 Drama: July 13, 2022 Issue [#11450] |
This week: On Writing Strong Scenes Edited by: Lilli 𧿠â  
More Newsletters By This Editor 
 
1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions
| Any story or novel is a series of scenes strung together like beads on a wire. A work of fiction will comprise many scenes, and each one of these individual scenes must be built with a structure most easily described as having a beginning, middle, and end. The beginning of each scene is what weâll be talking about in this week's newsletter. |
| ASIN: B085272J6B |
Product Type: Kindle Store
|
Amazon's Price: $ 9.99
|
|
The word beginning is a bit misleading since some scenes pick up in the middle of the action or continue where others left off, so let's use the term launch, which more clearly suggests the place where the readerâs attention is engaged anew.
Visually, in a manuscript a new scene is usually signified by the start of a chapter, by a break of four lines (called a soft hiatus) between the last paragraph of one scene and the first paragraph of the next one, or sometimes by a symbol such as an asterisk, to let the reader know that time has passed.
Each new scene still has a responsibility to the idea or plot you started with, and that is to communicate your idea in a way that is vivifying for the reader and that provides an experience, not a lecture. Scene launches, therefore, pave the way for all the robust consequences of the idea or plot to unfurl. Each scene launch is a reintroduction, capturing your readerâs attention all over again. Start each scene by asking yourself two key questions:
 Where are my characters in the plot? Where did I leave them and what are they doing now?
What is the most important piece of information that needs to be revealed in this scene?
Only you and the course of your narrative can decide which kinds of launches will work best for each scene, and choosing the right launch often takes some experimentation. Here weâll cover some techniques for launching scenes in three main ways: with action, narrative summary, or setting.
Action Launches
The sooner you start the action in a scene, the more momentum it has to carry the reader forward. If you find yourself explaining an action, then youâre not demonstrating the action any longer; youâre floating in a distant star system known as Nebulous Intellectulus - more commonly known as your headâand so is the reader.
Keep in mind the key elements of action: time and momentum. It takes time to plan a murder over late-night whispers; to cause an embarrassing scene by drunkenly dropping a jar at the grocery; to blackmail a betraying spouse, or to haul off and kick a wall in anger. These things donât happen spontaneously, they happen over a period of time. They are sometimes quick, sometimes slow, but once started, they unfold until finished.
Action launches tend to energize the readerâs physical senses. To create an action launch:
1. Get Straight to the Action.
Donât drag your feet here. âJimmy jumped off the cliffâ rather than âJimmy stared at the water, imagining how cold it would feel when he jumped.â
2. Hook the Reader With Big or Surprising Actions.
An outburst, car crash, violent heart attack, or public fight at the launch of a scene allows for more possibilities within it.
3. Be Sure That the Action Is True to Your Character.
Donât have a shy character choose to become suddenly uninhibited at the launch of a scene. Do have a bossy character belittle another character in a way that creates conflict, for example.
4. Act First, Think Later.
If a character is going to think in your action opening, let the action come first, as in, âElizabeth slapped the Prince. When his face turned pink, horror filled her. What have I done? she thought.â
Narrative Launches
Writers often try to include a narrative summary, such as descriptions of the history of a place or the backstory of characters, right at the launch of a scene, believing that the reader will not be patient enough to allow actions and dialogue to tell the story. In large doses, narrative summaries are to scenes what voice-overs are to moviesâdistractions and interruptions. However, a scene launch is actually one of the easier places to use a judicious amount of narrative summary, so long as you donât keep the reader captive too long.
A narrative approach is best used with the following launch strategies:
1. Save Time by Beginning With Summary.
Sometimes actions will simply take up more time and space in the scene than you would like. A scene beginning needs to move fairly quickly and, on occasion, a summary will get the reader there faster.
2. Communicate Necessary Information to the Reader Before the Action Kicks in.
Sometimes information needs to be imparted simply in order to set the action in motion later in the scene. Opening sentences such as, âMy mother was dead before I arrived,â âThe war had begunâ and, âThe storm left half of the city underwater,â could easily lead to action, for example.
3. Reveal a Characterâs Thoughts or Intentions That Cannot Be Shown Through Action.
Coma victims, elderly characters, small children, and other characters sometimes cannot speak or act for physical, mental, or emotional reasons; therefore the scene may need to launch with narration to let the reader know what they think and feel.
Setting Launches
Sometimes setting detail like a jungle on fire, or moonlight sparkling on a lake is so important to the plot or character development that itâs appropriate to include a visual setting at the launch of a scene. This is often the case in books set in unusual, exotic, or challenging locations such as snowy Himalayan mountains, lush islands, or brutal desert climates. If the setting is going to bear dramatically on the characters and the plot, then there is every reason to let it lead in to the scene that will follow.
1. Engage With Specific Visual Details.
If your character is deserted on an island, the reader needs to know the lay of the land. Any fruit trees in sight? What color is the sand? Are there rocks, shelter, or wild, roaming beasts?
2. Use Scenery to Set the Tone of the Scene.
Say your scene opens in a jungle where your character is going to face danger; you can describe the scenery in language that conveys darkness, fear, and mystery.
3. Reflect a Characterâs Feelings Through Setting.
Say you have a sad character walking through a residential neighborhood. The descriptions of the homes can reflect that sadnessâhouses can be in disrepair, with rotting wood and untended yards. You can use the weather in the same way. A bright, powerfully sunny day can reflect a mood of great cheer in a character.
Scene launches happen so quickly and are so soon forgotten that itâs easy to rush through them, figuring it doesnât really matter how you get it started. Donât fall prey to that thinking. Take your time with each scene launch. Craft it as carefully and strategically as you would any other aspect of your scene. Remember that a scene launch is an invitation to the reader, beckoning him to come further along with you. Make your invitation as alluring as possible. |
| |  | Invalid Item
This item number is not valid.
#2274998 by Not Available. |
| | | A Renewing (18+)
Viola longs to surface from her grief and wake the land. If only someone would wake her.
#2259940 by K Renée  |
|
Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter!
https://www.Writing.Com/go/nl_form
Don't forget to support our sponsor!
| ASIN: B01MQP5740 |
Product Type: Kindle Store
|
Amazon's Price: $ 4.99
|
|
| ASIN: B0CJKJMTPD |
Product Type: Kindle Store
|
Amazon's Price: $ 4.99
|
|
To stop receiving this newsletter, click here for your newsletter subscription list. Simply uncheck the box next to any newsletter(s) you wish to cancel and then click to "Submit Changes". You can edit your subscriptions at any time.
|
This printed copy is for your personal use only. Reproduction
of this work in any other form is not allowed and does violate its copyright. |
View Portfolio
Visit Notebook
Send Gift Points
Awards
Badges
Send Email
