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Printed from https://writing.com/main/newsletters/action/archives/id/2293-.html
Drama: March 26, 2008 Issue [#2293]

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Drama


 This week:
  Edited by: Joy Author IconMail Icon
                             More Newsletters By This Editor  Open in new Window.

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

"Drama is life with the dull bits cut out."
Alfred Hitchcock


Drama exists everywhere, and it often offers solid reasons for its existence by filling us with tension and excitement. Let us look into some ways that may enhance the drama in our writing.


Word from our sponsor

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Letter from the editor

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Welcome to the Drama newsletter


          In this newsletter, we will pay attention to ideas.

          In philosophy, two views exist on where the ideas come from: One view claims that ideas live in a separate realm that give rise to what is called innate ideas; the other view insists we get our ideas from life experiences. Both views, when we think about them, may have a say in our writing life.

          According to our standard understanding and sometimes our wishful thinking, ideas come to us writers spontaneously; however, ideas may also come as derivatives of other ideas or whatever enters the mind at a given moment. Once an idea enters the mind, it triggers other concepts that are connected and similar.

          Everything starts with an idea. Each piece of writing starts with an idea. If the idea behind a story is attractive, the editors will welcome its proposal, and most importantly, when the story or the script is written, that attractive idea will keep the readers reading.

          What makes any idea attractive, then?

          A contradiction emerges in the answer. The idea has to be original and attention getting; yet, it must be familiar. Finding an idea both original and familiar sounds like a paradox; however, these two oppositions can be made to work together to benefit the writer.

          Let us look at an example. Everyone, five years of age or older, is acquainted with the idea of dinosaurs. Yet, an amusement park exhibiting certain genetically recreated dinosaur species is an original idea. Add to this a few assisting ideas in most anyone’s experience like a badly managed park, grandfather touring a park with his grandchildren, and two rival genetic engineering companies, you have the successful Jurassic Park by Michael Crichton.

          When we look at this story’s example more carefully, we see that Jurassic Park’s originality is its more powerful side. Its familiarity increases when other concepts support it as the story progresses.

          Thus, while creating a story from an idea, we need to push the spotlight on the stronger, original side of the idea, so the focus of the story does not waver. In other words, we do not put two, three, or more equally original aspects into one idea. The risk in introducing too many originalities into one story idea can lose us the reader’s attention or tire and confuse him.

          Second part of the answer to what makes an idea attractive lurks within the idea. It is the implication of conflict with an immediate appeal. In the amusement park’s cloned dinosaurs idea, the conflict is implied inside the idea with the dinosaurs becoming a menace and threatening the world.

          For that reason, once an idea comes to us, we must look for the implied conflict in it. Then, we can develop that conflict further.

          Strong conflict always shows up with drama. When the conflict is vague, the story may end up becoming wishy-washy. A clear conflict will make a successful story, because the reader will want to find out how the conflict will be resolved.

          Inside the same idea, should the writer not see the conflict at first sight, he can look if any characters are already there. Then, the make-up of the characters can create the conflict, and consequently, the drama. The Harry Potter books probably started with the idea of “a teenage wizard in school.” Thus, the teenage wizard’s character and the supporting characters around him developed the conflict that led to the drama.

          To sum it up, to create a dramatic story, first write down the idea in one sentence and make sure the idea is original, yet at the same time, familiar. Next, make sure the conflict is implied in that sentence. Then, see if the characters who can successfully carry out the story are hiding in that same idea sentence. If you don’t see them there, create them yourself, connecting their existence to the idea.

          May all our ideas produce dramatic pieces.


*~*~**~*~**~*~**~*~**~*~**~*~**~*~**~*~*


A tiny contest:

By April 13, 11:59 P.M.
, Write a new story idea in one sentence, and underneath that sentence, write a paragraph on how you plan to develop that idea, as writers do in book proposals. Do not write the story, and do not work with an idea on which you have already written a story.
Please, post your answers in "Drama ForumOpen in new Window. either directly or, if you have made an item for it, as a link. Keep to the forum's 13+ content rating if you are posting it directly.
Top three entries will get creativity badges.


Editor's Picks

A few stories built on brilliant ideas:

The idea of wishful thinking takes the form of a very imaginative story about a man finding his double in a parallel universe.
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This item number is not valid.
#1382363 by Not Available.


Here is the cricket phobia idea that turned into a delightful story.
 Jumpin’ Jiminy Open in new Window. (13+)
My girlfriend's phobia.
#1164254 by Bernie Thomas Author IconMail Icon


The idea of life being backwards results in the story of plane-wrecked CEO’s.
 Invalid Item Open in new Window.
This item number is not valid.
#1380479 by Not Available.


The search for eternal youth and eternal life idea develops into an extraordinary fable.
 Invalid Item Open in new Window.
This item number is not valid.
#857938 by Not Available.


A few poems with drama:

 Ted's Spots! Open in new Window. (E)
The day his wife found Ted in bed....
#1316563 by ~Sue~ Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#752577 by Not Available.


 Semper Fi Open in new Window. (13+)
a poem about my Vietnam vet brothers who have lost themselves on this side of the ocean
#319238 by Dale Arthur Author IconMail Icon


 Sleigh Ride Open in new Window. (ASR)
Another narrative story-telling poem
#947044 by Fyn Author IconMail Icon


 Good Night Irene Open in new Window. (13+)
Round 6 SLAM Entry - about Ethel and Julius Rosenberg
#868536 by Sophurky Author IconMail Icon


For practicing your dramatic skills:

1. A group

 Invalid Item Open in new Window.
This item number is not valid.
#700291 by Not Available.


2. A few contests run by site members

99 Words A 2-Weekly Challenge Open in new Window. (18+)
A new challenge with prompts each fortnight for inspiration
#1388363 by iKïyå§ama Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#1357704 by Not Available.


 Invalid Item Open in new Window.
This item number is not valid.
#1161788 by Not Available.


 Invalid Item Open in new Window.
This item number is not valid.
#1098822 by Not Available.


Image Protector
FORUM
The Bard's Hall Contest Open in new Window. (13+)
NOVEMBER: Comedy... Thanksgiving with the Family
#981150 by StephBee Author IconMail Icon




 
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Ask & Answer

bazilbob

          How about the plain but indespensible automatic writing. Pick a word or subject, and write non-stop for 10-15 minutes. Write whatever comes into your head without thinking. The idea is to allow the creative element a free rein while the critical/editing element is kept away, so no editing! You'll probably end up writing half sentences, or switching subject mid-sentence, which is what you want; to let your imagination take you where you never thought that word or subject would.

          Excellent point. Thank you for bringing it up. Actually, most writers and many of us here in WC use free-flow writing to come up with original ideas. Free-flow writing--also called automatic writing--is a technique that awakens the mind. Free-flow writing, however, is for the writer's own eyes. It rarely turns out to be good enough to pass as a fully rounded piece of writing.

Please let me know what you would like to see in the future issues of the drama newsletter.
You may post your ideas and requests in "Drama ForumOpen in new Window. or send them to the Drama Newsletter. Thank you.






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