This week: Character Development Resources Edited by: Jeff More Newsletters By This Editor
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About The Editor: Greetings! My name is Jeff and I'm one of your regular editors for the Noticing Newbies Official Newsletter! I've been a member of Writing.com since 2003, and have edited more than 400 newsletters across the site during that time. If you have any questions or concerns, please feel free to contact me via email or the handy feedback field at the bottom of this newsletter!
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Character Development Resources
One of the most difficult things do to in fiction writing is creating compelling, realistic characters. It's so easy for characters to exist to service the plot, or to fulfill a specific narrative or storytelling function, without feeling like they're fully developed or fleshed out. Over the years, I've tried a variety of different methods for creating good characters, and have found that a lot of "personality" assessments that people use in the real world can help create a framework for thinking about your fictional characters' personalities.
These are some of the resources I look to when I'm trying to figure out a character and his/her motivations or reactions to events in the story:
Myers Briggs Type . This is one of the better-know assessment tools, which looks at four different preference pairs to determine a four-letter type with common qualities. The preference pairs are Extraversion (E) or Introversion (I), a preference for Sensing (S) or Intuition (N) when absorbing information, coming to conclusions by either Thinking (T) or Feeling (F), and approaching the outside world by either Judging (J) or Perceiving (P). If a character is an ESFP type, for example, they're likely to be energetic, sociable, friendly, caring, expressive, enthusiastic, spontaneous, etc.
Enneagram . While it's not exactly new, the Enneagram has gained a lot of popularity lately for the way it portrays nine different personality types (The Helper, The Investigator, The Challenger, The Peacemaker, etc.) and goes into a lot of detail about the types of thought processes and external factors influence each type. I've been using this tool a lot lately because there is a ton of information under each type (basic fears, desires, qualities displayed at different levels of maturity, etc.), so you can create more than just caricatures or stereotypes.
Five Love Languages . The five love languages (Acts of Service, Gifts, Quality Time, Words of Affirmation, and Physical Touch) are often used in the context of relationships and how we prefer to give and receive affection, but they can also be a great way to figure out hwo your characters interact with the other characters in your world (especially ones they care about).
Clifton Strengths . Formerly called Strengths Finder, this is an assessment that will tell you what your top strengths are (things like empathy, self-assurance, ideation, discipline, focus, etc.) so that you can focus on activities and approaches that maximize the things you're naturally good at. I've found this one helpful in coming up with three or four primary qualities that you want a character to exhibit.
DiSC Profile . Popular in a lot of corporate settings, a DiSC Profile makes a distinction between the qualities of Dominance, Influence, Steadiness, and Conscientiousness and how the qualities of each type interact with others (both of the same type and other types).
Regardless of how you feel about personality assessment/profiling systems for yourself and others in the real world, they can be a great resource for developing diverse and complex characters. It's easy for writers to embody characters who are like themselves and have a similar worldview, but having access to a fully-realized system (or multiple systems) can help you think about how someone different from you would interact with the world. If you're a quiet introvert who isn't particularly social, tools like this can help you get into the head of an extraverted life of the party. If you're someone who feels things deeply, tools like this can help you get into the mindset of a character who experiences life through a more analytical, dispassionate lens.
Populating the world of a story often involves creating multiple characters, each of which has a different backstory, personality, and way of interacting with the world. Hopefully the resources above give you some possibilities for how to further develop that variety and diversity.
Until next time,
Jeff
If you're interested in checking out my work:
"New & Noteworthy Things" | "Blogocentric Formulations"
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Feedback from "Noticing Newbies Newsletter (November 15, 2023)" about daily writing habits:
It's the only time of year I write something mainly. Exception challenges. You're doing great! Keep it up!
Great newsletter! I definitely agree with setting absolute minimum targets - I don't set word counts but if I can just do 15 minutes of writing in a day then I consider that an achievement!
I don't have a daily writing habit, but I would like to develop one. For those who would like to have a weekly writing habit, come on over to "I Write in 2024" . It's free to take part. You give and you get at least one review per week. And you can earn up to 15 exclusive merit badges.
I don't have any daily writing habits. My life is too chaotic to have a routine. However, when I do have time to explore and write, what I do is go through the list of wisdom and virtues shared by other writers. For example, ... ▼
For example, the adage, "Write What You Know."
I love fantasy, but starting from scratch and creating a completely new world with new creatures and new everything is a bit too much. There's no way my human brain can retain all the details or keep the details straight.
So what I do now is find a writing prompt, sit down and force myself to write something inspired by the prompt. Most likely, whatever manifests will most likely come from some information that has always been inside my head...
So in that way, I am writing about what I know and by doing so I have to say I spend less time researching or world building or figuring out outlines. Instead, more time goes into the transference of my unformed thoughts and emotions into concrete words. The ideas were already in my head but they never had form or shape until the prompt came along and forced me to mold something out of them.
Another way to describe these unformed thoughts and emotions, I didn't even know they existed until the question (writing prompt) was asked or presented.
Perhaps not all output will make good writing but at least I am writing and meeting deadlines and shockingly not blocked by writer's block
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