Story of my life

Hendrix was born on November 27, 1942, in Seattle, Washington, USA, while his father was in army camp in Oklahoma. He was named Johnny Allen Hendrix at birth by his mother, 17 year old Lucille Hendrix née Jeter[10]. His mother, having difficulties, had put him in the temporary care of friends of the family, a couple in California. On his release from the army his father, James Allen "Al" Hendrix, retrieved him and re-named him James Marshall Hendrix in memory of his deceased brother, Leon Marshall Hendrix.[11][12] He was known as "Buster" to friends and family, from birth.[13] Shortly after this Al reunited with Lucille. Al found it hard to gain steady employment after the Second World War, and the family experienced financial hardship. Hendrix had two brothers, Leon and Joseph, and two sisters, Kathy and Pamela. Joseph was born with physical difficulties and at the age of three was given up to state care. His two sisters were both given up at a relatively early age, for care and later adoption, Kathy was born blind and Pamela had some lesser physical difficulties. Hendrix's parents divorced when he was nine years old, and his mother died in 1958. On occasion, he was sent to live with his grandmother in Vancouver, British Columbia because of his unstable household, and his brother Leon was put into temporary welfare care for a period[14]. Hendrix grew up as a shy and sensitive boy, deeply affected by the conditions of poverty and neglect that he was raised in, and by the troubling family events of his childhood. In a relatively unusual experience for African Americans of his era, Hendrix' high school had a relatively equitable ethnic mix of African, European (including Jews) and Asian (Japanese, Filipino and Chinese) Americans.[15] Most American inner cities of the 1950s were heavily segregated by race, as was Seattle, so for most of his upbringing he lived in the predominantly African American Central District along with white, Asian and Native American residents.[16]

At age 15, around the time his mother died, he acquired his first acoustic guitar for $5 from an acquaintance of his father. This guitar would replace both the broomstick he would strum in imitation and the one-stringed ukulele his father had found while cleaning out a garage, on which Jimi reportedly managed to play several tunes.[17][18] He learned by practicing almost constantly, watching others play, through tips from more experienced players and listening to records. In the summer of 1959, his father, Al Hendrix, bought Jimi a white Supro Ozark, his first electric guitar, but without an amplifier. That same year his only failing grade in school was an F in music class. According to fellow Seattle bandmates, he learned most of his acrobatic stage moves-a major part of the blues/R&B tradition-including playing with his teeth and behind his back, from a local youth, Raleigh "Butch" Snipes,[19] guitarist with local band The Sharps, and also performed the "duck walk" of Chuck Berry. He played in a couple of local bands, occasionally playing outlying gigs in Washington state and at least once over the border in Vancouver, British Columbia.[20]

Hendrix was particularly fond of Elvis Presley, whom he saw perform in Seattle, in 1957.[21] Leon Hendrix claims in an early interview that Little Richard appeared in his Central District neighborhood and shook hands with his brother, Jimi Hendrix, although unattested elsewhere and vehemently denied by his father.[22] Hendrix's early exposure to Blues music came from listening to records by Muddy Waters and B.B. King that his father owned.[23] Another impressionable image came from the 1954 western Johnny Guitar, in which the hero carries no gun but instead wears a guitar slung behind his back.

His first gig was with an unnamed band in the basement of a synagogue. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones who performed regularly at the Yesler Terrace Neighborhood House without pay. His flashy style and left-handed playing of a right-handed guitar already made him a standout. He later joined the Rocking Kings who played professionally at such venues as the Birdland. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro which he painted red and emblazoned with the words "Betty Jean" (Morgan), the name of his high school girlfriend.

Hendrix had completed middle school with little trouble but didn't graduate from Garfield High School, although he would later be awarded an honorary diploma, and in the 1990s, a bust of Hendrix was placed in the school library. After he became famous in the late 1960s, Hendrix told reporters that he had been expelled from Garfield by racist faculty for holding hands with a white girlfriend in study hall. However, Principal Frank Hanawalt says that it was simply due to poor grades and attendance problems.[24]


In the Army
Hendrix got into trouble with the law twice for riding in a stolen car. He was given a choice between spending two years in prison or joining the army. Hendrix chose the latter and enlisted on May 31, 1961. After completing boot camp, he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky. His commanding officers and fellow soldiers considered him to be a sub-par soldier: he slept while on duty, had little regard for regulations, required constant supervision, and showed no skill as a marksman. For these reasons, his commanding officers submitted a request that Hendrix be discharged from the military after he had served only one year. Hendrix did not object when the opportunity arose to do so.[25] Hendrix would later tell reporters that he received a medical discharge after breaking his ankle during his 26th parachute jump. The 2005 biography Room Full of Mirrors by Charles Cross claims that Hendrix faked being homosexual-claiming to have fallen in love with a fellow soldier-in order to be discharged, but has never produced any sound evidence to support this contention.

At the post recreation center, he met fellow soldier and bass player Billy Cox, and forged a loyal friendship that would serve Hendrix well during the last year of his life. The two would often play with other musicians at venues both on and off the post as a loosely organized band named The King Kasuals.[26]

As a celebrity in the UK, Hendrix only mentioned his military service in three published interviews, one in 1967 for the film See My Music Talking, (much later released under the title Experience) which was intended for TV to promote his recently released Axis: Bold As Love LP, in which he spoke very briefly of his first parachuting experience: "...once you get out there everything is so quiet, all you hear is the breezes-s-s-s..." This comment has later been used to claim that he was saying that this was one of the sources of his "spacy" guitar sound. The second and third mentions of his military experience were in interviews for a magazine "Melody Maker" in 1967 and 1969, where he spoke of his dislike of the army.[27] In interviews in the US, Hendrix almost never mentioned it, and when Dick Cavett brought it up in his TV interview, Hendrix' only response was to verify that he had been based at Fort Campbell.[28]


Early career
After his release, Hendrix and army friend Billy Cox moved to nearby Clarksville, Tennessee, where they formed a band called "The King Kasuals", Jimi had already seen Butch Snipes play with his teeth in Seattle and now Alphonso 'Baby Boo' Young the other guitarist in the band was featuring this.[29] Not to be upstaged, it was then that Hendrix learned to play with his teeth properly, according to Hendrix himself: "... the idea of doing that came to me in a town in Tennessee. Down there you have to play with your teeth or else you get shot. There's a trail of broken teeth all over the stage..."[30] They played mainly in low-paying gigs at obscure venues. The band eventually moved to Nashville's Jefferson Street, the traditional heart of Nashville's black community and home to a lively rhythm and blues scene.[31] There, according to Cox and Larry Lee, who replaced Alphonso Young on guitar, they were basically the house band at "Club del Morrocco".[32] Hendrix and Cox shared a flat above "Joyce's House Of Glamour".[33] Hendrix' girlfriend at this time being Joyce Lucas. Bill 'Hoss' Allen's memory of Hendrix's supposed participation in a session with Billy Cox in November 1962, which he cut Hendrix's contribution due to his over the top playing, has now been called into question, a suggestion has been made that he may have confused this with a later 1965 session by Frank Howard And The Commanders, that Hendrix participated in.[34] For the next two years, Hendrix made a precarious living with the King Kasuals and on the Theatre Owners' Booking Association (TOBA) or Chitlin Circuit otherwise known as "Tough On Black Asses," performing in black-oriented venues throughout the South with both Bob Fisher and the Bonnevilles,[35] and in backing bands for various soul, R&B, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin Circuit was an important phase of Jimi's career, since the refinement of his style and blues roots occurred there.

Frustrated by his experiences in the South, Hendrix decided to try his luck in New York City and in January 1964 moved into the Hotel Theresa in Harlem,[36] where he quickly befriended Lithofayne Pridgeon (known as "Faye",[37] who became his girlfriend, and later married Arthur Allen) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins became friends who kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the song "Freedom". Pridgeon, a Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. The win was encouraging, but in general he found breaking into the New York scene difficult. In the spring, Hendrix was hired as the new guitarist for the Isley Brothers' band and joined their national tour, which included the southern Chitlin' circuit. Hendrix played his first successful studio session on the two-part Isley Brothers single "Testify".[38] In Nashville, he left the band to work with Gorgeous George Odell on an R&B package tour, that had Sam Cooke as the headliner.[39]

In Atlanta, he was hired by Little Richard for his new backing band, "The Royal Company".[40][41][42] During a stop in Los Angeles while touring with Little Richard in 1965, Hendrix played a session for Rosa Lee Brooks on her single "My Diary". This was his first recorded involvement with Arthur Lee of the band "Love".[43][44] While in LA he also played on the session for Richard's final single for VeeJay "I Don't Know What You've Got, But It's Got Me".[45] He later made his first recorded TV appearance on Nashville's Channel 5 "Night Train" with "The Royal Company" backing up "Buddy and Stacy" on "Shotgun".[46] Hendrix clashed with Richard, over tardiness, wardrobe, and, above all, Hendrix's stage antics.[47] For a short while, Hendrix quit and played briefly with Ike and Tina Turner, but quickly returned to Richard's band. Months later, he was either fired or he left after missing the tour bus in Washington, D.C...[48]

Later in 1965, Hendrix joined a New York-based band, Curtis Knight and the Squires, after meeting Knight in the lobby of the Hotel America, off Times Square, where both men were living at the time.[49]

Hendrix then toured for two months with Joey Dee and the Starliters before rejoining the Squires in New York. On October 15, 1965, Hendrix signed a three-year recording contract with entrepreneur Ed Chalpin, receiving $1 and 1% royalty on records with Curtis Knight. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute continues to this day.[50] During a brief excursion to Vancouver in 1965, it was reported that Hendrix played in the (much later in 1968 Motown) band Bobby Taylor & the Vancouvers with Taylor and Tommy Chong (of Cheech and Chong fame). Chong, however, disputes this ever happened and that any such appearance is a product of Taylor's "imagination".[51]

In 1966, Hendrix seems to be quite in demand, playing on sessions with King Curtis and Ray Sharpe; Lonnie Youngblood; The Icemen; Jimmy Norman; Billy Lamont and get's his first composer credit on the Curtis Knight and The Squires's instrumental single "Hornets Nest".[52] At this time he formed his own band, Jimmy James and The Blue Flames, composed of Randy Palmer (bass), Danny Casey (drums), a 15-year-old guitarist who played slide and rhythm, named Randy Wolfe and the occasional stand in.[53] Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" (as he had recently moved from there to New York City) and Palmer (a Tejano) "Randy Texas". Randy California would later co-found the band Spirit with his step father, drummer Ed Cassidy. It was around this time that Hendrix's only (officially claimed and partly recognised) daughter Tamika was conceived with Diana Carpenter (aka Regina Jackson) a teenage runaway and prostitute that he briefly stayed with. Acknowledged indirectly as his daughter by both Hendrix, when Diana started a paternity suit prior to his death and unofficially by his father Al after his death. Her claim has not been recognised by the US courts where, after death, even if she could legally prove he was her father she would not have a claim.[54]

Hendrix and his new band played several venues in New York, but their primary spot was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. The street runs along "Washington (Square) Park" that Jimi sang of at least twice. Their last concerts were at the Cafe A Go Go, as John Hammond Jr.'s backing group, billed as "The Blue Flame". Singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter, also claim to have briefly worked with Hendrix in this period.[55].