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Printed from https://writing.com/main/newsletters/action/archives/id/9826
Fantasy: October 23, 2019 Issue [#9826]




 This week: Keeping Track of It All
  Edited by: Robert Waltz Author IconMail Icon
                             More Newsletters By This Editor  Open in new Window.

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

We live in a fantasy world, a world of illusion. The great task in life is to find reality.
         -Iris Murdoch

We don't create a fantasy world to escape reality. We create it to be able to stay.
         -Lynda Barry

If you're building a fantasy world that exists outside of the rules of our real world, why would you write it to conform to the rules and binaries that we have today? Why still limit yourself?
         -Lachlan Watson


Word from our sponsor

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Letter from the editor

With NaNoWriMo coming up fast, I thought I'd touch on that aspect of fantasy (and science fiction) writing that separates us from those who use our boring, everyday world as a template: worldbuilding.

There are plenty of worldbuilding resources on the internet if you look for them. Here's one:

https://kennethjorgensen.com/worldbuilding/resources

So I'm not going to add to that milieu; rather, I'm going to touch on how to use them.

First, why to use them: because they help eliminate contradictions. One of my favorite novels has a glaring flaw that I only caught on the fifth or sixth reading, because I tend to skip descriptions: On one page, a certain character is described as having long, curly hair, while on the next page he's got shoulder-length, straight hair. Or maybe it's the other way around; it's been a while. Point is, that's why you need a separate place for character descriptions: you don't want to get to the middle of your novel and need a character's height; you know you described her in Chapter 2 or something, so you end up rereading the first few pages of your chapter, whereupon you realize that you've got other character, and possibly plot, issues to deal with. Those issues are properly handled on an edit, after you're entirely done; thus, it's a distraction.

On the other hand, if you've got a separate sheet with character vitals listed explicitly, you can just refer to that.

The same thing applies to entire worlds. Are those mountains snow-peaked, or are they covered in pines? Is summer sweltering hot, or pleasantly warm, where the novel's action takes place?

Another reason to use these worldbuilding templates is it gets you thinking about aspects that you might not otherwise have contemplated. We here on Earth have internalized things like the 24-hour day and 7-day week, and we tend to forget that those things are hardly universal.

If you're a competitive form-filler-outer, like me, there's a tendency to want to get all this done first, to completely "fill out the form" on whatever aspect of worldbuilding you're working on.

From experience, I can tell you I don't think it works for everybody. Including me. I've tried it that way, and I always go back and change things as plot issues arise in my writing.

Another tack is to just write down the stuff you already know, and then go back and fill in the blanks as you write. For example, you may want the "day" on your world to be 36 hours long, for whatever reason, but you haven't given much thought to years or seasons. That's okay. As you write, as it comes up, switch back to the worldbuilding worksheet to note it.

Try different ways, but always remember to review the worldbuilding exercises from time to time to keep things fresh in your mind. Then you can really just concentrate on writing.


Editor's Picks

Some fantasy for your reading enjoyment:

 Invalid Item Open in new Window. []

by A Guest Visitor


 Choices Open in new Window. [ASR]
I must choose a taste.
by IdaLin Author Icon


 The Flower Girl Open in new Window. [ASR]
Oh, it's not at all what you think.
by elizjohn Author Icon


 Prisms of Change -- The Yellow Orb Open in new Window. [13+]
Mrs Ryan is about to learn why you don't trust your worst student with... anything.
by CassieG Author Icon


 The Time Machine Simulator Open in new Window. [13+]
Life in the next ice age from the point of view of a small child
by Josh T. Alto Author Icon


A Matter of Fate Open in new Window. [13+]
A Sorcerer and an executioner come to terms with Fate.
by Pendragyn Author Icon


 Invalid Item Open in new Window. []

by A Guest Visitor

 
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Ask & Answer

Last time, in "Preparing a NovelOpen in new Window., I talked about preparing for NaNoWriMo.

No feedback from last time *Frown*

So that's it for me for October! See you next month, and until then,

DREAM ON!!!

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