Action/Adventure: August 10, 2005 Issue [#501]
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Action/Adventure


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  Edited by: Vivian Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

         As a guest editor for the Action Adventure, I thought I’d write about the need for certain components which build, add, and/or continue the suspense needed to keep the reader’s attention. What good is writing anything if the reader is lost?
         Welcome to the world of Vivian Gilbert Zabel and her ideas for Action and Adventure.


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Letter from the editor

Suspense


         The first place to build suspense needed in any writing is the first few sentences. According to Bill Reynolds, The Writer, August 2005, page 7, “A proper opening picks the reader up by his collar and throws him into the story.”

         The art of suspense means giving the reader something to worry about. In Latin suspendere means to hang, thus suspense, which avoids boredom and losing readers. The reader is compelled to turn pages, the cure for boredom.

          Suspense (uncertainly, doubt, anxiety) is a must for all fiction. It should start from the very beginning of a story or novel, should be built into the premise and structure of any fiction writings.

         According to William G. Tapply, The Writer, August 2005, the essential elements for suspense are as follows:

1. State story’s plot as a question (not in the story itself), one that can be answered yes or no. Make a list of all the possible reasons why the answer could be “no.” Those “no” answers become the focus of problems and obstacles - suspense.

2. Create a likable and competent - but flawed - protagonist. (Protagonist = hero, good guy/gal)
If the reader doesn’t care about the protagonist, then suspense is meaningless. The flaw or flaws will help create needed suspense because the outcome will be in doubt.

3. Give the protagonist a powerful motivation. He/she must have strong desires, needs, wants. The basic and powerful human needs and drives are essential: Love, ambition, greed, survival are examples. Something vitally important must be at stake or readers can’t believe the protagonist would never abandon the quest.

4. Give your protagonist highly motivated antagonists (opponents, villains). “All stories need strong villains. Suspense rests on the possibility – even the likelihood – that the villain will defeat the hero.”

5. Keep raising the stakes and creating disasters. The formula for building suspense is a bad start that gets worse. Suspense is about problems and obstacles, disasters and failures, small triumphs and big reversals. As Tapply says, “Never make things easy for your protagonist.”

6. Choose your story’s point of view to maximize suspense. The objective POV allows the attention of the reader to shift from character to character. We, as readers, are allowed to interpret and imagine, to wonder and worry. We are drawn into the story by the changing of point of views from one character to another. The single POV limits only to one character’s experiences and thoughts. Anything else is speculation, imagination, and worry.

7. Wind up the ticking clock. Tapply’s words express this point best.


         Suspense depends on urgency. Build a zero hour into your story’s arc:
         Antagonists of all kinds – kidnappers, terrorists and assassins, of course
         but also teachers and parents and editors, not to mention tides and storms
         and seasons – create time pressures and constraints.
         Your story’s momentum might build gradually at first, but soon it
         becomes a race against the clock, and it accelerates as it rushes towards
         its fateful climax.


          The result of the use of suspense in any action/adventure story becomes a riveting story that the reader cannot put down until finished.

          I hope I followed these ideas for developing suspense in my story
 Another Storm Open in new Window. (13+)
Storms and nightmares foretell horror.
#848247 by Vivian Author IconMail Icon
but only a reader can really answer that question.


Editor's Picks

Some of the Best from W.Com


         Finding exactly what I wanted was difficult. I did find two very good examples of suspense and action/adventure, and I'm sure there are more.

 Bob Open in new Window. (13+)
A humorous short story about...well, Bob.
#945322 by Harry Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#990717 by Not Available.


          The following authors on W.Com have many items in their ports that combine suspense and action/adventure:

writetight
billwilcox
Holly Jahangiri Author Icon
Jack Goldman Author Icon

 
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Word from Writing.Com

Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter!
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Ask & Answer

Feedback


         Since I'm just a guest editor, I haven't any feedback to share. However, if anyone sends any about this issue, I'll save it for a time when I guest-edit again.

         Until the next time we meet in this newsletter, or until you visit me in the poetry one, I hope you find a way to have adventures in your life and writing -- and add suspense.



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