Short Stories: August 13, 2008 Issue [#2554]
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Short Stories


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  Edited by: Kate - Writing & Reading Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

There is no greater agony than bearing an untold story inside you.

- Maya Angelou


         Greetings, I am honored to be your guest host this week for the Short Story Newsletter. I would like to take this opportunity to explore something that I often have trouble with in my own stories ~ figuring out whose story it is.


Word from our sponsor

ASIN: B01CJ2TNQI
Amazon's Price: $ 5.99


Letter from the editor

         I hear voices, as do you, and the voices demand expression; that's why we write*Thumbsup*

         But whose voice do we use? Whose story are we telling? (No, this isn't about 'show' vs 'tell' - *Rolleyes*)

         I was recently assigned a task to write something personal; a story about a personal event. I was being instructed to 'tell a story,' and relate something that happened to me. So here goes.

I entered the room and flicked the light switch, even though the power was out all over the city. My finger was so ingrained with the routine flip, I did it without thinking, and got the shock of my life when I heard a thump and saw, on the kitchen table....

         First Person I am the narrator/protagonist and I relate what I sense. I see, hear, taste, smell, sense/think (yes, all five-plus senses). In a short story, the first person can work well as long as we maintain the sensory reality. I would not know that you are thinking of slapping me for what I said, but I would observe your fist clenched and your lips pressed together as if unstated epithets clamored for release. See the sensory image I'm depicting? Have you ever seen someone seethe and sense that it would take but one word or movement to make them 'flip'? Show that immediacy to your reader and you draw him/her into the character's vision, and aid him in empathizing with the character (you) and wanting to see you succeed (or fail, perhaps)*Thumbsup*

         First person viewpoint is limited to what the character/speaker actually perceives by use of senses and imagination. I think it's really important to minimize adverbs which distance the reader. Allow your reader to walk alongside your character and draw his/her own conclusions as do you.*Thumbsup*

         First person viewpoint, however, doesn't have to be just me, myself, and I. I can step into character as a sentient being of another species, or perhaps an inanimate object, and relate 'my' story using relevant unique perspectives.

         First person viewpoint, also can be used by a peripheral narrator - a character telling a story about someone else. Something like this...

I watched Mike open the door and flick the light switch, even though the power had been out for several hours. His fingers then flicked the ineffective switch off, as he stared, agape, at what was on the kitchen table across the room.

         First person doesn't have to be about me, it is much more versatile that I previously knew and, I hope that you also, kind reader, see it as more than journaling or 'telling' tales. First person, whether related by me personally or my character or me writing of my observations of another character, does require active observation and vivid description of what I perceive. I want my reader to see what I see, smell what I smell, and perceive what I think before drawing his/her own conclusions up to the resolution I've plotted (but not before my character gets there*Thumbsup*.

         I have a challenge for you, if you choose to accept, that could be fun.*Wink*


Editor's Picks

I hope you spend some time with a few of our authors and let them know how you enjoyed hearing their voices.

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#1408188 by Not Available.


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#1457922 by Not Available.


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#1460065 by Not Available.


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#1461138 by Not Available.


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#1454197 by Not Available.


 Darkness to Darkness Open in new Window. (E)
A nail-biting first-person thrill-ride through the life of a modestly sized plant.
#1432538 by Dermit Author IconMail Icon



And check out this daily challenge to incite the Muse Creative ~

Daily Flash Fiction Challenge Open in new Window. (13+)
Enter your story of 300 words or less.
#896794 by Arakun the twisted raccoon Author IconMail Icon



Need some more time to 'tell' your story*Wink* ~ how about either of the following challenges to the Muse Creative?

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#1161788 by Not Available.


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#1068576 by Not Available.

 
Submit an item for consideration in this newsletter!
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Word from Writing.Com

Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter!
         https://www.Writing.Com/go/nl_form

Don't forget to support our sponsor!

ASIN: 1542722411
Amazon's Price: $ 12.99


Ask & Answer

As a guest host, I don't have an ask and answer, but how about a challenge - write for me a scene or two in First Person - using any of the models explored above, where the following occurs.

You/your character are/is in a room that is familiar but it's completely dark, no power or light, and you/your character have to get out because..."

Send me an email with a link or the whole scene(s) if you would, because I will be back next week to share some more of my journey. I would like to feature, with your permission, excerpts from your scenes/stories. I will compensate you for your trouble, some tasty gps would be in order, I think*Smile*

Thank you once again for the invite,

Until we next meet,

Keep Writing!

Kate
Kate - Writing & Reading Author IconMail Icon

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