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Printed from https://writing.com/main/newsletters/action/archives/id/3192-.html
For Authors: July 29, 2009 Issue [#3192]

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For Authors


 This week:
  Edited by: Storm Machine Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

I'm honored to be your guest editor this week.

Obi-Wan: So what I told you was true . . . from a certain point of view.
Luke: A certain point of view?
Obi-Wan: Luke, you’re going to find that many of the truths we cling to depend greatly on our own point of view.


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Letter from the editor

Last fall, I listened to the readings while I was at a Con. The protagonist was an unreliable narrator, and the literary device has filled my head since at odd times. He was a homeless man who thought he was working for a government agency, that his wife was also working for this agency (the woman was actually a librarian he’d never spoken to), and that little things he did prevented or caused major events.

An unreliable narrator is one with a compromised view of the world, though the reason might be any number – age, impairment of some sort, intelligence, or a personality flaw. It’s a difficult viewpoint to pull off. It’s possible to argue that any first-person narrator is unreliable to some degree, but this is specifically targeting the ones who lead the reader astray with false information.

http://www.poewar.com/john-hewitt%E2%80%99s-writing-tips-explaining-the-unreliab...

John Hewitt’s examples give a better idea. It isn’t just that a person speaks from her own experience, flawed as it is; it’s also that she has something at work to make her world different from expected. A narrator with dementia might recall talking to her sister all day, when the woman in question was her daughter.

The beauty of the writing must also give the reader the clues needed to distinguish from the narrator’s world the parts that are false from the parts that are the ‘true’ fiction of the story.


Editor's Picks

I couldn't find an unreliable narrator, but that doesn't mean they're not there.

A MidSummer Night's Scream Open in new Window. (13+)
Round closed ~ Winners Announced!
#1445235 by Adriana Noir Author IconMail Icon

 Invalid Item Open in new Window.
This item number is not valid.
#1584776 by Not Available.

 Invalid Item Open in new Window.
This item number is not valid.
#1426910 by Not Available.

 Invalid Item Open in new Window.
This item number is not valid.
#1529338 by Not Available.

 Last-We-Met Open in new Window. (E)
a lonely narrator reaches out for some human contact...
#1279440 by echoshindig Author IconMail Icon

Stepping on the Stones Open in new Window. (13+)
(Weird fiction) Narrator has intrusive memories that he does not believe are his own.
#1018889 by Thomas Eding Author IconMail Icon

 An intro to narrator reliability Open in new Window. (E)
An introduction to critical theory that will give your writing an edge.
#968721 by Ken Brosky Author IconMail Icon


 
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Ask & Answer

Seisa-sleepingcatbooks.com Author Icon Great article about passive and weak verbs. As a former technical writer, I had it drilled into my head to keep everything active. They still slip in occasionally, but that's what editing is for! *Smile*
That's exactly what editing is for- finding the right word.

Briar Rose Author Icon I love the way you call it "pulling punches." You're right on there. Passive verbs weaken a piece which might otherwise be really good. Good job!
Let the fight against passive verbs continue.

StephBee Author Icon Wow this was great! It highlighted a lot of verb problems that I see from time to time. Great example. Two thumbs up for a good newsletter.
Thanks.

~MorningStorm~ Author Icon This was a very interesting read. I tend to overuse passive verbs and have difficulties knowing what to use instead. Thanks for the help!
I think all of us have struggled with those at one time or other.

Shaziane Author Icon I understand the passive and active verbs, but oddly every time I read two passages each, one the re-write of the other I seem to always grasp that of the passive much better. It's always stronger for me. (No question. I just think it's wierd for me as both a reader and writer.)
Nothing wrong with not following the crowd, but I'm glad you understand them.

Acme Author Icon Thanks for tackling weak/passive verbs in this edition of the Newsletter The example was good, and the off site links are helpful! Thanks, too, for highlighting one of my stories
Your stories are always fun to highlight. Glad I could help.

Zeke Author Icon This was a very interesting piece on verbs. Do you think the problem of excess verbs is worse when the perspective it first person?
Good question. I think point of view isn't the issue, but more author preference.

Robert Waltz Author Icon Congratulations on your first newsletter, Storm Machine Author Icon! Well-written, and contains great advice for any writer. *Smile*
*Bigsmile*

Bluesman Author Icon Nice article... I'm terrible at doing this. Sometimes I have to edit myself ten times to find those nasty verbs.
It's still worth it. Sometimes I edit myself repeatedly to find them, as well.

Mumsy Author Icon Rockin' newsletter! Excellent suggestions, and I love how you've illustrated the difference for the reader by providing before and after "footage" of the wreck.
Creating that wreckage amused me. Glad it did the same for you!

Adrianna Author Icon To the editor.

I read your part on verbs with great interest. Whilst I agree the second version is more 'punchy' I found the first version to flow more. The first read like a story, the second read more like a journalists report. Passive verbs may not be the preference of publishers however I do believe that (as with anything) they can do you good if used in moderation.
The question is always how much is 'in moderation'? It may have a great deal to do with personal style, voice, and the specific genre. Good luck.

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