Fantasy: February 06, 2008 Issue [#2208]
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  Edited by: Fyn-elf Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

An author puts pen to paper and creates a fantastical world into which he invites the reader. We creep into the picture belonging and becoming a part of the evolving world as much as our imaginations will allow--for tis not only Bastian in The Neverending Story that gets to become one with the tale, but any with the eyes and heart to share in the writer's imagination.

I am fyndorian and i am guest editing this week's Fantasy newsletter.


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Letter from the editor

During a long conversation with a fellow writer here at WDC, we went off on a tangent about our favorite fantasy authors which then lead to a conversation about what these authors had done to achieve that status. We both agreed it was in their skill to be able to place the reader in their fantasy world with us being able to accept that world.

They were able in the first few paragraphs to present their world to the reader in such a fashion that we, as readers, could not only accept this alternate reality, but be able to see its creatures, breathe its air and feel that it was all perfectly normal, acceptable and right.

Consider the beginning of Anne McCaffrey's Dragonriders of Pern series.
When is a legend legend? Why is a myth a myth? How old and disused must a fact be for it to be relegated to the category "Fairy-tale"? And why do certain facts remain incontrovertible while others lose their validity to assume a shabby, unstable character?

Rukbat, in the Sagittarian sector, was a golden G-type star. It had five planets, and one stray it had attracted and held in recent millennia. Its third planet was enveloped by air man could breathe, boasted water he could drink, and possessed a gravity that permitted man to walk confidently erect. Men discovered it and promptly colonized it. They did that to every habitable planet, and then -- whether callously or through collapse of empire, the colonists never discovered and eventually forgot to ask -- left the colonies to fend for themselves.

When men first settled on Rukbat's third world and named it Pern, they had taken little notice of the stranger-planet, swinging around its adopted primary in a wildly erratic elliptical orbit. Within a few generations they had forgotten its existence. The desperate path the wanderer pursued brought it close to its stepsister every two hundred (Terran) years at perihelion.

When the aspects were harmonious and the conjunction with its sister planet close enough, as it often was, the indigenous life of the wanderer sought to bridge the space gap to the more temperate and hospitable planet.

It was during the frantic struggle to combat this menace dropping through Pern's skies like silver threads that Pern's tenuous contact with the mother planet was broken. Recollections of Earth receded further from Pernese history with each successive generation until memory of their origins degenerated past legend or myth, into oblivion.

To forestall the incursions of the dreadful Threads, the Pernese, with the ingenuity of their forgotten Terran forebears, developed a highly specialized variety of a life-form indigenous to their adopted planet. Such humans as had a high empathy rating and some innate telepathic ability were trained to use and preserve this unusual animal whose ability to teleport was of great value in the fierce struggle to keep Pern bare of Threads.

The winged, tailed, and fiery-breathed dragons (named for the Earth legend they resembled), their dragonmen, a breed apart, and the menace they battled, created a whole new group of legends and myths.

Once relieved of imminent danger, Pern settled into a more comfortable way of life. The descendants of heroes fell into disfavor, as the legends fell into disrepute.

Copyright © 1996 by Anne McCaffrey


Irregular planetary orbits, sister planets flinging forth silver 'threads', dragons bred to combat this terror and the problems of fact degenerating into oft disbelieved legend. There is enough of a present day reality mixed with the fantasy for the reader to accept the premis that on Pern, there do be dragons. And the next step being that given that reality, the reader's wishes are tapped into, for who wouldn't want to see or possibly, ride a dragon? Now we have a world with all its problems, peopled with inhabitants with varying levels of education, imagination and social status and a front row seat to that which will be its salvation,or its demise.

Or consider the beginning of Aldous Huxley's Brave new World.


A squat grey building of only thirty-four stories. Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State's motto, COMMUNITY, IDENTITY, STABILITY.

The enormous room on the ground floor faced towards the north. Cold for all the summer beyond the panes, for all the tropical heat of the room itself, a harsh thin light glared through the windows, hungrily seeking some draped lay figure, some pallid shape of academic goose-flesh, but finding only the glass and nickel and bleakly shining porcelain of a laboratory. Wintriness responded to wintriness. The overalls of the workers were white, their hands gloved with a pale corpse-coloured rubber. The light was frozen, dead, a ghost. Only from the yellow barrels of the microscopes did it borrow a certain rich and living substance, lying along the polished tubes like butter, streak after luscious streak in long recession down the work tables.

"And this," said the Director opening the door, "is the Fertilizing Room."

Copyright © 1932, 1946, 1958 by Aldous Huxley


Here we have a glimpse into this brave new and not altogether welcoming world. In fact we are presented with quite the dehumanizing picture of a world under one leadership where humans are bred to work certain jobs in order to maintain the World State's motto. It is, as it goes on, a sterile environment where each member is cubby-holed, designated and supposedly quite happy.

Is it fear of tomorrow that keeps the reader reading, that tingling of fear that we, gasp, are already experiencing some of these occurances? But read on we do, because while we already accept that this world can exist, we, in some small corner of our brain, are already wanting to thwart it, to fight the system...thus the fantasy strays not all that far from the reality.

In Cornelia Funke's DRAGON RIDER we again are thrust into a world of dragons, dwarves, and wonderful magic.

"I've seen one!" uttered the dwarf, without raising his face from the floor. "I've seen one, Your Goldness!"

"Seen one what?" Bored, Nettlebrand scratched his chin.

Twigleg went over to the dwarf and bent down to him.

"You'd better get to the point instead of squashing your fat nose flat," he whispered. "My master has a truly terrible temper."

The dwarf scrambled up, looked nervously at Nettlebrand, and pointed a trembling finger at the wall behind him. "One of those," he breathed. "That's what I saw."

Nettlebrand turned around. There was a tapestry on the wall, a tapestry woven by human beings hundreds of years ago. Its colors were faded, but even in the darkness you could make out what it showed – knights hunting a silver dragon. Nettlebrand suddenly sat up. His red eyes stared down at the dwarf. "You say you saw a silver dragon?"
From Dragon Rider. Copyright © 2004 By Cornelia Funke.


From the moment we envision the dwarf pointing his trembling finger at an ancient wall painting of a knight fighting a dragon, past and this future collide with all the adventure and magic and possibilities our locked away child can handle. It is the mixute, perhaps of fantasy and reality in each of these worlds, inhabited with creatures with what we recognize as human qualities and frailities that makes them real.

Think back, for a moment to The Veleteen Rabbit. Didn't you once have a treasured toy that was 'real?' It is okay...you can smile and nod your head, your monitor cannot quite yet report you to THE DIRECTOR!

In A Wizard of Earthsea by Ursula K. Le Guin, the opening paragraph introduces the reader to not only the wizard Ged, but places him and his beginings on the island of Gont in a stormy sea and we can already begin to envision with magical place.


The island of Gont, a single mountain that lifts its peak a mile above the storm-racked Northeast Sea, is a land famous for wizards. From the towns in its high valleys and the ports on its dark narrow bays many a Gontishman has gone forth to serve the Lords of the Archipelago in their cities as wizard or mage, or, looking for adventure, to wander working magic from isle to isle of all Earthsea. Of these some say the greatest, and surely the greatest voyager, was the man called Sparrowhawk, who in his day became both dragonlord and Archmage. His life is told of in the Deed of Ged and in many songs, but this is a tale of the time before his fame, before the songs were made.
Excerpted from A Wizard of Earthsea by Ursula K. Le Guin Copyright © 2004


These are all fantastic books which, if you haven't read already, are truly awesome reads! They are bring the reader into their specific worlds from word one, and I suggest that this is why they are so well received.



Editor's Picks

Here some fantasy worlds awaiting your visit....

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This item number is not valid.
#1378461 by Not Available.


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This item number is not valid.
#1376473 by Not Available.


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This item number is not valid.
#1131114 by Not Available.


 The Shadow Tome (prologue & ch. 1) Open in new Window. (18+)
Here is the beginning to my book, The Shadow Tome; a high fantasy novel.
#1383989 by Gildor Author IconMail Icon


 The Cape of Glass Flowers Open in new Window. (13+)
Emilia finds a demon who says she can see her dead mother;as long as she does what he asks
#1384085 by The Whispering White Raven Author IconMail Icon


 Invalid Item Open in new Window.
This item number is not valid.
#1379164 by Not Available.


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This item number is not valid.
#1376014 by Not Available.


and finally...
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This item number is not valid.
#1175570 by Not Available.



Happy reading!




 
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