Mystery: February 19, 2014 Issue [#6164] |
Mystery
This week: God is in the Details Edited by: ember_rain More Newsletters By This Editor
1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
Mysteries have always been one of my favorite genres. I am happy to get to share some of my knowledge with you. |
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For those of you who know anything about me at all, you know that I love to talk about my father and that he was a church of Christ Preacher. Daddy wasn't the kind of preacher who ranted about hellfire and brimstone. Instead he told jokes about preachers who carried it around in a sample case with them. He was an amazing storyteller. As I grew up I noticed that Daddy's stories were never really the same. He changed them a lot, It was just a minor detail here or there but after you have heard the same story so many times, you learn to recognize the changes.
"Daddy, why didn't you tell that story the same way as you did last time."
"Well punkin' God and the Devil are both in the details. They are in the details you leave in and the details you leave out. Sometimes when I am trying to make a point, I change the details to fit the point. I leave some things that don't help my argument out and put things that do in. When telling a story you should never tell it the same way twice. You should cater it to your audience."
Now the last part of that is only true if your verbally telling a story. But, over the years, as I have tried and failed to finish a mystery novel, I keep coming back to those words. "God and the Devil are both in the details." That is true for all fiction, but never more true than it is for Mysteries.
A mystery isn't just a well written story. It's a well timed piece of art that must time the release of details perfectly. To much detail to soon and you have given away the mystery before you have even started, or worse. I did worse in that I had so much detail in my first novel that I bored myself. That was 20 years ago and I didn't quite understand that a guided tour of a thirty year old murder scene kept just as it was when the murder was discovered, minus the bodies of course, wasn't such a good idea. Persevering the scene as a museum... genius. Trying to cram a bunch of clues into one small part of the story without letting anyone know they were clues... not so much.
The story idea was sound. My execution was flawed. The devil got me with too many details. Back then everything I wrote was done on a typewriter and I didn't have the heart to start all over. Today though we have not just the power to start over without starting over, we have the obligation to make sure that we are timing our stories correctly.
Bad timing in a mystery is like bad rhythm in a poem. You might not always know exactly whats wrong, but you always know that something is wrong.
I challenge you to go back over your old mysteries and read for timing. Does the story have places where it is bogged down by details? Are their places that are confusing because you didn't give enough detail? If so rework them, find your own rhythm. It will make your future work that much better and your readers will thank you for it.
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All these stories were discovered while using the browse by genre option in the left hand sidebar. I highly recommend it if trying to narrow down your reading options to a certain type of story.
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Have you ever struggled with timing? If so how did you fix it, if you fixed it? |
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