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A blog about music from my unique perspective (also a spot for some poetry I’ve written) |
A blog, generally about music, usually for projects hosted by Jeff ![]() |
My twelfth and final track for "12 Days of "Christmas"" ![]() OneRepublic released Ordinary Human in 2014, as part of the soundtrack for the movie The Giver, based on the book by Lois Lowry. With a low, throbbing backbeat opening, soaring choruses, and an eerie reverb throughout, this song has all the feels while providing a fascinating and transcendental theme. I remember the day I discovered it: Mom and I were spending the winter in Naples, FL, and when I found Ordinary Human I put it on repeat about a million times, bringing it in the car with me as we drove around sightseeing. I was in awe. I still am; I'm getting chills listening to it right now. One of the endearing features is how Ryan Tedder opens with a slightly gravelly note, as if he hadn't cleared his throat properly. He climaxes to his signature crystal clear melisma flawlessly, while giving the song a reassuringly relatable and accessible feeling. I enjoy singing it to myself; it has a surprisingly easy melody. An interesting aside about Ryan's voice… just a couple days ago, after writing this up, I saw a snippet 1R shared on X where he laughs about a habit he used to have, during the Counting Stars era, of modifying his voice by lighting a cigar and "intentionally inhaling, which you're not supposed to do," to make himself cough and give his voice a "rougher, warmer" sound. At first I'm like ![]() Now to explain why I associate Ordinary Human with Christmas. The bridge and finale goes "there'll be peace in the city tonight, but when I'm gone, I hope they get it right." If that isn't a picture of the Nativity and the Ascension all at once, I don't know what is. The overall theme of an "ordinary human" bringing salvation by his very nature, or alternately an ordinary human humbly acknowledging his ordinariness and learning to seek salvation by reaching upward instead of inward, are both concepts which run deep throughout Christian doctrine. I believe Ryan Tedder was aware of all this when he wrote the song, because he grew up in a Pentecostal home with a preacher grandfather, and he has drawn upon the basic worldview assumptions of Christianity frequently in his lyrics over the years. A big shout-out to Jeff ![]() This is a perfect song to end my holiday soundtrack series with. Enjoy the goosebumps ![]() Words: 532. Bonus excerpt (under two minutes) where Ryan Tedder shares how Counting Stars was made and mentions "the cigar technique:" Full video (14 minutes) from Vanity magazine where Ryan Tedder discusses the art of music production for Counting Stars as well as another song: |
My eleventh track for "12 Days of "Christmas"" ![]() Now, I'll have to admit this Joy to the World does bear the "softly bombastic" stylistic fingerprint of 4K+C specifically and contemporary Christian music generally, but perhaps that's a good thing. I generally prefer songs with styles and voices I recognize to material from "out of the blue." Knowing the artist gave me something to go on so I knew I would be less likely to waste my limited music time listening to versions I might not like. As I said, I'm fussy. The audio boundary is a line I take great care to draw, because my default environment is usually quiet. At any rate, enjoy ![]() Words: 221. |
My tenth track for "12 Days of "Christmas"" ![]() I like the way Joel and Luke Smallbone bring in their wives to sing with them on some of their work. It's something not many pop artists do. When I went to pull up the YouTube video for this entry, I found 4K+C released a new version of it this year... Featuring country singer Gabby Barrett ![]() One of the reasons I like 4K+C is their calm, harmonious voices. This quiet harmony is exemplified on both Go Tell It On the Mountain and my next track choice, their Joy to the World. This carol generally is one I wasn't familiar with growing up, but as I encountered it more recently I was drawn to the melody. Being fussy, I'm pretty sure this is the only rendition of it I like, however. 4K+C have emphasized what makes it special without letting it become repetitive or monotonous. Which for some reason reminds me, I never did find a version I like of "do you hear what I hear." I tend to lump these two songs together because I never heard of either of them until a few years ago. I like the lyrics to "do you hear what I hear," with the talking animals visiting the king, and the melody is good, but I haven't had time to look into finding a good one. Maybe next year when we do this, I'll have found one for us. In the meantime, enjoy Go Tell It On the Mountain ![]() Words: 304. |