 For Authors: October 07, 2020 Issue [#10398] |
This week: Children Love Action -- in books, too Edited by: Vivian  
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Hi, since I often work with children's books, and I have worked with children, I know that children bore easily. Any books for them need excitement, adventure.
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| ASIN: 0995498113 |
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Amazon's Price: $ 19.95
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Action for Children and Teens
Youngsters enjoy good stories, whether they listen or read for themselves. However, action is needed to keep their attention, even if the reader wants them to go to sleep. Children don't always respond to boredom by sleeping.
"What do you mean, action is need?"
Yes, I heard that question, and I'll give you an answer that will improve any stories written for children.
"What do you know about writing for children?"
I have some published books and stories. My company publishes children's, middle grade, and young adult books, and we have some very good ones, books that delight children and even adults. I have also studied what is needed in a good children's story, poem, or book. I read about what other publishers and editors want.
According to Write4Kids.com, stories for children develop mainly through action and dialogue, with concrete action from the first lines. Publishers and editors search for stories with a plot containing strong action.
Part of action in writing of any kind concerns the use of strong action verbs. Passive voice and state of being verbs have a place in writing but should be avoided as much as possible. A good writer will replace weak verbs and passiveness with action verbs and active voice.
"What are you talking about: action verbs, active voice, passive voice, state of being verbs?"
All right, let's have a brief grammar lesson. One type of passive voice uses verbs with have, had, or has as helping verbs. It denotes something that happened in the past in a passive, non-active way. An example of a sentence in passive voice with one of those helping verbs would be as follows:
The boy had begged for a dog for a long time, but his parents had wanted him to have a cat.
Making the verbs action without the sluggish helping verbs makes the sentence more interesting:
The boy begged for a dog for dog for a long time, but his parents wanted him to have a cat.
Another way to have passive voice is to have the subject not do the action of the verb, but receive the action.
The ball was hit by the bat. The ball didn't hit anything, but it was hit. The subject received the action of the verb, but didn't act itself.
The bat hit the ball. The bat, the subject, did the acting.
Now we can take this action a step further by using a stronger, more vivid action verb than hit.
The bat collided with the ball. The bat struck the ball.
Using state of being verbs (is, am, are, was, were, been, being) can weaken any writing and shows no action. To avoid using them, sometimes a sentence must be rewritten.
It was dark and gloomy. This sentence not only is vague with the use of it, a pronoun without an antecedent, but the linking verb or state of being verb, was, is weak.
The moon hid behind the clouds. gives the same description without using an unclear pronoun or a vague linking verb. Yes, sometimes we must use a state of being verb, but we should avoid them if possible.
Action verbs show action, either physical or mental behavior. Active voice means that action is shown, that the subject does the action rather than being acted upon.
Now, back to including action in children's stories, poetry, and books.
Children like action in their stories. They want to see, hear, feel things happening to the characters. They want to know what the characters do, say, experience.
Umm, those ideas sound like what all readers of all ages want when they read and what all writers need in their work . |
Writings from W.Com
Written by a fifth grader
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Words from Our Readers
hbk16
As emphasized here by these imminent authors, all the components of the story are important to drain the suspense.
An author should involve the reader directly in the suspense using attractive sentences and expressions at the beginning of the story indeed.
It is a featured issue indeed.
Anna Marie Carlson 
Thank You for the newsletter. When you lose a loved one, things change. When I lost my mother in 2006, my whole family wouldn't talk to me. I have managed, at times, to talk to a few of them, but they hadn't talked to me since I lost my mother. It's hard, especially when people won't let you grieve, therefore you keep it inside, which is not a good thing.
May you find plenty of action in all of your writings.
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| ASIN: B07RKLNKH7 |
Product Type: Kindle Store
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Amazon's Price: $ 0.99
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