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My fourth blog. Amazing yet disconcerting. Don't worry; this'll go away in a year or so. |
![]() Hey folks! It's Friday, and there's a lot to talk about, so let's celebrate! ![]() ![]() Before I get started though, I'mma lead off with a confession and a half-hearted apology. I had a few weeks to prepare for this particular week of prompts in the "30-Day Blogging Challenge ON HIATUS" ![]() I, like probably a lot of you, have many songs that trigger different memories. Some good, some bad...but that's what music does to us. It doesn't cherrypick the moods it wishes to soundtrack for us. For me, the song that first popped into my head was "Tarantulove" ![]() ![]() Every single time I hear this I'm taken back to the scene where I first experienced Hawksley...downtown Buffalo, before the waterfront opened up (finally) and became the go-to party spot, the "Thursday At The Square" free concert series was the place to be. Sometimes they'd pull in some solid national acts, and sometimes the lineup would lean more toward regional favorites...in my opinion, the crowds paralleled this trend in that some people showed up because it was free live music in Niagara Square, while others just came for the atmosphere of drinking socially outdoors and I wish that stupid band would keep it down 'cuz I can barely hear you, ugh! ![]() So I headed down to The Square with my sister...Gord Downie from The Tragically Hip was headlining, and I'm a Hip fan so of course I wanted to go, and my sis was all "Whoo-hoo! Goin' to The Square! I don't even know who that guy is!" or somethin' like that. We were walkin' around, people watching and checkin' out the merch as the opener started his set. Whatever; neither of us had heard of him and we had plenty of distractions. But the music was interesting...it was like a mash-up of Broadway show tunes and bubblegum pop with guitar noises that would've been out of place in almost any other song, and when I looked up to take notice the singer was doing this long-striding, almost lurching, sneak-up-on-you walk while his guitar gurgled and where he'd sorta end each forward step on his tippy-toe before taking another. It was like five thousand people suddenly had access to a penny peep show, and every time you turned the crank to advance the film the six-string would just sound naughtier and you'd be even more seduced by his charms, until it was over and your ears wanted a celebratory cigarette to commemorate the best sex they'd ever heard. That's how I want to feel when I hear a new band or artist. I don't want to just be pleasantly surprised; I want to feel gratified like the night the geek like me lost his virginity to the Catholic school cheerleader he had no business being with. I don't want "Cool, I'll have to check more of this out later". I don't ever want it to end, and I want to learn more and hear more and let the entire experience interact with all my senses. There aren't a lot of singers who do that anymore...Hawksley Workman connects with the romantic in me, and the intellect, and the hipster, and all the other little pieces of me I don't often recognize. And it all started with one song. ![]() Normally I'm not one to disagree when someone who is much more accomplished than me has something to say about how the art of writing should be gone about...and even though I've not heard of Steve Cox, I'm assuming he's credible because someone thought enough of him to consider that his words could be quotable (and no, I'm not gonna Google him...I trust you, Lyn's a Witchy Woman ![]() See, for me it's pretty simple. I'm not a professional, and I don't get paid a lump sum every time I get the Your blog has exceeded the maximum storage limit error message telling me I've filled up another digital reservoir with kilobytes and megabytes of randomness and babbling. That means, for all intents and purposes, I'm just an amateur...a hobbyist. I'm doing this (as I've probably said a hundred times before- no exaggeration) for my own enjoyment first, and then maybe, hopefully, yours. It's not a team sport or anything like that, so I don't look for outside help...even if I were aiming for something higher or better or whatever. I could get down with what he's saying if this were bowling, and there was some kind of technical flaw in my approach that you noticed in warm-ups, where you could suggest an improvement before a big-money tournament. But no...I'm a novice, and maybe this entry will get 20 or 25 views, 30 if I'm really lucky, and I don't think anyone's gonna show up in front of my building with a contract hoping to publish my stupid blog with the conditions that I don't call it stupid and I don't swear and I'd maybe stop substituting the letter "g" for an apostrophe every so often with words ending in "-ing". I'm not holding on to any delusions about what I do when I'm here, and I'm not ceding creative control over my work anytime soon. So there you go, Mr. Cox, if that's even your real name. I'm guessing it's not though, and that makes me not like you just a little more, were I to have an actual opinion about you, my man. Plus, folding a fitted bedsheet sucks absolute balls whether you're doing it by yourself, or with a helper buddy, or with four other people. As an old WDC friend who is no longer active here once said, and I paraphrase, "That [folding a fitted sheet] makes you like some kind of unicorn, doesn't it?" ![]() I'm gonna say a lot of things in the next couple paragraphs that maybe for someone who writes often enough like me might sound pretty bad in this particular context. I'll start with Ted Kooser himself...another writer I'm not really familiar with and don't quite feel like looking up, although his name at least kinda rings a bell. I feel like I should know who a lot of these authors are, especially since I spent a couple years working in a freakin' bookstore of all places. And on top of that, I probably couldn't name a contemporary poet or three if you paid me. And I like poetry. I like it more than mystery or sci-fi or chick lit. But my frame of reference ends right around the time of the Beat Generation. So I'm a bad person to ask about this, but because I'm also an American, I'm not afraid to open my mouth and tell you just how much I really don't know. Here's my opinion on contemporary poetry versus, say, I don't know what else to call it, and "non-contemporary" just sounds too obvious, so let's go with "boring-ass traditional poetry force-fed to us and hailed as literary gospel in high school, when we really mostly didn't give a shit": if we're going by Kooser's metrics here regarding the usage of the pronoun "I" as an "appeal factor" to current generations, he's a bloomin' idiot. Dude, lots of poems throughout history contain "I" and are of a confessional approach. "How do I love thee? Let me count the ways...". Yo homes...that's about as "I" and straight-up fessin' as it gets. And furthermore, going back into the annals of history, instead of using "I" our forefathers tried to be slick and start off all biblical with shit like "Thou". "Thou shall not kill". "Thine heart is barren in your absentia." "Thy shan't front on thouest of thats." Tryin' to come off proper, like we didn't defeat the British in the Revolutionary War or whatever. #Murica Now, like I said before, I'm not very familiar with contemporary poems or poets...or at least as much as I should be. I mentioned Hawksley Workman in an earlier segment of this entry, and I think everyone should own a copy of Hawksley Burns For Isadora ![]() ![]() But I'm not altogether sure of what even my own frame of reference might be on this subject. I've probably written over a thousand poems easily over the last twenty-some years, and they can't all be confessional, right? So let's assume that I'm "contemporary" (with or without quotation marks; reader's choice) in that I don't adhere to traditional forms or methods or templates or what have you, and I've created works within the last few decades. In my head I don't think an item like "20 Minutes From Nowhere" ![]() Now, what was the point of all this? Uhhh, naw Kooser...sometimes you need to hush up when us younger folks are talkin'. Just because you've got a different level of fame than us doesn't mean you're the omnipotent truth-sayer of the written word in this day and age. Grab a seat on the bench next to ol' Stevie Cox ![]() ![]() ![]() Musical Poetry break! My first experience with Saul Williams came as a part-time bookseller at a then-Waldenbooks...I wasn't a heavy reader but as I made my way throughout the store, , Said The Shotgun To The Head ![]() The greatest Americans Have not been born yet They are waiting quietly For their past to die please give blood The inside, upon just a flippant flipping through, looked more like a graphic novel or a Manga read minus the intricate illustrations. It wasn't published so much as it was designed; it was intentionally meant to be distributed as something that would grab you, pull you in with the urgency of a timebomb ticking, and when it reached its explosion point it stung immediately like the rush of a first kiss...but you knew just by the amount of pages left there was plenty more to come. You enter a very personal, very unique relationship when you start reading this book. It is intense; it's a journey...into love, into self. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Back in the day, when my blood ran cold and my memory had just been sold. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Ok, well, it appears my work here is done. Thanks, if you participated at all in any of our 30DBC mini-challenge roundtable discussions, and thanks especially to brothernature, ElaineElaine ![]() ![]() |