8 Original Ideas

8 Original Ideas;
and a few notes about other original ideas


Philosophy:  Id.

Can derive subjective/ideal from objective/rationalism (Ideal).  See Kant, as logical extension of construct (&&defense)//dissertations on subjectivism depart to new source and Idea.  (submitted to --Hubris January 12, 2003 by fax)


On Keats, John, English poet:

Endymion && The Fall of Hyperion suggest Keats claims he will survive in letters, and not the modest-end description of the meaning of his epitaph.  (See constructs &&his defense of Endymion in the Fall of Hyperion, and his epigraph.

Suggest Keats is partial to an Identity as the English “Greek” as a characterization of his inspiration and derivations from the English environment && that this combination is one of his contributions to English letters.  It is possible that he is therefore reluctant to go to Italy like his contemporaries Shelley and Byron and also hesitates to join Shelley to individuate himself the poet, and not only as a matter of class.

On Shelley, Percy Bysshe, English poet:

3.  His writing style and the “ponderous” reaction to his work, is not derived from his themes and sources of inspiration, but instead from his syntax, construction and work choices.

4.  His concluding works show that he was interested in combining English verse forms with classical forms to individuate his writing from that of his colleagues and he experiments with new innovation.

5.  Most of Shelley’s works have clearly stated topics within the transitions.

6.  The evolution of English writing seems to include writings in the concrete, as well as the metaphoric abstract, and the high value of art as metaphor seems to be a recent expectation--with the earlier forms being double-talk, (meaning), or circumstance (socail)--in other words, it is possible to analyze and interpret writing in the concrete, when that's the example.

7.  The possibility exists, which is not original, that some writers' poems are woven together in their collected works--it's possible to find this in Keats--and in examples from Shelley.  Both may include composition of a body of works designed to be connected by common elements.



other ideas:  notes on Percy Bysshe Shelley's "Ode To The West Wind,," "To A Sky-Lark'," "The Cloud."  notes on John Keats' "The Fall of Hyperion,"  the images at the conclusion--the cryptogram, and the image at the night water. Notes on Ezra Pound's "The Cantos" and "The River-Merchant's Wife:  A Letter."