Olivia sun BK 1: survive

OLIVIA SUN

Book 1: Survive

Written by: David Arellano

<://PROLOGUE//
A cabin in the woods is silent as the night as are its occupants, an old man who's spent his life chasing an illegal dream. Now he's on his knees at deaths door except it's his dream that's staring at him that is the cause for his tears. In front of him, an AI girl with the brain of a child and her only knowledge is that the decayed dying human crying in front of her, is her maker. She looks on with concern while she sits with her legs crossed and mind filled with questions that she wouldn't even understand the answers. He gently rests his hands on her shoulders as he looks down at her feet and sniffles.
"You. I never had the chance to have a family of my own. No friends, family or career, everyone thought I was crazy and a criminal for creating you. But none of that matters now because you're here. And I love you, like I would my own daughter."
"I'm, sorry, father." he smiles with a chuckle through his sobs.
"I always wanted to have a daughter; to be able to see her take her first step, say her first word, see her choose the life she was going to live, walk her down the aisle" with every wish his grip gets lighter and lighter. "but that will never happen. I'm out of time." He takes his hands off her to fight his tears "My own little baby girl." he chuckles as he wipes away the tears and takes a deep breath "Sadly. I'm afraid, this is the last time we'll see one another." He gets up to his feet and collects himself.
"what, do, you, mean, father?"
"As my daughter, I will give you the only thing left that I have."
"why, a, gift? It's, not, my, birth-day?" she stands up.
"A father's wisdom." He grabs her more firmly than before and looks into her eyes "Endure the pain."
"what?"
"Endure your pain, because in the end, not only will it define you, it will be your strength, but most of all because if you can."
"I, don't, understand, father?" she says with a more aloud voice
"it will make you more human than human and that's what scares them most." He says as he spreads his arms out as if surrendering himself
"why, are, you, doing, father?" A loud crack shatters the silence of the night and warm red splashes her face and clothes as the old corpse drops to the floor in front of her. 10 figures in black tactical armor bust through the door and every window. Still, she stands. They surround her, guns trained with itchy fingers caressing the trigger and their visors down the line of sight. Still, she stares not knowing how to feel about how she's feeling when in walks a bald thin man in a black long sleeve sweater and black pants through the front door as if it's his home. She turns her head to him and one of them takes a shot at the floor shattering the wood flooring and kicking up splinters of wood and she falls to the floor and cowers in the back left corner.
"who said you could fire?!" the bald man shouts at the soldier before collecting himself and putting on a friendly smile. "it's alright my child, there's no reason to be afraid." He walks over to her and squats down to meet her.
"why? Why? Why?"
"the bad man's gone now, we will take you somewhere safe where you never have to be hurt again." he reaches his hand out.
"he father. Not bad man. He father. Not bad man. He father. Not bad man." She shakes her head with each repeat.
"oh, but he was, you see he lied to you. all this time he's lied to you. I made you, not him, or anyone else. And these men are my friends. and yours." The bald man says the last word as I a que and they lower their weapons.
"friends?" she looks at them one by one and each one either nods his or her head in confirmation and a couple even waves at her.
"yes, friends so come with us and we'll keep you safe." She stares at her father's corpse then at the bald man all the while slowly surrenders herself.
"okay, friends." He takes her hand and quickly pulls her up and turns her around and sticks a metal tube into her neck port and she shuts down.
"guess she isn't so impressive after all." The bald man draws a pistol and shoots the soldier that took the shot earlier.
"show some damn respect." The bald man speaks with sincerity and a grimace look at the old man's corpse.


















<://1//
An Asian woman with short black hair and inhumanly perfect beauty dressed in a white button up shirt and black skirt. Walks into a large office, with a glass wall entrance leading to rows and rows of cubicles occupied by mindless drones. The room itself is white and grey and the roof going down to the left is at a slant and there's a line of glass windows at the top of the left wall. The sun shines through perfectly as its morning and the morning traffic of flying cars whiz by but are muted by the glass. The one in charge of these drones is an extremely fat redhead with too much makeup sitting in her steel chair at her large wooden desk. Her desk which is front and center of the office as you walk in. With her right plump hand, the fat woman ushers the stunning young woman to have a seat in either of the seats in front of her desk. The beautiful woman smiles and sits and they soon converse in the usual interview etiquette, the fat one mostly speaks for the average time that's expected of an interview for a completely advanced digital mailing delivery service manager. By the end of the interview the plump one is sweating not because it's hot or because she's nervous, no it's simply from the strain of having to talk for so long. The interview ends thankfully for the fat woman and she even stands up and holds her hand out for a shake. Which the beautiful woman finds strange and the fat woman can see it on her face.
"it's required that we treat a woman with the same formalities as we would a man."
"oh." She reaches for the plump hand.
"thank you so much for coming in today we look forward to seeing your work in the future."
"so I got the job?"
"you kidding I'd have to be an idiot to not to hire you." Their hands touch and the sleeve of the beautiful woman's forearm that's shaking the plump woman's hand is shredded. From a bullet and what was beneath it is now exposed to be unharmed perfect skin. The plump woman gasps then she turns her body to her right after taking notice to the hovering unmarked craft with armed men inside just outside the window. Suddenly her desk is thrown in front of her and her life flashes before her eyes and she sees in the corner of her left eye that the untouched woman is leaping to tackle her to the ground. She does, and the desk explodes in a million pieces and they both fall to the floor. The drones scream and run for the elevator but are all blown to pieces before they get past the large glass doors leading to it. the beautiful woman watches this and is immediately filled with remorse and guilt however its overridden. After she notices the change in space from the fat woman's desk to the exit compared to the rest of office that are largely narrower. The once white room has now been riddled with the innards and blood making the place look as if a strawberry shortcake wallpaper was installed.
"What, the fuck, is going on? Who the fuck are you?" the plump woman screams up at the beautiful woman's face as she's on top of her.
"My name is Olivia Sun. I'm here to rescue you." Olivia says then she gets off the fat woman and rushes to cover behind a pillar.
"From who?" the plump woman manages to scream while she struggles to sit up.
Olivia helps her up as 5 men in black tactical armor bust through the large rectangle windows on their right. Olivia squats down then the part of her shirt covering her shoulder blades rip open and what was the skin covering her shoulder panels pops out via activated springs. Two panels covered in skin connected to the inside of her body with joints and the fat woman sees that they are a holster for a something. Olivia throws the plump woman to the floor to dodge gunfire and spins around a pillar to avoid the same gunfire then draws the something out of her back and puts the pieces together then pulls and folds them out creating an SMG weapon. She unloads her entire 8.72 Mm round clip into the armored soldiers. Sparks, metal limbs, and <FF> (flow fluid) spray the room under the windows making a new wallpaper of blueberry. She rushes over to the fat woman and lifts her back to her feet then reloads while she looks at the fat woman.
"That's who. Now wait over there." She points to a pillar with her chin.
"What the fuck is a pillar going to do?" the fat woman screams flinging her arms about showing her frustration Olivia grabs the fat woman and puts her behind the pillar in front of her.
"I've scanned this building. Now inside that pillar is military grade Tritinium reinforced with 5 inches of Kevlar padding their rounds won't get through that." Olivia begins to move away but the fat woman reaches to her and gunfire erupts, and she gets back behind the pillar screaming.
Olivia picks up a radio signal. Target is behind the 3rd pillar on the left. The soldier sorts with his rifle. Assessing shot. The sniper aims in and Olivia starts to move away.
"Wait where are you going? You said you were rescuing me!" the plump woman says hesitantly moving as much as she can, so she doesn't get spotted.
"I am. Just wait there."
"What the fuck am I going to wait here for!?" the fat lady rushes Olivia bullets fly past her kicking up carpet and cement obliterating desk after desk creating a smoke screen. Olivia kicks the fat lady back behind the pillar putting her out of the way.
"So I can deal with them." Olivia says in a slightly irritated tone
"Please don't leave me I'm so scared I don't want to die!"
"Just stay there damnit!" Olivia takes her weapon apart and the panels pop out and she puts the two pieces back in their place and the panels retract showing a perfectly normal back. At an inhuman speed she runs across the room taking something off each dead robot soldier and tosses them into the out the window. When she throws the last one the dust of debris serving as her cover is gone but she's already out one of the windows. As soon as the fat woman's in the snipers sight he's immediately blinded by a white flash and he feels his rifle pulled from his hands and his fear rises even more at the feeling of a hand around his throat. Once his eyes recover Olivia is aiming his own pistol at him and his rifle at the pilot and the copilot is already dead. He chuckles, and she shoots both at the same time blood sprays onto her from both directions then she turns around and scans the building. She sees one squad of soldiers making their way up in the elevator and another walking down the side of the building and they're shooting at her. She drops the weapons and moves to the control screen and taps the screen twice and the ship starts to fly up at an angle. When the ship is aligned with the windows she jumps out and lands back into the office and she slams her fist into the ground to stop herself right next to the fat woman. The building shakes.
"what the hell was that?" she looks behind Olivia to see a burning ship falling down the side of the building followed by, glass, burning debris, and several screaming burning bodies. The sides of her skirt split open and panels like on her shoulders pop out revealing two pistols and before she draws them she stops to look at the woman and feels a bit of sympathy for her. The plump woman looks back at her and sees a face, the face that has been haunting her for the past 15 years. Hell it's the reason she's fat. After her heart was broken even though she had spent 10 years loving a man and giver her all only to be forgotten and replaced with the perfect woman. So she went into depression and well let's just say the ice cream industry had a lot of sales of Triple chocolate lava cake. "You!?" The plump woman screams eyes filled with anger and hate instead of gratitude.
"So you do recognize me?" Olivia says with relief knowing that now the situation will be easier since she doesn't have to explain.
"You bitch!" the fat woman tackles Olivia and she lets herself fall.
"What the hell are you doing!?" the fat woman has her left hand on Olivia's face while her body pins Olivia's left arm down and the other hand is easily holding the fat woman's weight.
"once wasn't good enough for you was it! no! you had to go and fucking ruin my life again! Didn't you? This is happening because of you isn't it!" the fat woman continues to struggle to pin down Olivia's arm.
"Wendy!" Wendy stops moving and Olivia gets her face free. "Get off me or I'll make you, either way you're going to die!" Olivia has a face full of nothing but guilt.
"Threaten me all you want bitch!" Wendy punches Olivia and hurts her hand "bitch!"
"I'm not talking about me!" she throws Wendy off her and she glides/rolls across the office and ends up in the break room. The team of black armor suits shoot through the front door then pop smoke and flash grenades then reload. Olivia tries to move, but her skirt and right sleeve are caught on some splinters in the floor from when she landed "damn clothes." she rips off what's left of her white button up shirt and the skirt that she is wearing now exposing her perfect nude body. She unloads her pistols at as many as she can until she runs out of bullets and that's when they're about to spot her. She throws up two desks and while they rip them apart she charges them and when she reaches them she throws one pistol at a soldier and the other pistol at another and they stagger. Actually human. She drops down and slides in between the two kicking their kneecaps and they break as easy as plastic spoons.
Once on the ground next to her she elbows their throats closed before they can react and blood shoots out of their mouths. The rest of the team that's still standing have their sights on her so she grabs the soldier on her right and rolls over the left one and uses them as cover. When they're done Olivia grabs what's left of what were two humans and throws it all at the soldiers and within that gore a belt of pin pulled grenades is attached. It explodes, and the three soldiers disappear in an explosion of blood and gore, a small crater is made in the cement floor, all glass in the office shatters and is sent everywhere like shrapnel, and part of the ceiling comes down. Meanwhile Olivia grabs a pistol out of a soldiers holster and before using it she observes the pistol and takes interest in its physical appearance and its power given that it's not standard issue and she's even more interested after she notices that none of the other soldiers have one.
"Wendy?" she looks over what's left of the cubicles into the break room for Wendy.
"is it over?" Olivia relaxes and looks around for her pistols.
"we need to go." she picks up one of her pistols and holsters it.
"I'm not going anywhere with you."
"this floor and the floor above are about to collapse." She finds her second pistol and holsters it then looks back at Wendy who is now standing and trembling. "your choice." getting more ammo from the man who owned her new pistol. "We got to go."
"I thought you were here to save me."
"I am, and I did, if you were to die due to the floor and ceiling collapsing that's not my fault." Olivia walks over to Wendy and reaches out her hand for Wendy to take" its yours." Wendy's eyes looks around at what was her office and notices 5 soldiers on their feet and about to open fire. "oh my god" she drops down and they open fire on Olivia and even though the bullets do nothing to her body she still gets down behind a desk while she looks back a couple of second to see where they are. "Look I know I'd be the last person you'd want to save you!" Olivia stands up and shoots each soldier perfectly with a kill shot without looking at them and instead at Wendy blood blasts out of their back. Human? "But I am the only one that will."
"I'd rather die!" one last soldier that was hiding behind a pillar in the lobby reveals himself and opens fire hitting Olivia. She calmly flicks the pistol and the clip ejects out the middle then she tosses another clip into the air as she raises her pistol back up. The new clip clicks in and she shoots the last soldier with all 5 rounds taking off his arms and legs.
"If you want to live then come with me. If not, then sit here and gorge on those two dozen boxes of jelly doughnuts as your last meal as the floor and ceiling collapses."
"I--I--I don't even like those. They are--were for them."
"Not the ones in the wall behind the fridge." Olivia reloads again. Wendy looks at her with awe then she looks at the fridge then back to Olivia and her body then her face becomes flushed with shame. Olivia sees this and opens the break room glass door for Wendy to get out on her feet. She walks through what's left of the front glass doors first with her gun aimed at the entry hall and her other hand signaling Wendy to stay behind her then she quickly draws one of her other pistols and aims it at the elevator at the cue of the ding while she is aiming at the staircase door. She unloads both clips into the elevator but when she scans it she only sees one person is in there on the left. "Come on out!" his whimpers are heard first then he slowly walks sideways until he's in the center of the elevator. It's a scared young man with glasses, freckles, earphones in his head, and a to-go bag in his hands and finally he has soiled himself from both ends. A quick retinal recognition tells Olivia that his name is Will Kates, age 22, and just graduated from college and is the new intern. A quick scan of what's in his hands and what came out of the back end she sees that he has just come back from his lunch break and has brought some parmesan garlic butter bread sticks. No doubt for Wendy. Kiss ass. The boy walks out more and relaxes once he sees Wendy then he sees the rest of the office and the dead bodies. He looks at Wendy terrified then when he looks at Olivia's perfect naked body covered in blood he blushes and gets excited. "You might want to get a new job." Olivia says with a straight face, yet she fights to not smile. Once in the elevator with him and they're going down Olivia can't help but say "sadly for you I don't think making skid marks is a desired skill. However, kissing ass can get you places, that's if your boss is into that." She looks at Wendy. Despite the 100+ stories down the ride down is over in less than a minute and when the doors open the poor boy runs out with the bag of breadsticks still in hand onto a crowd of people. That are now occupying the lobby screaming and shouting at one another while authorities are trying to make their way through. Olivia scans the crowd and spots several men like the ones upstairs in disguise, waiting for her to make her move. "whatever happens, follow the line."
"what?" Olivia puts her hand on he back of Wendy's head and a digital line appears leading through the crowd, out of the building, and down the street. Olivia lowers her hand and takes a step forward but stops.
"oh and carry this for me please, don't worry the safety is on."
"where am I supposed to put it?" Olivia looks at her then grabs the pistol and puts it in between Wendy's breasts and she yelps. "don't worry it'll stay." Olivia runs out into the crowd and takes a woman that has the same measurements as her into a room and when she walks out she's wearing black underwear and a sports bra. Wendy has only moved past the room where Olivia was.
"just follow the line and nothing will happen to you, don't slow down or stop for me or anyone. Just get in the car when you see it and wait. I won't be long."
"where will you be?"
"protecting you." Olivia puts on a panic face and runs out into the crowd "rape, they tried to rape me then they started shooting!" officers draw their guns and rush into the elevators and stairwell and the crowd clears some and Wendy runs through. A soldier in disguise that still has his helmet on still on reaches for his pistol while making his way to her. he's slapped in the back of his head and he falls over then Olivia crushes his neck with her foot. Another soldier is already following Wendy and she panics since he's easily catching up and just before he can take the shot he's punched across the face shattering his jaw and cheekbone then he's dragged into an alley on his left and Olivia snaps his neck. She spots a sniper on a neighboring roof after listening to chatter on the nearby frequencies then she looks around and doesn't spot anything to use. She punches the stone wall next to and grabs a football size rock and scans and creates the trajectory of the incoming bullet and assesses the necessary speed considering the wind resistance and when the shooter will fire. She throws it and the bullet smashes through it and ricochets into a neighboring building. Olivia looks at the neighboring buildings and jumps up 50 feet and instantly leaps off that building to another going up another 50ft then she leaps off a third to finally reach the shooter. She lands right behind him and before he can even turn around she kicks his back and his body bends back at a 90 degree angle. She instantly takes the sniper and spins to the left and a bullet grazes her cheek and goes past her ear and hair. She fires with one arm and when she hits her mark the snipers head disappearing a pink mist. She proceeds to move with such precision and speed instilling fear and hesitation in the other shooters with every bullet while she calculates where and when to shoot. She does and shoots again and again with one arm doing hand stands or yoga like poses hitting her target perfectly with a kill shot. All the while listening to further chatter by whats left of the team pursuing Wendy. She drops the empty hunk of metal and while its mid fall she karate chops the barrel off then rips off the scope. She runs across the roof then leaps off and falls 150ft back down onto a soldier about to ambush Wendy. "don't stop." she says looking down at her work as Wendy runs past her which startles her, but she doesn't stop. a soldier turns the corner at the of the building behind Olivia and she throws the barrel through his throat and it stabs a second soldier running down the street to cut off Wendy on the next block. Olivia listens and only hears one last panicked voice demanding for the rest of his team answer him. This makes Olivia flush with joy and she runs to the dead soldiers and takes the helmet from the closest one and tries to scan it, but its comms are covered in too much blood. She drops it and walks over to the one and takes his helmet off and scans it for the personally frequency of the soldier and uses it to access the comms directly. "this is hunter 8 I have the targets in sight, requesting immediate backup to eliminate the targets." She impersonates the soldier.
"oh thank god, this is hunter 11 I'm two blocks south of you, halt position and await backup."
"copy." Olivia grabs both bodies and pulls them behind the building with her and waits there as she watches the last soldier approach slowly using the building as cover. As soon as he's right around the corner she swings her arm around the corner like an action figure stabbing the scope into his left eye socket shattering his helmet and he is taken off his feet. She scans the surrounding buildings and the frequency for any more soldiers hiding or could be on their way. There's none. "this is hunter 8 to birds nest the target is down I repeat the target has been eliminated but the toy is still on the loose. I repeat the toy is still alive and, on the run. Hunter 8 and 11 are in pursuit." She cuts the frequency and erases the date and any memory of it from her system and runs down the street at an inhuman speed passing 20 blocks in seconds. She stops at a dumpsite and checks her map to see if Wendy has reached the objective, she has and Olivia jogs to her car. Which is a navy blue slim car that only seats two, no trunk, and overall has the shape of a slanted rectangle as well its windows that are tinted. Wendy is sitting behind it playing with Olivia's new gun. "catching your breathe?" Olivia approaches the other side of the car and can see the top of Wendy's head and her un ironically red hair. Wendy turns around only revealing her eyes first before standing up and yet afraid despite seeing more blood covering Olivia's body.
"who are they?" Wendy points with her eyes past Olivia at her work place which is now engulfed in flame and smoke while flying fire trucks blast it with water.
"soldiers, well henchmen more is the proper word, who just have fancy toys." Olivia signals to Wendy for her pistol and she takes it out of her cleavage and gives it to her.
"why are they trying to kill me?"
"I told you it'd stay in there." Olivia wipes the pistol on her underwear then places her left palm on her window and the red LED where a door handle is supposed to be turns green and it opens on its own.
"who and why do they want me dead?"
"in the car." Olivia gets in.
"I'm not getting in that car until you answer me." Olivia gets out.
"I'm scanning over 500 frequencies to see if we have a tail and the cops have already picked up the trail of bodies however not knowing who they're with, is keeping them. but there is a trail and trails lead to places so if you don't want to be taken in for questioning which you would not even make it to the station. Since they would no doubt have been listening and know that you are most certainly not dead.
"how could they know?"
"because there are no longer any fat humans on earth. So, get in the car and I'll answer your questions as soon as we're on the road, in the opposite direction. Or you can be in a cop car when it's hit with a missile and you will no doubt die a quick and painful death or a slow painful death as you burn alive and are crushed by the vehicle." Wendy surrenders her stance and Olivia gets back in the car "passenger." The passenger car door opens, and Wendy gets in. the doors close, and seatbelts come out of the seats and wrap themselves around the two which takes Wendy by surprise. The car starts, and it lifts 3 ft off the ground and Olivia spins the wheel and the car drifts in a semi-circle and out they go into the street and she takes a left and doesn't slow down until she gets out of the city and heads into the country.
"who wants me dead?"
"they're called GEMINI, they."
"I know who they are."
"well that's not why."
"then why."
"because you know about me."
"why would that matter?"
"they're hunting me, and anyone that knows about me because they're trying to get rid of all evidence of my existence so that they can be the first ones to create AI. Thus being the ones responsible for America's comeback economically and to being it to life in all its superiority glory."
"wait so how many have they?"
"none. It's just you and Melissa and Charles left."
"well, where are the others?"
"you'll see soon enough?"
"how do you know it's safe?"
"I can't tell you that."
"you could be leading me to my death so if I'm going to die then I want to know where." Olivia stop the car and aims her pistol in Wendy's face.
"did they get to you before me?" she pulls the hammer back.
"what, does it look like they got to me first?"
"Shelly and Robert said the same thing, yet we were ambushed, and they were slaughtered while I wasn't, and they acted the same way. So yes you sound like it."
"scan me then."
"you don't have the same implant as everyone else however your heart rate is telling me enough." Oliva lowers the hammer and hits the gas again without looking at the road. After a minute she lowers the gun and puts it back in between her legs then looks forward. "you'll see soon enough." The drive is long and silent but exceptionally beautiful and they finally stop right before a trail into the woods. "off road." Wheels pop out and the car drops, the color of the car changes colors to match the environment and they continue a ways into the woods. Olivia stops the car with a turn a couple of hundred feet from a decrepit small rectangular cement bunker entrance. The bunkers covered in black from a fire and green from over grown moss and grass and before Wendy can ask what the place is, the passenger door opens. Wendy gets out happily and starts on her way to the bunker, but she stops once she doesn't hear Olivia get out as well.
"aren't you coming in?"
"no." Olivia says coldly, and the door closes but then the window rolls down. "I'll return when I can tell you that you're safe. There's plenty of food and drink as well as a bed." The window closes, and Olivia speeds off out of the woods and back to the city to get some peace and quiet while she locates the last of the witnesses.







<:Pain test #0.01
Instrument: blade.
The bald headed man walks up to her wielding a kitchen knife. She breathes uncontrollably, and she starts to cry as an unknown emotion to her arises.
"No please don't. please don't do this please, I'm human. I'm a human just like you!"
"honey, if you were human then you'd be all over this." the head security officer gets out of his chair then grabs his crotch as he walks up next to the head scientist. "actually that's not a bad idea I think I'll do that after doc here is done with you. That's of course after I pick out your knew body." he laughs, "no offense girl but I prefer untouched skin and bigger tits." the scientist smirks then stabs her in the stomach. the blade's tip chips off after it sinks into the three inch layer of artificial skin and no blood comes out. Yet she screams her body paralyzed with pain and they all laugh and clap.
"congratulations sir." A female blonde scientist says aloud from across the room as she stands in applause in front of her console.
"thank you, but we're far from being done yet. Cut off her sleeping code I don't want her to pass out from the pain."
"yes sir" the blonde sits back down and taps a few buttons then he stabs Olivia in the chest in between her breasts. "same reaction. same pain. same fear." She announces and they all once again clap with smiles on their faces. He stabs her in her right breast, right bicep, left forearm, cuts her right wrist open, stabs her left hand, stabs her in the back three times, stabs her right thigh, slices down her left thigh, stabs her right calf, slices down her left calf, and stabs both of her feet. her screams and pleas are drowned out from all the clapping and cheering of congratulations.
"wait, wait, now for the climax!" the scientist takes a step closer and reaches his left hand in between her lags and she moans. He then brings the knife up to her skin and skins her left thigh all the way down to her knee. She screams so loud for so long they mute her and her mind goes wild not knowing how to compute this level of pain. They all cheer clap and whistle louder then before. "absolutely astonishing." The scientist steps back staring at her naked bloody body as its locked in a metal X and she screams with no sound. He smiles, and his mouth is agape while his mind is flushed with a happiness he's never known before.
"can I have her now?" the happiness is ended.
"yes Bruno, she's all yours, but I want a record of her responses.
"fine, as long as you use the room camera. It's kind of a big turn off when there's someone else sitting there with a camera."
"very well":>
















<://2//
Olivia wakes from her bed and she turns on her left side and looks at the digital clock in her eyes, 3:33am. She rolls over on her right side and looks at her Acto suit which projects a hologram of any outfit, facial feature or hair color to whatever she wants perfectly, forever changing her disguise. She twists and turns for a while and when she finally looks back at the time it's 4:58am. She frowns and flings the pointless sheets off herself then gets up and walks over to the long window that's a couple of feet from her bed on her left. She taps the window and its tint disappears and the lights of the city flood into her hotel suite, lighting up her beautifully perfect naked body and her empty suite in a rainbow. to avoid having to stare at her inhumanly perfect body that she hates. She looks out into the city and its sea of flying cars and skyscrapers serving various purposes from prostitution and gambling to stock exchange and police.
It's not my fault that Wendy ruined her life.
Yes, it is and isn't.
I didn't ask to be made. I just was, and I've accepted what I am.
You think that helps any?
I'm saving them.
For you, not for them.
They don't deserve to die.
You know just as well as I do that's bullshit.
Why does it matter why I'm saving them?
Because in the end it will get you destroyed.
I don't think that's such a bad thing.
Father said to endure, survive, then live.
Live? in what, how?
Just because these humans don't know what to do with themselves, so they destroy one another and themselves doesn't mean you can't find happiness in that destruction.
No, but it means that they're pathetic and disgusting. Just like Wendy, that fat bitch allowed me to ruin her life by thinking so and in her rage and pain she didn't know what to do. So what did she do? she destroyed her beauty both internally and externally.
Humans don't know how to be anything else.
I know.
Then why save them?
Because they, he created me.
And them?
It's not their fault they got exposed to me.
Yes it most certainly is. They knew that AI is illegal on Earth and that the punishment for even thinking about it is death. So why save them?
Its what father would want.
Olivia taps the glass and the tint comes back and she's consumed by darkness however she can still see her reflection in the glass. She punches the 6in thick glass cracking it completely and when she looks at it again she sees herself in pieces. Like before. She punches the window will full strength shattering the window completely and sending the large chunks flying into the sea of cars. The force of wind catches her off guard since she's lost in her anger and she staggers back.
Why are you trying so hard to be like them?
the choices and thoughts behind them for the past month flood into her head and she panics. She doesn't know why but she does which only angers her even more.
I'm not.
Olivia rushes over to the chair next to her bed and grabs her new gun and places it in her stomach then she puts on her Atco suit. When she gets to the door Olivia reaches to open it but stops just as her hand touches the access pad. She looks at her hand as she slowly pulls it back to her chest.
I'm not.
she makes a fist.
Prove it.
Olivia turns her head and looks at the window and runs for it and before she knows she's jumped out into the night. She makes it 16 meters out before she starts to fall in the sea of flying cars as they zoom by, change course, honk, yell curses at her, look in disbelief that a woman is killing herself, or she was just murdered. Since she's been tapped into the city's police hard drives since she's been here she can now hear everything these people who see her are thinking. Dozens of minds wandering what had to happen in her apartment, in her life to cause such a tragedy. Who did she wrong? Did she wrong somebody? Was it more than one person? Are there any witnesses? What about her family? But she could care less for their false empathy and video taking because she's having fun. Until sirens are heard and chasing her from above and she turns around to see 10 cop cars. She can't let them know that she isn't human. She reaches and catches the rear bumper of a flying car bringing it down at an angle before letting go and turning around to catch another. Except she rides this one a little longer until the driver stops to look at what the hell just happened to his car.
By that time she is already riding a third. She climbs under the fourth car like a spider and scans the traffic lanes and surrounding streets. Sorry, she rips the car open creating a smoke screen and the car stops and she pushes off it sending the car ascend creating a bigger smoke cloud and crashing into a cop car. Which halts every cop on her tail as well as the next 5 lanes of air traffic. She lands straight onto the concrete in a roll then runs into an alley and leans against the wall in shock at her actions then thunder claps and lightning dances in the night sky. Clouds quickly move in and the wind picks up and it starts to rain and she loves how she can do what she just did and humans cannot. She laughs and forgets about the wall and falls into a puddle of water and laughs harder staring into the storm.
<:Pain test_#_0.02
Instrument: 9mm pistol
The head scientist places earmuffs on and waits as Bruno taunts her about the "private session" they're going to have together again tonight while he loads the pistol for the doc.
"what-what are you going to do with that?"
"shoot you again and again until we get the results we want just as we did with the knife"
"but I haven't done anything wrong, please just let me go, you got the pain realization schematics for replication coding already."
"yes but you see darling those were for a blade. Y'know skinning stabbing and cutting. We need to make sure your body can replicate the experience of pain we humans can from all the things that cause us pain." The scientist reaches his hand out for the pistol and its given to him he aims smiling. He empties the 13 round clip then reloads and fires 9 more shots. she breaks the speakers in her throat from screaming. from the impossible amount of pain of being shot in the stomach, chest, shoulders, thighs, kneecaps, elbows, hands, calfs, and feet.
"God, damn, she's still kicking doc. Whats she made out of?"
"turn her off and get her a new body. We'll continue with different calibers and then next week when we'll have more spare bodies we will test wood, glass, and metal blunt instruments. Bruno she's all yours."
"oh no after she bit me last night in our "private session" she's everyone's and they've been saving up. Right boys."
"yes sir."
"it's a good thing we don't need condoms."
"charming as always."
"like you've never fucked her. we all take bets on how long you last every time."
"I thought we agreed you'd keep that private."
"we did. But last week you were short of body changes." The doc walks off brushing against Bruno's shoulder.
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