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The Writing.Com members below are accepting review requests and ready to review your item! Peruse the list, check out members' review styles and request a review from anyone who seems like a good fit for your item.
My goal is to give a detailed, organized review that highlights the positive characteristics of the work, while also touching on any areas that might benefit from some editing. All of my reviews are, of course, just suggestions and meant to be helpful to the author. I am always available via WDC email if more input is needed on any aspect of the review.
Hi! I'll be happy to tell you what I like about your item's content and what emotion it evokes in me. If I see an area or two that need attention by way of improvement, I'll make suggestions for you. I will try to word my reviews in such a way that might garner you more views for the item when seen on the public reviewing page and here, in my reviewing forum. I will always do my best to carry on the Simply Positive motto.
Brutally honest, but fair. I will give my impressions of the main points: Plot, character, setting, dialog.
Then I will get into grammar, spelling, and typos.
I will tell you what works, and what doesn't.
As far as the star ratings go, I don't rely on them too much, but use them as a measure of an item's relative merit. Take it for what it's worth. Bottom line, my goal is to help the author improve their work.
Casual, friendly. I'll point out typos when I see them and make suggestions about quality, characters and logic, besides telling you how I feel about the piece.
As a reviewer of your work, I will first look for identification in what you are presenting. When a reader can truly identify with the writer, emotion sets in and the story becomes a part of the reader as well as the writer.
My approach is balanced and constructive. I begin by highlighting what works well in a piece—what captured my attention, moved me, or felt particularly well written. When needed, I provide suggestions for improvement, which may include identifying spelling or punctuation issues, or noting where adjustments could improve rhythm and readability. I sometimes comment on passages that might be unclear or seem out of place, always with the intent of helping the author strengthen their expression and flow. For me, the heart of good writing lies in its emotional resonance. I often ask, “Did you feel it?” or “How did it make you feel?”—not because the writer instructed the reader to feel a certain way, but because the words themselves created a genuine emotional response.
I like a review that makes me edit, even if it bothers me or offends me. So I look at your piece with, "What would I change to make this better and why?" And I write down most of what I think... the limit being how much you paid, more than how much you can handle!
And of course there's no guarantee that my advice won't make it worse. Well, except the long list of bestseller credits-- oh, I haven't published them yet.
But feel free to request a refund if I really like your piece. It's happened, sometimes I'm in too good of a mood and I think your work is perfect. If it was, you'd be submitting it for a royalty advance... praise is nice but it's like Chinese food, you need more in an hour. Whereas critique sticks to your ribs...
I'll give a quick summary of your item. Afterwards, I'll talk about your characters, any Spelling or Grammar issues, and perhaps suggest some things, like adding the item to a Genre that it would fit into.
Minimalist. Focus on technical. I also look at how a work would fit into the traditional publishing landscape. I don't use a template.
Warning: I am Australian, and so cultural differences may apply.
Unsentimental. I focus on the kinds of craft issues that will keep a writer from being taken seriously and prevent them from fully expressing their vision.
For more information, see "Writing Hurts: Review Forum"
I dissect stories like a surgeon with a poet’s hands—probing the emotional marrow, not just the bones. My reviews prioritize thematic resonance, psychological authenticity, and prose that feels before it explains. I’ll ask why the rain in your story smells like regret, or how the silence between lovers becomes its own character. Technical critiques (pacing, grammar) come only if requested—I’m here to unravel why your story haunts, not just how it functions.
I'm honest but constructive. I'll explain why I give the number of stars I give and what you could do to improve that. I do fix grammar as well as look at style, emotional triggers, characters, and other things like that. I'll get back to you with a full review in a couple of days or so after the request, depending on the length of the item.
I try to imagine I've just taken a seat in the waiting room at a doctor's office and picked up a magazine to pass the time. Suddenly - what's this? - I stumble upon your little work of art. As a result of reading your story, either I will 1) I like it so much I MUST have it, so I stuff the magazine down the front of my shirt and hope the doctor isn't checking my heartbeat today, or 2) Become so nauseated at the ineptitude displayed by your chicken scratches that I will beg the doctor to consider me for an emergency euthanasia. Chances are it will be somewhere in the middle.
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I'll be happy to tell you what I like about your item's content and what emotion it evokes in me. If I see an area or two that need attention by way of improvement, I'll make suggestions for you. I will try to word my reviews in such a way that might garner you more views for the item when seen on the public reviewing page and here, in my reviewing forum. I will always do my best to carry on the Simply Positive motto.
