For Authors: October 30, 2013 Issue [#5973] |
For Authors
This week: How Do You NaNoWriMo? Edited by: Jeff More Newsletters By This Editor
1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
"Some writers enjoy writing, I am told. Not me. I enjoy having written.
-- George R.R. Martin
Trivia of the Week: The Hugo Awards, given annually for accomplishments in the medium of science fiction and fantasy, were named after writer, editor, and publisher Hugo Gernsback, who is sometimes called the father of science fiction alongside H.G. Wells and Jules Verne. He didn't exactly have a sterling reputation, though. As the publisher of Amazing Stories and Wonder Stories (a merger of two other magazines he founded after losing control of Amazing Stories), he had a long history of shady business practices, including paying writers extremely low fees, or sometimes not at all. H.P. Lovecraft and Clark Ashton Smith even dubbed him "Hugo the Rat."
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HOW DO YOU NANOWRIMO?
As the end of October nears, it's that wonderful time of year when, come November 1st, many of us will embark upon National Novel Writing Month, or NaNoWriMo for short. The challenge: to write a 50,000 word novel during the thirty days of November. It an arduous task; to write that many words in such a short span of time requires an enormous amount of concentration, energy, and time.
For most of us, NaNoWriMo means attempting to start and finish an actual novel. A standalone piece that takes us the month of November to complete and then we set about the business of rewriting and and getting it into a more polished form (because let's face it, some of those 50,000 words over the course of thirty days aren't going to be pretty).
There are, however, many other ways in which NaNoWriMo can work for you and your writing goals. For a long time I attempted standalone novels that I never did anything with after-the-fact, because they were kind of disposable projects designed to fuel my creativity and/or get me back into a writing mindset. If a 50,000-word novel isn't your thing, consider the activity as one of the following:
A starting point. 50,000 words is on the short side for a novel. Many novels can reach 75,000, 100,000, or even 200,000 words without breaking a sweat. Rather than attempting to start and finish a novel, why not just start one? There are no rules against not finishing your story by the end of the month... just hitting 50,000 words. So rather than trying to force yourself to write a contained story in that many words, why not start the process of writing a longer novel? By the end of November, you could have a quarter, or even half of a larger novel completed and be well on your way to finishing in December or January.
A template for something else. This is what I'm doing this year. Rather than working on something that I intend to be a novel in its finished form, I'm working on a story that I will eventually write as a television pilot. TV series can go on for years (hopefully!), and they require an immense amount of planning and preparation in order to play them out over the course of multiple seasons. Rather that writing a throwaway standalone product, I'm essentially going to attempt writing 50,000 words of backstory and narrative designed to outline where I want to go with the series. If you've got an idea for something besides a novel... a series of short stories, a TV show, a comic book run, etc., consider using NaNoWriMo as an exercise to help you figure out the overall story rather than trying to tackle it one installment at a time.
A jump start. This kind of ties into what I mentioned earlier about writing something designed to fuel my creativity. If you don't have any grand designs for a polished novel to submit to publishers, why not just write something that will get you back into a writing mindset? Whether you need to get back in the habit or are just feeling a bit uninspired, the commitment you have to make to undertake NaNoWriMo and the regularity with which you have to write are great ways to fire yourself up and get back to your writing habits. Even if you plan on keeping it saved in the deepest, darkest parts of your hard drive and never showing it to anyone, NaNoWriMo might be an exercise than can jump start something else for you.
A series of shorts. While there has been some debate about the use of vignettes in NaNoWriMo, the general consensus is that as long as the larger work has a unified set of characters, theme, etc., it's okay to have a work composed of smaller installments, like an epistolary or a series of shorts. Maybe a sustained 50,000-word narrative isn't your thing in the traditional sense of a novel... but maybe you've got a series of short stories you've been meaning to work on, or maybe you've got a particular theme you want to explore in a variety of different ways. If that describes you, NaNoWriMo might be the perfect way to explore different facets of a larger theme or character.
NaNoWriMo can be different things to different people. Many make the mistake of dismissing it because they don't want to actually write a standalone novel of approximately 50,000 words. But there are no NaNo Police out to enforce whether or not the entry you're working on meets a rigid set of requirements or is a true "novel" according to the official definition of the word. If you have a different kind of work in mind or have a different set of needs, consider how NaNoWriMo can benefit you. Consider whether you can find a way to use the NaNoWriMo exercise to work for those needs. If there's any way in which writing 50,000 words of fiction can benefit your goals, consider giving NaNo a try and adapting it for your needs.
Until next time,
-- Jeff
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I encourage you to check out the following Writing.Com items:
A NaNoWriMo fundraiser... compete as a NaNo writer or donate by sponsoring one!
A nano place to chat about NanoWrimo 2013...
Calling all NaNoWriMo participants! Join us for support, advice, challenges & friendship!
I've seen references to NaNoWriMo here and there but didn't have a clue as to what it was.
Looking for novel reviews? You've come to the right place!
Would you like to have your novel REALLY reviewed? Then this workshop is for YOU!!!
Are you a Mainstream Fiction novelist? This is your place!
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Feedback on my last newsletter about the parts of books that people skip:
Paul D writes, "I have a series of fantasy SciFi stories that take place in the same universe. This is the story that began the series. This is a list of stories: Gemistal: Fyrsoul's Hope, Anelkisterlas: Day of Disaster, Gemistal: Cleo, Gemistal: Fyrsouls, Nileon: A Bad Day At Work, Salvagers, Get It Right and Get It Done, Gemistal: Rise of the Phoenix, Anelkisterlas: Derelict." (Submitted Item: "Invalid Item" )
Thanks for writing in!
Zeke writes, "I completely agree about needless words. We have to be careful to not let show versus tell get the best of us."
Couldn't agree more!
richardhead writes, "Ambiguous and unmonumental. You said it well. Thanks for the obvious. We all need what is that repeated. I know I do. I dwelt on every word you wrote praying it wouldn't end. Spellbound? Perhaps mesmerized is a better representation. The ending wasn't unpredictable. It also wasn't enlightening but I thank you for attempting to help readers read and writers write.. Marlin"
I appreciate you taking the time to send in a comment. Thank you!
Elle - on hiatus writes, "Your comment about skipping long paragraphs of detailed description instantly made me think of Jean M Auel's Earth's Children series. The books are stunningly researched and the level of detail is immense. You can truly picture yourself in the ice age with the neanderthals and feel like you can see, smell and touch everything. It's amazing. But by the fourth book in the series, I have to admit, I was skipping pages at a time to get to the action. I loved the first three books, but the fourth was overly descriptive. Thankfully the fifth returned to a nice balance. "
I feel the same way about quite a few authors. With George R.R. Martin it takes me at least half a book of trudging through and being tempted to skip before I start to really get into all the detail. I'm glad I don't... but man, he has some hefty word counts!
Arakun the twisted raccoon writes, "Great newsletter! Long paragraphs of "telling" narrative are a sure fire way to get me to stop reading. I hardly ever skip dialogue, though. I've read lots of stories with too much narrative or description, but I've never read one with too much dialogue."
Great point... dialogue is a very effective way of keeping a story moving.
abcoachnz-Sometimes around writes, "Thank you for your advice here. Is there some way that you could provide, say, top ten ways to identify what readers skip?"
I don't know of any study that's officially researched it, but for myself I tend to skip over long lists of detail. Whether it's a setting or an emotion or something a character notices, I tend to start checking out after more than a few sentences that focus on any one thing. For me, it's about forward momentum. If I get the feeling that I'm just reading the same thing presented in different ways (like a whole paragraph to describe the color of something), I start to check out.
Pepper writes, "I like Stephen King's formula. After he finishes a draft, he revises by cutting out a third of the text. Now, that's getting rid of all the parts people skip."
What truly frightens me about this: if his final books are as long as they are, what did the original draft of UNDER THE DOME or DESPERATION look like?
brom21 writes, "I see your point. I’ve always thought that a published book excels in all aspects and that it is improper to skim over or skip parts even if they’re boring or slow. I recall a person who read a book where the author spent fifty pages describing an iceberg! That’s over doing it in my opinion but of course I never read the book so it may have been quite captivating and worth the time to read. Who knows."
I used to feel like I could never skip over a single word, and if I started a book, I felt compelled to finish it. While I still struggle with that last one, in recent years I've become more accepting of the fact that there's no requirement out there to stick with something if it isn't speaking to you. If a book, or a chapter, or even a paragraph isn't holding my interest, I don't force myself to endure something that I'm truly not invested in. I try to give everything a fair chance, but if I'm 100 pages into a book and not engaged in where it's going... well, there are plenty of other books out there I want to read.
BIG BAD WOLF is Howling writes, "Teddy Roosevelt had a saying, "The best thing to do is the right thing. The second best thing is to do the wrong thing. The worst, however, is to do nothing at all." As we all know, Teddy never took the "nothing at all" approach." (Submitted Item: "Redwall Interactive" )
Good 'ol Teddy...
creatress writes, "I've also found that leaving out the parts people skip help with the pacing of a story. The reader isn't distracted by parts that aren't integral to the storyline. It make for a much richer narrative."
Absolutely. As writers, I think many of us are tempted to use as many words and descriptors as possible to paint the most vivid picture possible for our reader. But in addition to just knowing a lot of words or being able to craft an elegant sentence, an author also needs to understand the pacing of a story and present a piece of writing that doesn't have readers abandoning in droves at slow points.
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