Dying Line count 39 Note: the form is fiendishly difficult and I am not sure I nailed it. It took me a long time, to try this one. It is a form you have to dare actually. The Sestina. My dear friend The Milkman sent me the following explanation: Sestinas from Miriam Sagan(Writer’s Digest July 2003)An excerpt of the article The sestina may look like a difficult form, but don’t be daunted---it is very rewarding to write. And the deck of cards makes it easier. The sestina has six stanzas of six lines, with an ending tercet(stanza of three lines). To begin the process of writing a sestina, you need six words that will repeat as end words in a fixed pattern. The repeating words do not have to recur verbatim. Variations of the words are OK. So randomly pick six words from the deck. Or you can choose six words you think will work. Go for a mix of easy and difficult. Don’t try to cluster six vocabulary words that go together--- the sestina is about leaps and bounds as well as cohesion. You may want to use words with variations, and some words that can double as nouns or verbs. Homonyms are good choices as well. Here’s a grid that shows how a sestina works. Each letter refers to the ending word of one line, and each stanza has six lines. Each ending word appears exactly once in each stanza, but never in the same position. Stanza 1: A, B, C, D, E, F Stanza 2 F, A, E, B, D, C Stanza 3 C, F, D, A, B, E Stanza 4 E, C, B, F, A, D Stanza 5 D, E, A, C, F, B Stanza 6 B, D, F, E, C, A Tercet: Line 1 AB Line 2 CD Line 3 EF in the ending tercet of three lines, words A and B must appear in the line (with A placed about midway in the line and B ending it); the second line must contain CD, and the third line, EF. At this point, however, many poets run the words in any order they like---and you can too. This tercet is sort of a free summary after a strict form. The easiest way to start writing is to set up your words on the grid, write the first stanza, then flow as the pattern dictates. Obviously, some of the pleasure here is in following the form, some in modifying words you feel the need. |